A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is ... See full summary »
The fantastic tale of an 18th century aristocrat, his talented henchmen and a little girl in their efforts to save a town from defeat by the Turks. Being swallowed by a giant sea-monster, a trip to the moon, a dance with Venus and an escape from the Grim Reaper are only some of the improbable adventures. Written by
Keith Loh <firstname.lastname@example.org>
Forms an informal trilogy with director Terry Gilliam's previous films, Time Bandits (1981) and Brazil (1985). The three movies represent the three stages of Man (youth, middle age, and elderly) and the impact of imagination on each. Jack Purvis also appears in all three films. See more »
A sousaphone is used in the victory celebration honoring the Baron. The sousaphone, however, was invented in 1908. See more »
Here, take a lock of my hair.
[the Baron hacks a lock of the Queen's hair with his sword]
Just a lock, cocky, not the whole carpet.
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This is a new motion picture. This motion picture is not to be confused with the UFA/Transit/Murnau 1942/43 motion picture bearing the title 'The Adventures of Baron Munchausen'. See more »
Munchausen's tale as he himself would have seen it
This is NOT a movie for everyone. This is not a movie for people who want a fantasy plot... according to the rules of fantasy movies. This is a movie which has one great ambition and has ABSOLUTELY, TOTALLY, UTTERLY, FULLY, UNQUESTIONABLY fulfilled: to present the story of Baron Munchausen as the real one would have seen it. This is a great piece of visualization of the culture of 18th-century Enlightenment (did you notice that the bad guys all wore uniforms from the Napoleonic age - as a sign of when this great period of human cultural achievement finished?). It is a movie in which the sets and costumes are THE ESSENCE - the mechanical giant fish, Venus getting out of the pearl, the small amours with the pink garlands, the pinkish clouds, the two-dimensional buildings on the Moon, the separation of the head from the body, the exoticising of the "Grand Turk" - these are all correct reproductions of both the imagery from, and the topics relevant for, the Baroque period. IT IS success.
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