| Fotos (Alle 3 | Diashow) |
| Rupert Graves | ... | Philip Herriton | |
| Helen Mirren | ... | Lilia Herriton | |
| Helena Bonham Carter | ... | Caroline Abbott | |
| Barbara Jefford | ... | Mrs. Herriton | |
| Judy Davis | ... | Harriet Herriton | |
| Thomas Wheatley | ... | Mr. Kingcroft | |
| Sophie Kullmann | ... | Irma | |
| Vass Anderson | ... | Mr. Abbott | |
| Sylvia Barter | ... | Mrs. Theobald | |
| Eileen Davies | ... | Ethel | |
| Siria Betti | ... | Hotel-Keeper | |
| Giovanni Guidelli | ... | Gino Carella | |
| Anna Lelio | ... | Perfetta | |
| Luca Lazzareschi | ... | Spiridione | |
| Sergio Falasca | ... | Carriage Driver | |
| Giuseppe Vivenzio | ... | Carriage Driver | |
| Evelina Meghnagi | ... | Opera Singer | |
| Gaetano Piro | ... | Hooded Man | |
| Tullio Baccellini | ... | Postman | |
| Lea Burroni | ... | Hotel Maid | |
| Clementina Sguerri | ... | Hotel Maid | |
| Charlie Pinsent | ... | Girl in Cafe | |
| Alessandro Casini | ... | Gino's Baby |
Regie | |||
| Charles Sturridge | |||
Buch | ||
| E.M. Forster | (novel) | |
| Tim Sullivan | (writer) and | |
| Derek Granger | (writer) and | |
| Charles Sturridge | (writer) | |
Originalmusik | |||
| Rachel Portman | |||
Zusätzliche Musik von | |||
| Gaetano Donizetti | (from opera "Lucia di Lammermoor") | ||
Kamera | |||
| Michael Coulter | (director of photography) | ||
Schnitt | |||
| Peter Coulson | |||
Casting | |||
| Rita Forzano | |||
| Joyce Gallie | |||
Szenenbild | |||
| Simon Holland | |||
Bauten/Dekorationsbau (art directors) | |||
| Luigi Marchione | |||
Kostüme | |||
| Monica Howe | |||
Maske/Frisuren | |||
| Heather Jones | .... | hair stylist | |
| Heather Jones | .... | makeup artist | |
| Aileen Seaton | .... | hair stylist | |
| Aileen Seaton | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Andrea Borella | .... | unit manager | |
| Walter Massi | .... | production manager | |
| Lil Sterling | .... | production manager | |
Ausstattung (Stab) | |||
| Marzano Angelo | .... | painter | |
| Tom Bowyer | .... | stand-by carpenter: UK | |
| Francesco Cagnone | .... | draughtsman | |
| Nello Cappelli | .... | stand-by props: Italy | |
| Battista Carrarini | .... | painter | |
| Mario Cascioli | .... | carpenter | |
| Renato Cupito | .... | carpenter | |
| Miranda Diamond | .... | art department assistant: UK | |
| Judy Ducker | .... | props buyer: UK | |
| Simona Fanti | .... | art department assistant | |
| Marianne Ford | .... | art director: UK | |
| Domenico Garitta | .... | plasterer | |
| Giuseppe La Rocca | .... | plasterer | |
| Luigi Lattanzi | .... | carpenter | |
| Simon J. Lycett | .... | art department runner: UK | |
| Claudio Magrini | .... | carpenter | |
| John Mills | .... | property master: UK | |
| Adriano Pirri | .... | carpenter | |
| Sabina Segatori | .... | set dresser | |
| Luigi Sergianni | .... | construction manager | |
| Mazzareno Sgolacchia | .... | dressing props | |
| Ian Shubrook | .... | stand-by props: UK | |
| Geoff Stainthorp | .... | stand-by stagehand: UK | |
| Peter Verard | .... | construction manager: UK (as Peter Verrard) | |
Ton Stab | |||
| Rusty Coppleman | .... | adr editor | |
| John Ireland | .... | sound editor | |
| Robert Ireland | .... | dubbing assistant | |
| Angelica Landry | .... | assembly editor | |
| John Salter | .... | boom operator | |
| Lionel Selwyn | .... | footsteps editor | |
| Hugh Strain | .... | sound mixer | |
| Peter Sutton | .... | sound recordist | |
Kamera und Elektrik (Stab) | |||
| Roberto Brega | .... | camera operator: second unit | |
| Eddie Burt | .... | key grip | |
| Frank Connor | .... | still photographer | |
| Terry Edland | .... | gaffer | |
| Giovanni Favella | .... | generator operator | |
| Jeremy Gee | .... | camera operator | |
| Tony Hayes | .... | electrician: UK | |
| Giampaolo Majorama | .... | grip (as Gianpaolo Majorana) | |
| Tommaso Mele | .... | grip | |
| Carlo Milani | .... | assistant camera: second unit | |
| Charlie Panayi | .... | electrician: UK | |
| Chris Plevin | .... | focus puller | |
| Carlo Postiglione | .... | grip | |
| Luke Redgrave | .... | clapper loader | |
| John Rimmell | .... | generator operator: UK | |
| Alvaro Romagnoli | .... | electrician | |
| Marco Romagnoli | .... | electrician | |
| Nicola Terlizzi | .... | electrician | |
| Nick Wall | .... | still photographer | |
Casting (Stab) | |||
| Sally Osoba | .... | casting assistant | |
| Silvano Spoletini | .... | crowd casting | |
Schnitt (Stab) | |||
| Julius Gladwell | .... | assistant editor | |
Musik (Stab) | |||
| Vincenzo Bellini | .... | composer: song "Vaga luna che inargenti" | |
| Chris Dibble | .... | music recordist | |
| Rachel Portman | .... | orchestrator | |
| David Snell | .... | conductor | |
| Graham Walker | .... | music supervisor | |
Restlicher Stab | |||
| Ian Aldwinckle | .... | assistant to producer: UK | |
| Chris Allies | .... | title designer | |
| Andrea Borella | .... | location manager | |
| Maria Fiorito | .... | production accountant | |
| Greg Fox | .... | production runner | |
| Chris Harvey | .... | location manager | |
| Jane Healy | .... | production secretary | |
| Mary Holdsworth | .... | script supervisor | |
| Lisa-Kim Ling Kuan | .... | assistant accountant | |
| Claudio Lucaferri | .... | production assistant | |
| Salvatore Magnisi | .... | assistant accountant | |
| Cassius Matthias | .... | assistant to producer: UK | |
| Rizia Ortolani | .... | production coordinator | |
| Chris Paton | .... | unit publicist | |
| Maurizio Pigna | .... | production assistant | |
| Freya Pinsent | .... | production accountant | |
| Lesley Stewart | .... | production coordinator | |
| Johanna Westman | .... | production runner | |
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Charles Sturridge's adaption of E.M. Forster's classic novel is well in line with such other greats as "Howards End", "A Room With a View", and "A Passage To India". As with all of Forster's work, "Where Angels Fear to Tread" treats the topic of Edwardian British society with poignancy and humour.
Cultures clash when Philip Herriton is forced by his mother to retrieve the only child of his dead sister-in-law, Lilia, from its Italian father. The baby represents both the English and Italian way of life, and the ensuing struggle over it is an analysis of just how futile our own nativist prejudices can be.
Such a sensitive topic is dealt with by a charming cast. Rupert Graves is perfect as a man transformed by his horrific experiences; Helen Mirren is both laughable and lamentable as the tragically flighty Lilia; Helena Bonham-Carter is the soul of goodness, and Judy Davis (a Forster veteran from "A Passage to India") provides comic relief as stuffy Harriet. These fine performances are matched with a beautiful score by Rachel Portman and even more beautiful Italian vistas courtesy of Mr. Sturridge.
Stimulating and provocative, I highly recommend this film to those interested in either Forsters' work or the imperialistic inclinations of the British circa 1900.