In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won't get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success. But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop. Written by
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997. See more »
When Mr. Blonde comes back with the gas can, the floor behind Nash is already wet. See more »
Let me tell you what 'Like a Virgin' is about. It's all about a girl who digs a guy with a big dick. The entire song. It's a metaphor for big dicks.
No, no. It's about a girl who is very vulnerable. She's been fucked over a few times. Then she meets some guy who's really sensitive...
Whoa, whoa, whoa, whoa, whoa... Time out Greenbay. Tell that fucking bullshit to the tourists.
Toby... Who the fuck is Toby? Toby...
'Like a Virgin' is not about this sensitive girl who meets a nice ...
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The opening credits leave out Writing and Directing credits. They are then shown first during the end credits. See more »
Hooked on a Feeling
Performed by Björn Skifs
Written by Francis Zambon (as Mark James)
Published by Screen Gems-EMI Music Publishing Inc.
Courtesy of EMI Records USA
A division of Capitol Records, Inc.
By Arrangement with CEMA Special Markets See more »
This is without a doubt one of the best movies I've ever seen and definately deserves its position on the Top 250. It's an acquired taste, but if you've been desensitised to violence (as i have), then you will want to watch this again from the minute it ends. Every single actor was perfectly fitted for its character. Steve Buscemi as the squirrely Mr. Pink, Harvey Keitel as the veteran Mr. White, and of course, Michael Madsen as the phsycotic Mr. Blonde. The list goes on and on.
Some people said that the violence was unnecessary and didn't move the plot forward as it did with Pulp Fiction. I agree, but the violence was used to develop the character's personalities. It showed their disregard for human life and that our anti-heros saw killing a cop as being as stepping on a cockroach .
I urge future viewers of this movie not to instantly compare it to Pulp Fiction and enjoy it as it's own film. An interesting thrill-ride crime drama from beginning to end, I give this film *****/*****
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