Three-part mini-series set during three different eras in a single room of an odd hotel where employees never age. Every story has a slight twist to it, but the stories are mostly dialogue-heavy psychological or relationship dramas.
Clark Heathcliff Brolly,
Camilla Overbye Roos,
The performer of Twin Peaks theme Julee Cruise's experimental concert film, which opens with a short intro where a man breaks up with his girl over the phone, which devastates her. The concert is set in her nightmarish subconscious mind.
A series of 5-minute line animations (drawn in the rough style and with the minimalist plots of David Lynch's The Angriest Dog in the World comic strip) featuring an angry and violent Neanderthal, and his family and neighbors.
The year is 1957. The cast and crew of the Lester Guy Show are extremely apprehensive about their upcoming live television broadcast on the Zoblotnick Broadcasting Co. network. Lester Guy despises fellow cast member Betty Hudson for unknowingly becoming more popular than him and schemes to destroy her career. Only two of the seven episodes were written by David Lynch. Written by
I have long been a fan of David Lynch's work on film and his "Twin Peaks" television series. This very short-lived 6-episode series now qualifies as simply a curiosity - something any true David Lynch fan should probably see once, but that anyone else could probably take or leave. As I read from another reviewer, the only thing similar in tone to this is Steven Spielberg's 1979 semi-flop "1941." I do not dislike either that film or this series, but they won't appeal to a sophisticated comedy connosseur. Both are loud, sometimes obnoxious slapstick pieces with a great eye for historical detail, and plenty of gags involving slipping on banana peels, things falling down, mistaken identity, and other cartoonish props. The highlights of the episodes are the dazzling set design and, not surprisingly, Lynch's injections of bona fide weirdness, such as a mostly-absent narrator who makes the same character introductions each and every episode, and more of Lynch's fetish for red curtains (he seems to put them in virtually everything he makes; there was even a character in "Twin Peaks" whose only known characteristic was an obsession with the curtains in her trailer). But the true sign that this was a Lynch production is a set of conjoined twins that show up almost randomly each episode (like Kenny's deaths in the "South Park" series) and walk around the set saying nothing but "Hurry Up!" over and over again. Other characters even refer to them as the Hurry-Up Twins!! Man, Lynch is one twisted genius.
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