| Fotos (Alle 4 | Diashow) | Videos |
| Penelope Ann Miller | ... | Margaret Harwood | |
| Tim Daly | ... | Oliver Plexico | |
| Louis Jourdan | ... | Philippe | |
| Art Malik | ... | Nico | |
| Ian Richardson | ... | Sir Mason Harwood | |
| Ian McNeice | ... | Ian | |
| Tim Bentinck | ... | Richard Harwood (as Timothy Bentinck) | |
| Julia McCarthy | ... | Landlady | |
| Jacques Mathou | ... | Doctor Roget | |
| Arturo Venegas | ... | Luis | |
| Chapman Roberts | ... | John | |
| Nick Brimble | ... | Jamie | |
| Andrew Robertson | ... | Scottish Farmer | |
| Shane Rimmer | ... | T.T. Kelleher | |
| Nicholas Ward Jackson | ... | Snobbish Wine Taster | |
| Wilfred Bowman | ... | Spiros Nivanos |
Regie | |||
| Peter Yates | |||
Buch(WGA) | ||
| William Goldman | (written by) | |
Produktion | |||
| Alan Brown | .... | executive producer | |
| Phil Kellogg | .... | executive producer | |
| Nigel Wooll | .... | producer | |
| Peter Yates | .... | producer | |
Originalmusik | |||
| Hummie Mann | |||
Kamera | |||
| Roger Pratt | |||
Schnitt | |||
| Ray Lovejoy | |||
Casting | |||
| Noel Davis | |||
| Pam Dixon | |||
| Jeremy Zimmerman | |||
Szenenbild | |||
| Anthony Pratt | |||
Bauten/Dekorationsbau (art directors) | |||
| Desmond Crowe | |||
| Chris Seagers | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Stephanie McMillan | |||
Kostüme | |||
| Marilyn Vance | |||
Maske/Frisuren | |||
| Elaine Bowerbank | .... | hair stylist: second unit | |
| Elaine Bowerbank | .... | makeup artist: second unit | |
| Naomi Donne | .... | key hair stylist | |
| Naomi Donne | .... | key makeup artist | |
| Sally Sutton | .... | hair stylist | |
| Sally Sutton | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Jean-Pierre Avice | .... | production manager: France | |
| Denise O'Dell | .... | production supervisor | |
| Jeffrey Stott | .... | production manager | |
Ausstattung (Stab) | |||
| Terry Apsey | .... | construction manager | |
| Martin Asbury | .... | storyboard artist | |
| Dennis Bosher | .... | draughtsman | |
| Ray Campbell | .... | stand-by painter | |
| Darryl Carter | .... | stand-by carpenter | |
| Stephen Dobric | .... | draughtsman (as Steven Dobric) | |
| Peter Hancock | .... | property master | |
| Robert Hill | .... | chargehand stand-by propman | |
| Damien Lanfranchi | .... | art director: France | |
| Steven Lawrence | .... | draughtsman | |
| Paul Lay | .... | stand-by stagehand | |
| Steve Macdonald | .... | stand-by propman (as Steve MacDonald) | |
| Phillipe Mazauric | .... | property buyer: France | |
| John Mcgregor | .... | supervising carpenter (as John McGregor) | |
| Dave Midson | .... | chargehand dressing propman (as David Midson) | |
| John Moore | .... | dressing propman | |
| John New | .... | hod carpenter | |
| Ron Newvell | .... | hod rigger (as Ronald Newvell) | |
| Brian Read | .... | buyer | |
| Eric Regan | .... | hod painter | |
| James Stachini | .... | hod stagehand | |
| Don Taylor | .... | hod plasterer (as Donald Taylor) | |
| Danae Yamalaki | .... | art department runner | |
| Adrian Start | .... | supervising painter (uncredited) | |
Ton Stab | |||
| Tony Bell | .... | sound assistant | |
| Stephen Butler | .... | dialogue editor | |
| William Butler | .... | adr editor | |
| Valerie Davidson | .... | foley editor | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Rick Hart | .... | sound re-recording mixer | |
| Carole A. Kenneally | .... | assistant sound editor | |
| David Sharpe | .... | assistant sound editor | |
| Don Sharpe | .... | supervising sound editor | |
| Doug E. Turner | .... | sound re-recording mixer | |
| Ken Weston | .... | sound mixer | |
Spezialeffekte | |||
| Peter Fern | .... | special effects technician | |
| George Gibbs | .... | special effects supervisor | |
| Trevor Neighbour | .... | special effects technician | |
| Andy Williams | .... | special effects technician | |
| Joss Williams | .... | special effects technician | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Michael Dawson | .... | special effects administrator (uncredited) | |
Visual Effects | |||
| Stanley W. Sayer | .... | matte photography consultant | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Mark Nelmes | .... | digital visual effects supervisor (uncredited) | |
Stunts | |||
| Gerry Crampton | .... | stunts | |
| Simon Crane | .... | stunts | |
| David Cronnelly | .... | stunts | |
| Dorothy Ford | .... | stunts | |
| Sarah Franzl | .... | stunts | |
| Eddie Kidd | .... | stunts | |
| Tom Lucy | .... | stunts | |
| Gary Powell | .... | stunts | |
| Greg Powell | .... | stunt coordinator | |
| Paul Weston | .... | stunts | |
| Marc Wolff | .... | helicopter stunt pilot | |
Kamera und Elektrik (Stab) | |||
| Fred Brown | .... | electrician | |
| Stuart Bunting | .... | grip: second unit | |
| Sean Connor | .... | clapper loader: second unit | |
| Clive Coote | .... | still photographer | |
| Adam Dale | .... | aerial camera operator | |
| Jonathan Earp | .... | clapper loader | |
| Chuck Finch | .... | gaffer | |
| Stephen Finch | .... | electrician (as Steve Finch) | |
| Alan Grosch | .... | generator operator | |
| Simon Hume | .... | focus puller: second unit | |
| Jean-Marie Lopez | .... | gaffer: France | |
| John Marzano | .... | focus puller: helicopter unit | |
| Billy Merrell | .... | best boy | |
| Lester Mills | .... | stand-by rigger | |
| David Morgan | .... | focus puller | |
| Mike Proudfoot | .... | camera operator | |
| Peter Robinson | .... | camera operator: second unit | |
| Peter Robinson | .... | steadicam operator | |
| James Swanson | .... | camera mount technician | |
| Tony Turner | .... | key grip | |
| Toby Tyler | .... | electrician | |
Kostüm und Garderobe (Stab) | |||
| Rosemary Burrows | .... | costume supervisor | |
| Philip Rainforth | .... | wardrobe master | |
| Pat Williamson | .... | wardrobe mistress | |
Schnitt (Stab) | |||
| Simon Harris | .... | first assistant editor | |
| Xavier Loutreuil | .... | second assistant editor | |
| Phillip Storch | .... | post-production runner | |
| Eddie Wilder | .... | color timer | |
| Toby Yates | .... | second assistant editor | |
Musik (Stab) | |||
| Ruth Bird | .... | assistant music editor | |
| Brad Dechter | .... | orchestrator | |
| Scott Grusin | .... | music editor | |
| Rick Riccio | .... | score mixer | |
Transporte | |||
| Roy Clarke | .... | driver | |
| Garry Clark | .... | driver | |
| Dave Manning | .... | driver | |
| Billy Turner | .... | driver | |
| Recent Posts (updated daily) | User |
|---|---|
| Wine or Vinegar? | Artsygal20 |
| Want region 1 dvd of this as well | brookquilt |
| DVD format for Region 1? | swojnar |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This film is seen by quite a few people as a bit of a turkey but I liked it very much. One other correspondent said he watched it for Ian Richardson and Nick Brimble but my main reason for watching it was Penelope Ann Miller (as with Other People's Money). She's just gorgeous and the scene where Timothy Daly says "the first time I saw you I wanted to sleep with you" touched a chord with me. She's the epitome of the beautiful heroine. I'm a bit of a munro-bagger and have climbed a few of the mountains in the background of a few scenes in this film. Hummie Mann produced some nice celtic music for the Scottish scenes. It puzzles me though how Timothy Daly's character could remain so fit looking despite consuming vast quantities of beer (so addicted he'd brink a can of Bud in a sauna). I admit it could have been better given the vast assemblage of talent involved in it but Penelope Ann Miller brightens up the worst turkey.