| Fotos (Alle 6 | Diashow) |
| Peter Weller | ... | Baston Morris | |
| Kathy Baker | ... | Maggie Gresham | |
| John Glover | ... | Sheb Sheppard | |
| Bill Smitrovich | ... | Pink Gresham | |
| Rhetta Hughes | ... | Vinia | |
| Amy Fields | ... | Bessie Gresham | |
| Richard Westrick | ... | Warren Gresham | |
| Trevor Jackson | ... | Eldridge | |
| Susie Hall | ... | Blanche | |
| Sandi Brannon | ... | Sara | |
| Bob Hannah | ... | Stillwell | |
| Joel Simon | ... | First Man at Mill | |
| Edward Potter Haggard | ... | Second Man at Mill | |
| Curt Walters | ... | Sherrif of Parrish | |
| Mert Hatfield | ... | Sheriff of Oakman | |
| Stuart Culpepper | ... | Mr. Sheppard | |
| Nicole Anderson-Ellis | ... | Young Maggie | |
| George H. Hammett Jr. | ... | Young Sheb | |
| Victoria Loving | ... | Morris' Wife | |
| Danny Nelson | ... | Sarah's Father | |
| Lana Sloniger | ... | Anna Sheppard | |
| Wallace Wilkinson | ... | 1929 Judge | |
| Bill Fleet | ... | 1929 Sheriff | |
| John Bradley | ... | 1929 Deputy |
Regie | |||
| David Saperstein | |||
Buch(WGA) | ||
| Robert Houston | (novel "Monday, Tuesday, Wednesday") | |
| David Saperstein | (screenplay) | |
Produktion | |||
| John D. Backe | .... | executive producer | |
| Myron A. Hyman | .... | executive producer | |
| Peter R. McIntosh | .... | producer | |
| Michael Rauch | .... | producer | |
Originalmusik | |||
| John Barry | |||
Kamera | |||
| Dominique Chapuis | |||
Schnitt | |||
| Patrick McMahon | |||
Casting | |||
| Pat McCorkle | |||
Szenenbild | |||
| John Jay Moore | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Lynn Wolverton-Parker | (as Lynn Wolverton) | ||
Kostüme | |||
| Elisabeth Seley | |||
Maske/Frisuren | |||
| Lynn Barber | .... | makeup artist | |
| Lynda Gurasich | .... | hair stylist (as Linda Gurasich) | |
| Philip Ivey | .... | hair stylist (as Phillip Ivey) | |
Produktionsleiter (production managers) | |||
| Joan Haley | .... | unit production manager | |
Regieassistenten | |||
| Alex Hapsas | .... | first assistant director | |
| Candace Suerstedt | .... | second assistant director | |
Ausstattung (Stab) | |||
| Dwight Benjamin-Creel | .... | assistant property master (as Dwight Benjamin Creel) | |
| James Jones Jr. | .... | set dresser | |
| Alba Leone | .... | on-set dresser | |
| Frank O'Shea | .... | property master | |
| L.B. Owen | .... | carpenter | |
| Julie Plakanis | .... | set dresser | |
| Brad Smith | .... | set dresser | |
| Paul Stanwyck | .... | scenic artist | |
| Brian Stultz | .... | scenic artist | |
| Robert Warren | .... | carpenter | |
Ton Stab | |||
| Thomas Brandau | .... | production sound mixer (as Tom Brandau) | |
| Jack Cooley | .... | re-recording engineer | |
| Steve Day | .... | boom operator | |
| Lindsey Hicks | .... | assistant sound editor | |
| Jack Higgins | .... | re-recording engineer | |
| Bitty O'Sullivan-Smith | .... | supervising sound editor (as Bitty O'Sullivan Smith) | |
| Mark Rathaus | .... | assistant sound editor | |
| Ann Stein | .... | adr editor (as Anne Stein) | |
| Paul J. Zydel | .... | adr recordist (as Paul Zydel) | |
Spezialeffekte | |||
| Vern Hyde | .... | special effects | |
Stunts | |||
| Tom Harper | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| Richard Allen Anderson | .... | grip (as Rick Anderson) | |
| James H. Armfield | .... | still photographer | |
| Eddie Evans | .... | key grip | |
| Gershon Ginsburg | .... | camera trainer | |
| Davis James | .... | electrician | |
| Carl Johnson | .... | best boy | |
| Tully McCulloch | .... | dolly grip | |
| Edwin Myers | .... | assistant camera (as Ed Myers) | |
| Marty Newbron | .... | gaffer | |
| Guillaume Schiffman | .... | second assistant camera | |
| Roger Sherer | .... | grip | |
| Mike West | .... | first assistant camera | |
Casting (Stab) | |||
| Saul Butcher-Thomas | .... | extras casting (as Saul Burcher-Thomas) | |
| Annette Stillwell | .... | casting: Atlanta | |
Kostüm und Garderobe (Stab) | |||
| Marciann Shapiro | .... | wardrobe assistant | |
Schnitt (Stab) | |||
| Chip Cronkite | .... | assistant editor | |
| Scott Hyman | .... | post-production assistant | |
| Christopher Weir | .... | assistant editor | |
Musik (Stab) | |||
| John Barry | .... | conductor | |
| George Craig | .... | music editor | |
| Jonathan Elias | .... | musician: synthesizer | |
Restlicher Stab | |||
| Daniel Aguar | .... | location manager | |
| Daniel Aguar | .... | production assistant (as Dan Aguar) | |
| Beth Gittleman | .... | production assistant | |
| Lynn Goldman | .... | assistant to producer | |
| Jimmy Hapsas | .... | production assistant | |
| Annette Haywood-Carter | .... | script supervisor (as Annette Haywood) | |
| Graig Hutchison | .... | production accountant (as Craig Hutchinson) | |
| Tina M. James | .... | assistant to producers | |
| Ingrid Johanson | .... | production office coordinator | |
| Jeff Johnson | .... | location assistant | |
| Z.B. Lancaster | .... | animal trainer | |
| David Meeks | .... | animal trainer | |
| Brian O'Kelly | .... | location assistant | |
| Mike Riley | .... | liaison: film commission | |
| Brent Schwartz | .... | production assistant | |
| Ray Suttles | .... | period car coordinator | |
| Chikita Wallace | .... | production assistant | |
| Teresa M. Yarbrough | .... | production office assistant (as Theresa Yarbrough) | |
| Wally Young | .... | assistant to producers | |
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| The Postman Always Rings Twice | Ironweed | Married to the Mob | Buffalo Soldiers | Prizzi's Honor |
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| Besetzung und Stab | Beteiligte Firmen | IMDb Krimi section |
| IMDb USA section | Add this title to MyMovies |
***SPOILERS*** Pink Gresham, Bill Smitrovich, wasn't exactly a model citizen or loving husband he was a down-right lowlife scoundrel.
Abusing and flaunting his infidelities in front of his long-suffering wife Maggie, Kathy Baker, and his two children as well as ripping off those who worked at the Parrish Mill, where Pink was the manager, of their hard-earned pay the fact that he ended up hacked to death hanging upside down at the smoke-shed on his property was no surprise to anyone. The surprise was how under the circumstances and who committed it, Pink's murder! even more sinister the real reason behind it.
A movie that takes you to places thats, as far as I know, never gone before in a horror movie and ends up with the unleashing of the dogs of hell that put a gory end to the devil incarnate who was responsible of the murderous acts in the film.
Maggie finding her husband Pink murdered is in a panic as she runs to her only neighbor Vinia, Rhetta Hughes, on the almost deserted island in W. Virginia that she lives on for help. Only to be told that there's nothing she, Vinia, could do with a pack of vicious dogs running loose on the island that already killed one of her children. Back at the house Maggie is startled to find a stranger knocking on her door looking for her husband to get work at the Parrish Mill.
The stranger Baston Morris, Peter Weller, comes across as a strange and somewhat innocent person at first. But before Maggie can compose herself from the shock of Pinks death he, Baston, lets out the fact that he indeed murdered her husband. Terrified of the creepy Baston and what he can do to her Maggie is trapped with nowhere to go for help and a prisoner in her own home. Then something happens that is so startling, by what Baston told her about Pink that it turns Maggie's fear and panic of him into sympathy and even has her falling in love with him! To where when her Brother Sheb, John Glover, a local preacher came with the sheriff, to see if everything was all right with her and Pink She hides Baston in her bedroom. Protecting him for being arrested by the local police for her husbands murder! little did Maggie know what the truth was about Baston and that truth instead of setting Maggie free was going to free her of her life and the lives of her two children in what Baston's sick mind had in store for her and them.
Very good debut by director David Saperstein who gives the movie a very professional look. But it's the eerie and rural Dr.Jekyll and Mr. Hyde performance of actor Peter Weller as Baston Morris that really pushes the movie "A Killing Affair" to the front of the line. Makng it one of the most scary and effective, as well as unknown, horror films of the 1980's. Weller in his portrayal of the dangerous as well as at the same time almost likable Baston shows that evil can come to us in almost any kind of package or appearance.