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Track 29 (1988)

R | | Drama, Mystery | 12 July 1988 (USA)
A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside café, she encounters a ... See full summary »

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Cast

Complete credited cast:
...
Linda Henry
...
Martin
...
Henry Henry
...
Arlanda
...
Nurse Stein
...
Dr. Bernard Fairmont
...
Trucker
Vance Colvig Jr. ...
Mr. Ennis (as Vance Colvig)
Kathryn Tomlinson ...
Receptionist
Elijah Christopher Perry ...
Redneck (as Jerry Rushing)
Tommy Hull ...
Counterman
J. Michael Hunter ...
Waiter
...
Delegate
Ted Barrow ...
Old Man
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Storyline

A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside café, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

He Was Her Dream And Her Obsession. Her Son... And Her Lover

Genres:

Drama | Mystery

Certificate:

R | See all certifications »
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Details

Official Sites:

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Release Date:

12 July 1988 (USA)  »

Also Known As:

Afsporet  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Gross:

$429,028 (USA)
 »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

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Did You Know?

Trivia

Several years earlier, in 1983, Joseph Losey planned to make a film out of Dennis Potter's screenplay with Lee Marvin in a leading role. It would have been Losey's first film in his native America for over thirty years. At the last minute, financing fell through. Losey died the following year. See more »

Quotes

Henry Henry: If there's one thing I've learned in this world, it's that women and trains don't mix!
See more »

Connections

Features Danger Mouse: Demons Aren't Dull (1983) See more »

Soundtracks

Young at Heart
by Johnny Richards (as John Richards) and Carolyn Leigh
Original recording sung by Rosemary Clooney
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User Reviews

Probably for Potter fans only
6 July 2003 | by (bean world, massachusetts) – See all my reviews

As one of screenwriter Dennis Potter's few feature films, this is definitely worth seeing for fans of his work. Potter incorporates a grab-bag of typical themes (and a couple of familiar jokes) into a surrealistic erotic thriller. Oldman and Russell have a smoldering chemistry, and many of their scenes together are very well done.

But ultimately, as a movie, Track 29 gets hung up on a couple of points. First of all, as everyone has pointed out, the southern accents are really, really bad in this movie. Oh what a difference a good language coach would have made. Given Potter's interest in accents, and social class, I can't help but think that the juxtaposition of the characters' strong East London and North Carolina accents was probably specified in the script, but the utter ineptitude of Russell and her co-stars to sound like they're actually from *anywhere* in the South keeps destroying the viewer's suspension of disbelief.

The other stumbling block, is the director's style. Potter's writing, bred at the BBC, seems to work better when filmed in an understated, realistic style. He's a writer who really packs a lot into every line, and his material doesn't generally need to be "played up" at all in order to carry the intended impact; all the power is right there in the script. Unfortunately, Roeg comes out with both guns blazing, and while his over-the-top visual style works really well in some sequences (as when Oldman destroys the train set), the overall effect was one of "more is less".

I couldn't help wondering as the movie ended how differently the script could have been handled by a director like Jonathan Demme, who not only has an ear for accents and an understated visual style, but also a more subtle understanding of class in rural America than any director I can think of.

In the end, an enjoyably campy B-movie with unfulfilled potential for greatness.


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