After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping with Newt and Hicks from the moon LB-426, Ellen Ripley crash-lands on Fiorina 161, a prison planet and home to a correctional facility. Unfortunately, although Newt and Hicks did not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with help being a long time away, the prisoners must simply survive in any way they can. When help does arrive, the true intentions of the Company becomes clear. While living on the prison planet until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins killing off the prisoners, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
David Fincher (depending on which source you believe) either spent a year attempting to edit the film, or was locked out of the editing suite altogether by the studio. The reshoots reportedly pushed the budget to $65 million, and were done in Los Angeles with almost an entirely-new crew. This was reportedly the last straw for Fincher, who walked away for good at the end of the reshoots. See more »
When the EEV report is being made at the beginning of the film, Ripley is listed as Lieutenant. Yet, Ripley's rank was always a warrant officer, a lower rank than lieutenant (the extended inquest of the Director's Cut makes this clear). While it's true that Burke promised her that she'd be reinstated as a flight officer, since they never returned to Earth after Aliens it is unlikely that this occurred, and certainly not at a higher rank than she was prior to her return to LV-426. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
While it is normal to often have a happy story go bad, somehow it just seems out of place here in a way you can't explain in words. Some of the happiness achieved at the end of 'Aliens' is taken away in this third film and it takes forever to get going once the new situation is established. There is minimal action and while the first 'Alien' movie was low on action and made up for it by being and high on tension, this film is just stale. Sigourney Weaver does her best this time around and she is quite good but David Fincher, who did well after this with 'Se7en', 'The Game', and 'Fight Club', seems like the wrong guy to direct a movie like this as his vision is full of potential but low on actual execution as he looks confused at times in the story he is trying to complete. Do yourself a favour and take this one with a grain of salt and put up a road block in lumping it in with 1 & 2, and avoid the fourth film at all costs.
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