Radio Days (1987)

Regisseur:

Woody Allen

Drehbuchautor:

Woody Allen (written by)

Premierendatum:

30. Januar 1987 (USA)

Genre:

Komödie

Plot:

A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.

Plot Keywords:

Adolescent | Mink Coat | Accidental Shooting | Pier | Memory Film

Filmpreise:

Nominated for 2 Oscars. Another 2 wins & 7 nominations

Nutzerkommentare:

A Masterpiece. Amazing.

Besetzung

Mike Starr	...	Burglar
Paul Herman	...	Burglar
Don Pardo	...	'Guess That Tune' Host
Martin Rosenblatt	...	Mr. Needleman
Helen Miller	...	Mrs. Needleman
Danielle Ferland	...	Child Star
Julie Kavner	...	Mother
Julie Kurnitz	...	Irene
David Warrilow	...	Roger
Wallace Shawn	...	Masked Avenger
Mick Murray	...	Avenger Crook (as Michael Murray)
William Flanagan	...	Avenger Announcer
Seth Green	...	Joe
Michael Tucker	...	Father
Josh Mostel	...	Abe

Alternativ:

Radio Days (Österreich) (Bundesrepublik Deutschland) [de]

Länge:

88 Min

Produktionsland:

USA

Sprache:

Englisch

Farbe:

Farbe

Seitenverhältnis:

1.37 : 1

Tonverfahren:

Mono

Altersfreigabe:

Canada:PA (Ontario) | Netherlands:6 | Iceland:L | Argentina:13 | Australia:PG | Chile:14 | Finland:S | France:U | Singapore:PG | Sweden:Btl | UK:PG | USA:PG

Drehorte:

Brooklyn, New York City, New York, USA

Firma:

Orion Pictures Corporation

Dies und das:

Sally White's becoming a celebrity gossip reporter after her radio career fizzles out is based on real-life actress-turned-gossip Hedda Hopper.

Pannen:

Anachronismus: In one scene, a pack of Camel cigarettes lies on a table, with a clearly visible bar code on the side of the package, clearly anachronistic for the era.

Dialogzitate:

[On his parents]
Narrator: I mean, how many people argue over oceans?

Bezüge zu anderen Titeln:

Verweis/Anspielung/Erwähnung in "Spin City: Radio Daze (#2.6)" (1997)

Soundtrack:

In the Mood

A Masterpiece. Amazing.

Radio Days has got to be one of my absolute favorite films of all time. To me, it's a film that balances story, characters and atmosphere better than just about any other. It's truly a great work of art, and a very, very underrated one. The best thing about it is how Allen's love for his subject, the romantic nostalgia he feels, translates so eloquently to the screen. You've also got to hand it to the cast. Diane Weist, Julie Kavner, Mia Farrow, Josh Mostel, a briefly-glimpsed Jeff Daniels, and a young Seth Green all give great performances that are right out of the period, yet instantly recognizable. Allen had Santo Loquasto, his art director, do a bang-up job on creating the world of early-1940s Rockaway, New York, and Jeffrey Kurland's costumes help immensely. Particularly note-worthy is Carlo Di Palma's stunning cinematography. The colours, the smoky nightclubs and soundstages, the dimly-lit nighteries and the dazzling rooftop set come to life like few sets do in films. And then there's the music. That dazzling array of classic music, from one of the best periods for it in American history. Allen's decision to use only music from that time might sound cliche, but he's definatly justified here. And there's always the Radio Show Themes piece by Dick Hyman (I'm always by that name) that accompanies many of the scenes. That piece of music alone is worth seeing the film. As you can probably tell, I love this film simply for the fact that it's such a charming, enchanting, beautiful film. It's one I'd show my children, even the nude dancing scene, had I any children to show it to. Woody Allen's turn in the films he's made lately (as of 2003) are, to me, pretty depressing and perverse, with none of the charm, life and humor that works like Radio Days symbolize, Sweet and Lowdown notwithstanding. Hopefully, more films like this gem are on the horizon.