After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious life-form, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
The 'Last Supper' is a direct prequel to Alien: Covenant. Set aboard the Covenant, a colonization ship on its way to a remote planet to form a new human settlement, the main crew (all ... See full summary »
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
'The Crossing', an official prologue short to Alien: Covenant, reveals what happened to crew members Dr. Elizabeth Shaw and the synthetic David after the events of Prometheus. Set aboard an... See full summary »
After escaping from the alien moon, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
Some of H.R. Giger's design for the film involved a puma-like alien with claws. The producers also instructed him to do more sexy designs, so he created a drawing of an alien, which, in close view, had the lips of a woman. One of his ideas involved the alien kissing the victims and killing them that way (an idea that was later used in the movie Species (1995) for another Giger creation). See more »
(at around 27 mins) In the cafeteria, Ripley's glass of orange juice goes from half full to full. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
See more »
The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
During this movie I found watching the inside of my eyelids much more appealing. Something was just plain wrong about the whole movie. The biggest problem was that I didn't care about any of the characters but Ripley. This film was made in between the use of actual puppets and good computer animation (which is still obvious). That means that many times the Alien looked very fake. I thought the monster was more realistic in the original Alien.
Nothing was suspenseful of scary about this movie. The Alien point of view ruins the mystery and suspense of the Alien. I don't want to see what the Alien is seeing, what's the fun in that? I don't want to know where its going, I just want to be surprised.
Also, Ripley crashing on a planet of double Y chromosome rapists was immediately lame. Also, the doctor's little sob story made me wanna stop the movie right there. This movie had all the elements of a cheezy blockbuster, an embarrassment to the series. Because of this film, I'll probably never rent Alien: Resurrection. I can't even imagine the far-fetched, pathetic way Ripley comes back. I heard that Jeunet directed that film without knowing how to speak English to the cast. As the Godfather and Star Wars series' pointed out, three's a crowd. This is not an exception. 6/10
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