| Fotos (Alle 20 | Diashow) | Videos |
Regie | |||
| Brian Levant | |||
Buch | ||
| John Hughes | (written by) (as Edmond Dantès) and | |
| Amy Holden Jones | (written by) | |
Produktion | |||
| Michael C. Gross | .... | producer | |
| Sheldon Kahn | .... | associate producer | |
| Joe Medjuck | .... | producer | |
| Ivan Reitman | .... | executive producer | |
| Gordon A. Webb | .... | co-producer (as Gordon Webb) | |
Originalmusik | |||
| Randy Edelman | |||
| Michael Tavera | (as Mike Tavera) | ||
Kamera | |||
| Victor J. Kemper | |||
Schnitt | |||
| William D. Gordean | |||
| Sheldon Kahn | |||
Casting | |||
| Steven Jacobs | |||
Szenenbild | |||
| Alex Tavoularis | |||
Bauten/Dekorationsbau (art directors) | |||
| Charles Breen | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Gary Fettis | |||
Kostüme | |||
| Gloria Gresham | |||
Maske/Frisuren | |||
| Allen Payne | .... | hair stylist | |
Ausstattung (Stab) | |||
| David B. Brenner | .... | foreman | |
| Mike Carrillo | .... | assistant property master | |
| Stan Cockerell | .... | assistant property master | |
| Joe Elvington | .... | plasterer laborer | |
| Eric A. Hulett | .... | buyer | |
| Kurt V. Hulett | .... | co-lead man | |
| Roger L. King | .... | property maker | |
| Kacy Magedman | .... | art department coordinator | |
| Stan Tropp | .... | set designer | |
| Christopher Woodworth | .... | paint supervisor | |
Ton Stab | |||
| David W. Alstadter | .... | foley mixer | |
| Christopher S. Aud | .... | sound editor | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Harry Cheney | .... | sound editor | |
| John S. Coffey | .... | sound mixer: second unit | |
| Adam Jenkins | .... | sound re-recording mixer | |
| David Williams | .... | dialogue editor | |
| William Jacobs | .... | sound editor (uncredited) | |
Spezialeffekte | |||
| Peter Knowlton | .... | mechanical effects supervisor | |
Stunts | |||
| Gregory J. Barnett | .... | stunts (as Greg J. Barnett) | |
| Bobby Bass | .... | stunts | |
| Janet Brady | .... | stunts (as Janet S. Brady) | |
| Danny Epper | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as Hank Hooker) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| John Meier | .... | stunts | |
| Larry Nicholas | .... | stunt driver | |
| Ralph W. Odum | .... | stunts (as Ralph Odum) | |
| Shawn Odum | .... | stunts | |
| Bobby Porter | .... | stunt double | |
| Chad Randall | .... | stunts (as Chad Robert Randall) | |
| Pat Romano | .... | stunt rigger | |
Kamera und Elektrik (Stab) | |||
| Audie Aragon | .... | best boy grip | |
| Bruce McBroom | .... | still photographer | |
| Paul Murphey | .... | video assist operator | |
| Brad Rea | .... | dolly grip: "a" camera | |
| Pete Romano | .... | underwater photographer | |
| Kurt E. Soderling | .... | assistant camera | |
| Kurt E. Soderling | .... | camera operator | |
Casting (Stab) | |||
| Franklyn Warren | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Fran Murphy | .... | costumer | |
Schnitt (Stab) | |||
| Margaret Liu | .... | apprentice editor | |
Musik (Stab) | |||
| Elton Ahi | .... | score engineer | |
| François Blaignan | .... | scoring crew | |
| Scott Cochran | .... | scoring mixer | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Robert Fernandez | .... | scoring mixer | |
| Rolf Johnson | .... | assistant music editor | |
Transporte | |||
| Michael Chonos | .... | driver | |
| Lyle Christensen | .... | shotmaker driver | |
Restlicher Stab | |||
| Peter Abrahamson | .... | animatronics engineer | |
| Peter Abrahamson | .... | animatronics puppeteer | |
| Ellen Adolph | .... | production accountant | |
| Jordan Chinich | .... | production assistant | |
| Yvonne Goessling | .... | assistant: Ivan Reitman | |
| Ryan Hintz | .... | post-production accountant | |
| Kevin McDermott | .... | acting coach | |
| Karl Lewis Miller | .... | animal trainer | |
| Peter J. Novak | .... | assistant location manager | |
| Mike J. Regan | .... | dog suit performer | |
| Mike J. Regan | .... | puppeteer | |
| Mike J. Regan | .... | special dog effects | |
| Carol Riggins | .... | animal trainer | |
| Ira S. Rosenstein | .... | location manager | |
| Kate H.S. Swartz | .... | ice cream girl | |
| R. Ruddell Weatherwax | .... | assistant dog trainer | |
| A.J. Workman | .... | animatronic dog mechanic fabricator and puppeteer | |
| Jim McCarthy | .... | production accountant (uncredited) | |
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| Beethoven's 2nd | 101 Dalmatians | Homeward Bound: The Incredible Journey | Toy Story | Over the Hedge |
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IMDb Nutzer-Bewertung:
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IMDb Nutzer-Bewertung:
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| IMDb Komödie section | IMDb USA section | Add this title to MyMovies |
We are dog lovers and had been meaning to watch some of the Beethoven series for quite a while. We found a DVD collection of all five at a good price so we snapped it up and sat down for the first installment.
We honestly didn't know what to expect so, to minimize our risk of disappointment, decided that we were only watching to enjoy the St. Bernard. The movie turned out to be a very pleasant surprise, easily exceeding those expectations.
Beethoven is the star, as he should be. The human cast, however, perform wonderfully in providing the light framework required to string Beethoven's scenes together. Charles Grodin especially shines as the dad who is, at first, not exactly enthused about getting a dog. Much less a monster dog who only drools and sheds and eats.
So, if you enjoy dogs and light-hearted fun, Beethoven won't disappoint. There are no Machiavellian plots or cruel content. The family is wonderfully good, the villains are comically bad and the suspense of their threat is enjoyable because you know, Beethoven's gonna win in the end.
Overall, very charming with a good, wholesome sense of humor. 6.5 out of 10.