61 out of 69 people found the following comment useful :- A Beautiful Film, 28. Oktober 2004
Author:
John Pearce (johnpearce48@aol.com) von England
This is truly a beautiful film.
Well written and superbly acted it tugs at the heartstrings harder than
almost any other movie. The way it sets up an obvious story line and
then like a gentle roller-coaster suddenly takes you in another
direction is unequalled in this type of film.
There are so many points of genuine sadness and whenever you think you
have guessed the story you suddenly turn to find an outcome more
surprising than you thought.
Major characters die, major characters do not "fall in love" and major
characters are not allowed to cop-out; it is as a film should be.
Remarkable well written, produced with care and acted with
understatement and love - it is a beautiful film.
Watch it.
52 out of 57 people found the following comment useful :- Storytelling at Its Best, 25. März 2001
Author:
Gary Murphy (glm@hilbertinc.com) von Olathe, KS, USA
I enjoyed this movie immensely. This is one of the best examples of
storytelling that I have seen. The structure of the movie - alternating
between the past and present, with multiple intertwining plots - keeps the
viewer hooked on how the story will unfold. It unfolds gracefully and is
enjoyable throughout.
The acting is exceptional. Mary Stuart Masterson and Mary Louise Parker
carry the bulk of the acting load. They are fantastic. The relationship
between these very different young women is complex and
satisfying.
Since the movie is about women and the female roles are so strong, this
movie has been dubbed a "chick flick", but that pejorative is unfair. This
is good film making and those who like plot-driven cinema will enjoy this
immensely. This one is in my DVD collection.
49 out of 57 people found the following comment useful :- An Excellent Story Within A Story, 9. Juli 2004
Author:
azifucare von Texas, USA
I must admit. When I first heard of this movie many years ago, the
title didn't sound that appealing and the few scenes that I saw didn't
look very interesting. But what can I say? I was little then and didn't
know what I was missing. My mother kept telling me how good of a movie
this was, but I was just too stubborn and didn't pay attention. It was
only a few months ago that I decided to watch it when it appeared on TV
and boy was I surprised!!
This movie is beyond anything that I have ever viewed in my entire
life. Usually, this sort of movie isn't the kind that I look at, but I
fell in love with the story and the characters, as well as the
wonderful actresses (Kathy Bates, Jessica Tandy, Mary Stuart Masterson,
and Mary-Louise Parker) who did an outstanding job portraying their
characters in a unique and unforgettable way.
Since I don't want to spoil anything for those who haven't seen it, let
me just say that it's an astounding tale of a special friendship that
goes way beyond what we would call a "regular" one. It will make you
thankful for the friends you have and even give women a sense to stand
up for their own rights. All in all, I give this movie a 10 out of 10.
If you haven't seen it, what are you doing reading this?! Go out and
rent it!
32 out of 38 people found the following comment useful :- Consummate story-telling, served well by superlative performances, 22. Februar 1999
Author:
Vijay Ramanujan (vijayr@cybernex.net) von New York, USA
Fannie Flagg's novel of immense complexity (huge cast and innumerable
separate stories) could have been impossible to film. However, it is made
possible, in large part, by the performances of Mary Stuart Masterson and
Mary Louise Parker in what should have been billed as the lead roles. They
play the two southern women who's joint story this movie revolves around.
Jessica Tandy's role is to relate the story to a lost and longing Kathy
Bates (in modern times). Director Jon Avnet ties the two together nicely at
times, awkwardly at times, but always (except the end) without doing damage
to either. He (and the production crew) bring to life a 'peaceful' southern
town very nicely.
The two Marys manage to convey the fullness of a complex relationship with
apparent ease. There on-screen chemistry is nothing short of dazzling, and
one is left wondering when and how these two actresses carved out such
detailed characters without giving voice to their motivations and feelings.
While it is rare that dialogue directly addresses the heart and nature of
their relationship, what that is becomes clear quickly and transcends the
plot of the story to become the real unifying element in this movie. That
neither was recognized (in the conventional way) for their performances is
unfortunate (which is an understatement).
26 out of 29 people found the following comment useful :- The Ultimate, 17. Mai 2004
Author:
chickskickass von Houston, TX
This is such an awesome movie. I remember watching it as a girl, and when I
found it in a clearance bin a few months ago, I jumped on it. I watched it
then, and now, having watched it again... Mary Stuart Masterson is AMAZING.
Tears fall unwittingly down my cheeks during her performance. I was also
enchanted by Mary-Louise Parker, and I always always LOVE Kathy Bates.
Jessica Tandy is also her usual fit self, and Cecily Tyson was great ("Shoo!
I ain't scared of you!") and I could go on for ages about all of
them.
I will admit that this is the Ultimate Chick Flick. That title, however,
does not detract from its overall quality. The men are more than just
caricatures, and the nostalgia and love of the book made its way into the
movie. I have to commend Avnet for his efforts.
And now that I am out of intelligent things to say, THIS MOVIE ROCKS MY
SOCKS! It's re-watchability and great everything make this the movie (along
with Love and Basketball and my Buffy DVDs) that I take with me to college
and suggest we watch at every opportunity.
32 out of 42 people found the following comment useful :- A warm, well acted film with sexual overtones, 5. Juli 2002
Author:
tanya_lamb von Atlanta, GA
While I love this film, and have seen it a dozen times at least, the
maturing of my mind since the first time I saw it as a teen in 1991,
have
made me take a second look at this stunningly acted film about love,
friendship, devotion and racial issues in a multiple decade look at
women's
roles in society.
Anyone who went to college where I did would see that Idgy from her
childhood is the sterotypical Lesbian. She does not like to wear
dresses
and prefers a man's dress even as a youngster. As she ages, and as Ruth
befriends her, she is tantalized by a kiss Ruth gives her on the cheek
at
the swimming hole and so devastated by Ruth's wedding that she does not
even
attend but instead drives hours to Valdosta, Georgia to look on
hurtfully
from the woods at Ruth carried in her new home in her wedding dress.
As the film progresses and Ruth is rescued from her abusive relationship
the
two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If
one
watches carefully they'll see that the two live together in a house near
the
cafe. In one poignant moment, the two women are talking over coffee
late at
night in the cafe when Ruth says that she feels bad that Idgy may feel
she
needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is
Ruth's
son but has Idgy's last name?!) Ruth says that if it weren't for she
and
Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled
as
I am ever going to be" and "I don't want you to move out" The clincher
was
the image they showed shortly after that scene of Ruth in a feminine
dress
and Idgy in shorts and a shirt and tie, holding each other and smiling.
Idgy never married or dated and Ruth never remarried.
Everyone must come to their own conclusion but mine is two women in the
1930's who enjoy a healthy, loving lesbian relationship with the
disguise of
business partners in a time and place when different anything race,
religion
or creed, was just not tolerated or accepted.
20 out of 23 people found the following comment useful :- The Story Stays With You Long After the Movie Ends, 3. Juli 2003
Author:
Ouarda von New York, NY
This is one of my top five films of all time. I was somewhat skeptical the
first time I saw it because I adored the book and I knew there were some
changes, but I found the essence of Fannie Flagg's fabulous novel in tact.
This is a story that burrows into your heart and mind and stays there. It
is absolutely magical storytelling with a stellar cast and beautifully
written characters that never fade from memory.
A time and place in America, filled with the best and the worst of our life
and history, is impeccably captured. The flashbacks take us to the time of
an Alabama whistle stop town that was a bustling hub when the railroad was
the center of all movement. This was the era of hobos and simple pleasures.
The scenes from the past become more powerful by the juxtaposition to
modern times, where the story begins and returns at intervals.
Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who
stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident
at the nursing home where she is visiting one of her husband's relatives.
The two have an instant chemistry and a deep friendship begins. Ninny
proceeds to tell Evelyn the story of Idgie and Ruth, two young women who
shared an amazing friendship and love 50 years earlier.
This movie has to be experienced, as mere descriptions might sound like
another southern-flavored movie about women or a weepy nostalgic tale. It
is much more than that, and more than the most glowing review can ever
convey. If you are reading this and haven't seen it, please make a point
to. The actors are nothing short of magical. All four actresses (Jessica
Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the
top of their craft.
I will borrow a line from Ninny Threadgoode to describe how I always feel
after seeing this film. "I may be sitting here in this nursing home but in
my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green
Tomatoes".
I may be sitting here finishing this comment but in my mind I'm at the
Whistle Stop Cafe. That's how powerful this story is for
me.
15 out of 16 people found the following comment useful :- Not a flaw to be found., 25. Oktober 2005
Author:
S.C. Skafte von Nova Scotia, Canada
"Fried Green Tomatoes" is memorable for the way that it effectively
balances comedy and drama with a large ensemble cast and dual story
lines. I like films best when they cover large time frames and many
characters. It makes movies feel so alive, like real stories.
The modern story with Kathy Bates and Jessica Tandy confronts many
issues of age and feelings of uselessness, whereas the story with Mary
Stuart Masterson and Mary-Louise Parker covers issues of youth,
marriage, and repressed emotions. All four actresses do superb jobs,
and are a joy to watch.
Director Jon Avnet has proved himself to be a good with ensemble drama
(The War, Uprising). He holds the picture together with commendable
talent I might have expected from the great epic directors of years
past.
Recommended for fans of "Forrest Gump", "Driving Miss Daisy", and
"Dolores Claiborne".
8.8 out of 10
16 out of 19 people found the following comment useful :- Sweet, Bittersweet, and Intense, 18. Juli 2005
Author:
aharmas von United States
This is a film you are bound to fall in love with. All of its
characters feel real, intense, reaching out to touch with their passion
and the film's nostalgic feel.
It contains some of my favorite performances of all time: Masterson,
Parker, Tandy, and Bates give their very best, bringing two life
fictional women who feel real, strong, and powerful. The film is very
emotional, never maudlin, never disrespecting any of its components or
the audience. It allows us to feel we are part of a world that might
not exist anymore. What I like most about the film is how it embraces a
passion for living.
There is much to be admired about the technical aspects of the film as
well. It travels back and forth in time, with a structure that is hard
to describe but a joy to watch as it shows how the main relationships
were born, developed, and eventually were transformed into something
more spiritual. The music is haunting and quite suitable to the
delicate relationships, and the photography makes everyone and
everything lovely, dreamlike at times.
The film will live on and will eventually be regarded as a classic. It
deserves it so.
21 out of 32 people found the following comment useful :- What An Authentic Flavor This Film Has, 29. April 2005
Author:
Lechuguilla von Dallas, Texas
The twenty year friendship between two young women in the early
twentieth century American South is the focus of this 1991 film from
director Jon Avnet. Told in flashbacks, the story adopts a modern POV,
with social empowerment being the theme. As such, the story is both
unusual and unexpected, given its historical time frame. Viewers will
be disappointed if they expect a more traditional Southern story ...
about some dark, sinister secret emotionally repressed, and set among
the lazy willows and old Magnolia trees.
Empowerment can be a wonderful thing. But, if it is taken to extremes,
as it is in two subplots, one involving Frank Bennett, and the other
involving Evelyn Couch, then it can be a cause for concern. And that's
my main problem with this film. The subplots tend to lack credibility,
although they do not detract from the overall character study of Idgie
and Ruth.
What was most impressive to me was the film's atmospheric "flavor".
Production design, set decoration, and costumes all sparkle with such
vitality and detail, that you really feel like you're back in the rural
South of the 1920's.
Most modern films pander to youth. To its everlasting credit, "Fried
Green Tomatoes" features the wisdom of an elderly character, played by
Jessica Tandy, in a nursing home. An added bonus of the film is Kathy
Bates, whose acting is always first-rate.
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Fried Green Tomatoes (1991)
61 out of 69 people found the following comment useful :-
A Beautiful Film, 28. Oktober 2004
Author: John Pearce (johnpearce48@aol.com) von England
This is truly a beautiful film.
Well written and superbly acted it tugs at the heartstrings harder than almost any other movie. The way it sets up an obvious story line and then like a gentle roller-coaster suddenly takes you in another direction is unequalled in this type of film.
There are so many points of genuine sadness and whenever you think you have guessed the story you suddenly turn to find an outcome more surprising than you thought.
Major characters die, major characters do not "fall in love" and major characters are not allowed to cop-out; it is as a film should be.
Remarkable well written, produced with care and acted with understatement and love - it is a beautiful film.
Watch it.
52 out of 57 people found the following comment useful :-

Storytelling at Its Best, 25. März 2001
Author: Gary Murphy (glm@hilbertinc.com) von Olathe, KS, USA
I enjoyed this movie immensely. This is one of the best examples of storytelling that I have seen. The structure of the movie - alternating between the past and present, with multiple intertwining plots - keeps the viewer hooked on how the story will unfold. It unfolds gracefully and is enjoyable throughout.
The acting is exceptional. Mary Stuart Masterson and Mary Louise Parker carry the bulk of the acting load. They are fantastic. The relationship between these very different young women is complex and satisfying.
Since the movie is about women and the female roles are so strong, this movie has been dubbed a "chick flick", but that pejorative is unfair. This is good film making and those who like plot-driven cinema will enjoy this immensely. This one is in my DVD collection.
49 out of 57 people found the following comment useful :-

An Excellent Story Within A Story, 9. Juli 2004
Author: azifucare von Texas, USA
I must admit. When I first heard of this movie many years ago, the title didn't sound that appealing and the few scenes that I saw didn't look very interesting. But what can I say? I was little then and didn't know what I was missing. My mother kept telling me how good of a movie this was, but I was just too stubborn and didn't pay attention. It was only a few months ago that I decided to watch it when it appeared on TV and boy was I surprised!!
This movie is beyond anything that I have ever viewed in my entire life. Usually, this sort of movie isn't the kind that I look at, but I fell in love with the story and the characters, as well as the wonderful actresses (Kathy Bates, Jessica Tandy, Mary Stuart Masterson, and Mary-Louise Parker) who did an outstanding job portraying their characters in a unique and unforgettable way.
Since I don't want to spoil anything for those who haven't seen it, let me just say that it's an astounding tale of a special friendship that goes way beyond what we would call a "regular" one. It will make you thankful for the friends you have and even give women a sense to stand up for their own rights. All in all, I give this movie a 10 out of 10. If you haven't seen it, what are you doing reading this?! Go out and rent it!
32 out of 38 people found the following comment useful :-

Consummate story-telling, served well by superlative performances, 22. Februar 1999
Author: Vijay Ramanujan (vijayr@cybernex.net) von New York, USA
Fannie Flagg's novel of immense complexity (huge cast and innumerable separate stories) could have been impossible to film. However, it is made possible, in large part, by the performances of Mary Stuart Masterson and Mary Louise Parker in what should have been billed as the lead roles. They play the two southern women who's joint story this movie revolves around. Jessica Tandy's role is to relate the story to a lost and longing Kathy Bates (in modern times). Director Jon Avnet ties the two together nicely at times, awkwardly at times, but always (except the end) without doing damage to either. He (and the production crew) bring to life a 'peaceful' southern town very nicely.
The two Marys manage to convey the fullness of a complex relationship with apparent ease. There on-screen chemistry is nothing short of dazzling, and one is left wondering when and how these two actresses carved out such detailed characters without giving voice to their motivations and feelings. While it is rare that dialogue directly addresses the heart and nature of their relationship, what that is becomes clear quickly and transcends the plot of the story to become the real unifying element in this movie. That neither was recognized (in the conventional way) for their performances is unfortunate (which is an understatement).
26 out of 29 people found the following comment useful :-

The Ultimate, 17. Mai 2004
Author: chickskickass von Houston, TX
This is such an awesome movie. I remember watching it as a girl, and when I found it in a clearance bin a few months ago, I jumped on it. I watched it then, and now, having watched it again... Mary Stuart Masterson is AMAZING. Tears fall unwittingly down my cheeks during her performance. I was also enchanted by Mary-Louise Parker, and I always always LOVE Kathy Bates. Jessica Tandy is also her usual fit self, and Cecily Tyson was great ("Shoo! I ain't scared of you!") and I could go on for ages about all of them.
I will admit that this is the Ultimate Chick Flick. That title, however, does not detract from its overall quality. The men are more than just caricatures, and the nostalgia and love of the book made its way into the movie. I have to commend Avnet for his efforts.
And now that I am out of intelligent things to say, THIS MOVIE ROCKS MY SOCKS! It's re-watchability and great everything make this the movie (along with Love and Basketball and my Buffy DVDs) that I take with me to college and suggest we watch at every opportunity.
32 out of 42 people found the following comment useful :-

A warm, well acted film with sexual overtones, 5. Juli 2002
Author: tanya_lamb von Atlanta, GA
While I love this film, and have seen it a dozen times at least, the maturing of my mind since the first time I saw it as a teen in 1991, have made me take a second look at this stunningly acted film about love, friendship, devotion and racial issues in a multiple decade look at women's roles in society.
Anyone who went to college where I did would see that Idgy from her childhood is the sterotypical Lesbian. She does not like to wear dresses and prefers a man's dress even as a youngster. As she ages, and as Ruth befriends her, she is tantalized by a kiss Ruth gives her on the cheek at the swimming hole and so devastated by Ruth's wedding that she does not even attend but instead drives hours to Valdosta, Georgia to look on hurtfully from the woods at Ruth carried in her new home in her wedding dress.
As the film progresses and Ruth is rescued from her abusive relationship the two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If one watches carefully they'll see that the two live together in a house near the cafe. In one poignant moment, the two women are talking over coffee late at night in the cafe when Ruth says that she feels bad that Idgy may feel she needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is Ruth's son but has Idgy's last name?!) Ruth says that if it weren't for she and Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled as I am ever going to be" and "I don't want you to move out" The clincher was the image they showed shortly after that scene of Ruth in a feminine dress and Idgy in shorts and a shirt and tie, holding each other and smiling. Idgy never married or dated and Ruth never remarried.
Everyone must come to their own conclusion but mine is two women in the 1930's who enjoy a healthy, loving lesbian relationship with the disguise of business partners in a time and place when different anything race, religion or creed, was just not tolerated or accepted.
20 out of 23 people found the following comment useful :-

The Story Stays With You Long After the Movie Ends, 3. Juli 2003
Author: Ouarda von New York, NY
This is one of my top five films of all time. I was somewhat skeptical the first time I saw it because I adored the book and I knew there were some changes, but I found the essence of Fannie Flagg's fabulous novel in tact. This is a story that burrows into your heart and mind and stays there. It is absolutely magical storytelling with a stellar cast and beautifully written characters that never fade from memory.
A time and place in America, filled with the best and the worst of our life and history, is impeccably captured. The flashbacks take us to the time of an Alabama whistle stop town that was a bustling hub when the railroad was the center of all movement. This was the era of hobos and simple pleasures. The scenes from the past become more powerful by the juxtaposition to modern times, where the story begins and returns at intervals.
Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident at the nursing home where she is visiting one of her husband's relatives. The two have an instant chemistry and a deep friendship begins. Ninny proceeds to tell Evelyn the story of Idgie and Ruth, two young women who shared an amazing friendship and love 50 years earlier.
This movie has to be experienced, as mere descriptions might sound like another southern-flavored movie about women or a weepy nostalgic tale. It is much more than that, and more than the most glowing review can ever convey. If you are reading this and haven't seen it, please make a point to. The actors are nothing short of magical. All four actresses (Jessica Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the top of their craft.
I will borrow a line from Ninny Threadgoode to describe how I always feel after seeing this film. "I may be sitting here in this nursing home but in my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green Tomatoes".
I may be sitting here finishing this comment but in my mind I'm at the Whistle Stop Cafe. That's how powerful this story is for me.
15 out of 16 people found the following comment useful :-

Not a flaw to be found., 25. Oktober 2005
Author: S.C. Skafte von Nova Scotia, Canada
"Fried Green Tomatoes" is memorable for the way that it effectively balances comedy and drama with a large ensemble cast and dual story lines. I like films best when they cover large time frames and many characters. It makes movies feel so alive, like real stories.
The modern story with Kathy Bates and Jessica Tandy confronts many issues of age and feelings of uselessness, whereas the story with Mary Stuart Masterson and Mary-Louise Parker covers issues of youth, marriage, and repressed emotions. All four actresses do superb jobs, and are a joy to watch.
Director Jon Avnet has proved himself to be a good with ensemble drama (The War, Uprising). He holds the picture together with commendable talent I might have expected from the great epic directors of years past.
Recommended for fans of "Forrest Gump", "Driving Miss Daisy", and "Dolores Claiborne".
8.8 out of 10
16 out of 19 people found the following comment useful :-

Sweet, Bittersweet, and Intense, 18. Juli 2005
Author: aharmas von United States
This is a film you are bound to fall in love with. All of its characters feel real, intense, reaching out to touch with their passion and the film's nostalgic feel.
It contains some of my favorite performances of all time: Masterson, Parker, Tandy, and Bates give their very best, bringing two life fictional women who feel real, strong, and powerful. The film is very emotional, never maudlin, never disrespecting any of its components or the audience. It allows us to feel we are part of a world that might not exist anymore. What I like most about the film is how it embraces a passion for living.
There is much to be admired about the technical aspects of the film as well. It travels back and forth in time, with a structure that is hard to describe but a joy to watch as it shows how the main relationships were born, developed, and eventually were transformed into something more spiritual. The music is haunting and quite suitable to the delicate relationships, and the photography makes everyone and everything lovely, dreamlike at times.
The film will live on and will eventually be regarded as a classic. It deserves it so.
21 out of 32 people found the following comment useful :-

What An Authentic Flavor This Film Has, 29. April 2005
Author: Lechuguilla von Dallas, Texas
The twenty year friendship between two young women in the early twentieth century American South is the focus of this 1991 film from director Jon Avnet. Told in flashbacks, the story adopts a modern POV, with social empowerment being the theme. As such, the story is both unusual and unexpected, given its historical time frame. Viewers will be disappointed if they expect a more traditional Southern story ... about some dark, sinister secret emotionally repressed, and set among the lazy willows and old Magnolia trees.
Empowerment can be a wonderful thing. But, if it is taken to extremes, as it is in two subplots, one involving Frank Bennett, and the other involving Evelyn Couch, then it can be a cause for concern. And that's my main problem with this film. The subplots tend to lack credibility, although they do not detract from the overall character study of Idgie and Ruth.
What was most impressive to me was the film's atmospheric "flavor". Production design, set decoration, and costumes all sparkle with such vitality and detail, that you really feel like you're back in the rural South of the 1920's.
Most modern films pander to youth. To its everlasting credit, "Fried Green Tomatoes" features the wisdom of an elderly character, played by Jessica Tandy, in a nursing home. An added bonus of the film is Kathy Bates, whose acting is always first-rate.
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