Three-part mini-series set during three different eras in a single room of an odd hotel where employees never age. Every story has a slight twist to it, but the stories are mostly dialogue-heavy psychological or relationship dramas.
The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.
A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that seems to come from nowhere. The security guards that search ... See full summary »
The lives of several people spanning from 1936 to 1993 are chronicled during their overnight stay at a New York City hotel room. The hotel room undergoes minor changes through the century, but the employees of the hotel remain unchanged, never aging. Written by
A huge disappointment from a usually superb director
This is the worst David Lynch directed film or TV series in existence. There are three different episodes to this horrific video, all revolving around the same hotel room. The three different episodes are set in different times, spanning from the 1940's to the 1990's. Harry Dean Stanton stars in the first and probably the best out of the three. This episode is the strongest of the three, with all the usual twists and turns that you have come to expect out of David Lynch. But the next episode is a horrible hybrid of a day soap opera and any theatre-bound 90's mainstream dark-humored film that we have grown accustom to loathe. Halfway through the last episode I decided enough was enough and ejected the tape while condemning this god-awful movie to Haiti. I hated this film and my favorite film is Blue Velvet. Go figure.
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