With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance's chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, ... See full summary »
A symbolic depiction of hell on Earth, set in the last days of the Warsaw uprising in 1944. Lieutenant Zadra is commanding a company of 43 men in a desperate battle amidst the ruins. Facing... See full summary »
Setsuko and Seita are brother and sister living in wartime Japan. After their mother is killed in an air raid they find a temporary home with relatives. Having quarreled with their aunt they leave the city and make their home in an abandoned shelter. While their soldier father's destiny is unknown, the two must depend on each other to somehow keep a roof over their heads and food in their stomachs. When everything is in short supply, they gradually succumb to hunger and their only entertainment is the light of the fireflies. Written by
Corrected by Liron
From the start of production, director Isao Takahata wanted to cast appropriately aged children in the roles of Seita and Setsuko. Because the film takes place in Kobe, the search was limited to the Kansai region of Japan in order to find children who spoke the proper dialect. He was introduced to Ayano Shiraishi through a regional children's acting company, and he decided to cast her as Setsuko after only hearing two sentences: "My name is Ayano Shriraishi. I am five years old." He was later told by one of the company's leaders that they expected that Ayano was too young for the role, and so those were the only lines she had been instructed to recite in the audition. See more »
September 21, 1945... that was the night I died.
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A magnificent piece of work and one of the most heartbreaking tales ever told
Animation is often seen as a childish medium, and for good reason as kid's films often are animated. However, every now and then an animated film comes along that extends it's boundaries and manages to deliver a very adult story, and Grave of the Fireflies is one of those films. Through it's well observed and very real characters, Grave of the Fireflies portrays a story of loss, heartbreak and the effect of war on civilians in a manner that is more effective and more firmly based in reality than many live action films about the same subject are. We follow Seita and Setsuko, a brother and sister that have lost their parents in the war and are now forced to fend for themselves in the war torn country. How the two go about doing that and the boy's development from a child to a (somewhat) responsible adult due to the change in the surroundings makes up the spine of the movie.
I'm not a big fan of animation, but there are some films that are so great that a person's personal preferences are irrelevant, and this is one of those films. The animation is beautiful and certain scenes, including the air raids and anything with the fireflies are amazing works of art. The way the music blends with the images on screen is haunting and beautiful, and helps add to the tragedy of the story. Because we are able to care for the characters, the tragedy is increased ten fold and the story on the whole is a sad one, but few movies have ever matched up to this film's ending in terms of pure despair. The conclusion is absolutely gut wrenching to an extent that few movies have ever matched, let alone animated pictures. The fact that it's so plain and blatant, with no attempt to console the audience takes the tragedy to a whole new level and I don't doubt that many audience members will be holding back tears upon the film's conclusion.
This film is a must see.
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