| Matt Lattanzi | ... | Dylan Malone | |
| Loryn Locklin | ... | Melissa Hanson | |
| Grant Heslov | ... | Nevil | |
| Billy Morrissette | ... | Monkey | |
| Geoffrey Lewis | ... | Mr. Johnson | |
| M. Emmet Walsh | ... | Johnny Phatmun | |
| Dan Bell | ... | Manney | |
| Jefferson Slinkard | ... | Dirk | |
| Kevin Dewey | ... | Quarterback | |
| Chad Bell | ... | Stoner | |
| Tara Trooien | ... | Debutante | |
| Rhonda L. Rubertus | ... | Cheerleader | |
| Robert Kempe | ... | Band Kid | |
| Kathryn Lamb | ... | Drama Kid | |
| Peter Breitmayer | ... | Stackowski | |
| Stuart Blatt | ... | Smarmy Guy | |
| Adam Coolong | ... | The Frosh | |
| Vincent Olivia | ... | Wide Receiver | |
| Jack Melberg | ... | Ralphy | |
| Greg Walker | ... | Widowmaker | |
| Bob Minor | ... | Sandman | |
| Richard Barsh | ... | Teacher (voice) | |
| David Holmes | ... | Policeman (voice) | |
| James Reeder | ... | Policeman (voice) | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Kain Hartman | ... | Little kid (uncredited) | |
Regie | |||
| Stephen Sommers | |||
Buch(In alphabetischer Reihenfolge) | ||
| Stephen Sommers | writer | |
Produktion | |||
| Jonathan D. Krane | .... | producer | |
| Rachel Langsam | .... | associate producer | |
| Alan Lasoff | .... | associate producer | |
| Don Schain | .... | co-producer | |
Originalmusik | |||
| Edgar Froese | (as Tangerine Dream) | ||
| Paul Haslinger | (as Tangerine Dream) | ||
Kamera | |||
| Ronn Schmidt | |||
Schnitt | |||
| Bob Ducsay | |||
Bauten/Dekorationsbau (art directors) | |||
| Stuart Blatt | |||
Maske/Frisuren | |||
| Kathryn Moy | .... | assistant hair stylist | |
| Sally Williams | .... | assistant makeup artist | |
| Debbie Zoller | .... | hair stylist | |
| Debbie Zoller | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Cristen Carr Strubbe | .... | unit production manager (as Cristen M. Carr) | |
Regieassistenten | |||
| Betsy Bangs | .... | second assistant director | |
| Randy Pope | .... | first assistant director | |
| Steven D. Simpson | .... | second second assistant director (as Steven Simpson) | |
Ausstattung (Stab) | |||
| Paul Berglund | .... | art department intern | |
| Solveig Krafnick | .... | property master | |
| Thad Sauer | .... | art department intern | |
| Dewaine Tollefsrud | .... | set dresser | |
Ton Stab | |||
| Vanessa Theme Ament | .... | foley artist | |
| Mark Berger | .... | supervising re-recording mixer | |
| David Parker | .... | sound re-recording mixer | |
| Rick Waddell | .... | sound mixer | |
| Ian Wright | .... | boom operator | |
Stunts | |||
| George Fisher | .... | stunt coordinator | |
| Roger Greenan | .... | stunts | |
| Hubie Kerns Jr. | .... | stunt driver (as Hubie Kerns) | |
| Ky Michaelson | .... | stunts | |
| Bob Minor | .... | stunt driver | |
| Mike Ryan | .... | stunt driver | |
| Rick Seaman | .... | stunts | |
| Victoria Vanderkloot | .... | stunt performer | |
| Greg Walker | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| Waide R. Allen | .... | best boy grip | |
| Michael Brown | .... | first assistant camera | |
| Harlan M. Freedman | .... | key grip | |
| Sayer Frey | .... | camera loader | |
| Larry Jacobson | .... | electrician | |
| Brian Jennings | .... | second assistant camera | |
| Darren Johnson | .... | grip | |
| Elliott Marks | .... | still photographer | |
| Terry O'Deen | .... | camera operator | |
| Alan Oltman | .... | assistant camera | |
| Stuart Skrien | .... | grip | |
| Josh Spring | .... | gaffer (as Joshua Spring) | |
| Alexander Seligman | .... | still photographer (uncredited) | |
Casting (Stab) | |||
| Kelly Fritz | .... | extras casting | |
| Carolyn Long | .... | casting associate | |
| Ann Miller | .... | extras casting | |
Kostüm und Garderobe (Stab) | |||
| Gary Marthaler | .... | wardrobe supervisor | |
Schnitt (Stab) | |||
| Kristen Helsing | .... | apprentice editor | |
| Kelly Takemura | .... | assistant editor | |
Musik (Stab) | |||
| Barbara Pokras | .... | music editor | |
Transporte | |||
| Tammy Brenizer | .... | transportation captain | |
| Kyle Gaul | .... | driver | |
| Crayton Haug | .... | transportation coordinator | |
| Dave Sweeter | .... | driver | |
Restlicher Stab | |||
| Paula M. Bass | .... | craft service (as Paula Hammerel) | |
| Sylvie Chesneau | .... | script supervisor | |
| Greg C. Cunningham | .... | production assistant | |
| Lisa Dannenbaum | .... | production coordinator | |
| Bill Devine | .... | production assistant | |
| Debra Erickson | .... | production secretary | |
| Dani Eslin | .... | location auditor (as Danette Eslin) | |
| Carrie Flynn | .... | location manager | |
| Robert W. Jones | .... | production assistant | |
| Kim Wielinski | .... | production assistant | |
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| American Graffiti | Wild Things | Sugar & Spice | The Cannonball Run | Back to the Future Part III |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Unlike Fresh (1994), where a young, 12 year old African American male pushes drugs in the Brooklyn community, this film has another reference to the innovator, a typology coined by sociologist Robert Merton, where an individual would like to have a share of culturally defined goals, but reject the legitimate means to achieve success. In this film, the local high school is on the verge of being closed, and the student council president (Loryn Locklin) and the principal (Geoffrey Lewis) must come up with $200,000 to save the school from its demise. When Matt Lattanzi steps in, this is where the plot twist occurs.
The Malone character engages in illegitimate sub rosa activity, by illegal street racing for money, and when all legitimate efforts fail during the fundraiser, the last resort is illegal street racing, when $3000 of the fundrainser money is betted on a street race. Unknowingly to the high school students, they are dealing with the gambling syndicate, and the loan sharks that run the illegal street racing. Lots of classic cars in this film, which includes a 1968 Chevelle and a 1957 Chevrolet, and watch for the ultimate plot twist where the principal used to be a legendary drag racer! Why does he hide his car on the schoolgrounds? Because his home used to be located there.