| Fotos (Alle 7 | Diashow) |
| Lindsay Crouse | ... | Margaret Ford | |
| Joe Mantegna | ... | Mike | |
| Mike Nussbaum | ... | Joey | |
| Lilia Skala | ... | Dr. Littauer | |
| J.T. Walsh | ... | The businessman | |
| Willo Hausman | ... | Girl with book | |
| Karen Kohlhaas | ... | Prison ward patient | |
| Steven Goldstein | ... | Billy Hahn | |
| Jack Wallace | ... | Bartender, House of Games | |
| Ricky Jay | ... | George / Vegas Man | |
| G. Roy Levin | ... | Poker player | |
| Bob Lumbra | ... | Poker player | |
| Andy Potok | ... | Poker player | |
| Allen Soule | ... | Poker player | |
| Ben Blakeman | ... | Bartender, Charlie's Tavern | |
| Scott Zigler | ... | Western Union clerk | |
| William H. Macy | ... | Sgt. Moran (as W.H. Macy) | |
| John Pritchett | ... | Hotel desk clerk | |
| Meshach Taylor | ... | Mr. Dean | |
| Johnny 'Sugarbear' Willis | ... | Hotel doorman (as Sugarbear Willis) | |
| Josh Conescu | ... | Garage attendant | |
| Julie Mendenhall | ... | Late student | |
| Rachel Cline | ... | Student | |
| Patricia Wolff | ... | Patient / Ford's office | |
| Paul Walsh | ... | Man in restaurant | |
| Roberta Maguire | ... | Restaurant hostess | |
| Jacqueline de La Chaume | ... | Woman with lighter | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Julie Michaels | ... | (uncredited) | |
Regie | |||
| David Mamet | |||
Buch | ||
| Jonathan Katz | (story) & | |
| David Mamet | (story) | |
| David Mamet | (screenplay) | |
Produktion | |||
| Michael Hausman | .... | producer | |
Originalmusik | |||
| Alaric Jans | |||
Kamera | |||
| Juan Ruiz Anchía | |||
Schnitt | |||
| Trudy Ship | |||
Casting | |||
| Cyrena Hausman | |||
Szenenbild | |||
| Michael Merritt | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Derek R. Hill | (as Derek Hill) | ||
Kostüme | |||
| Nan Cibula | |||
Maske/Frisuren | |||
| Laurent Delouya | .... | hair stylist: Mr. Mantegna | |
| Erin Lyons | .... | hair stylist | |
| Gregory Villamil | .... | hair stylist: Miss Crouse | |
| Pamela S. Westmore | .... | makeup artist (as Pamela Westmore) | |
Produktionsleiter (production managers) | |||
| Lee R. Mayes | .... | unit production manager | |
Regieassistenten | |||
| Ned Dowd | .... | first assistant director | |
| Michael Hausman | .... | second assistant director | |
Ausstattung (Stab) | |||
| Jeff Balsmeyer | .... | storyboard artist (as Jeffrey Balsmeyer) | |
| Valerie Ross | .... | property assistant | |
| Samara Schaffer | .... | property master | |
| J. Grey Smith | .... | lead man | |
| Jeffrey P. Soderberg | .... | set dresser (as Jeff Soderberg) | |
Ton Stab | |||
| Douglas Axtell | .... | boom operator | |
| Suki Buchman | .... | assistant sound editor (as Susan Buchman) | |
| Anthony J. Ciccolini III | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Pam DeMetruis-Thomas | .... | assistant sound editor (as Pam DeMetruis) | |
| Kathleen Earle Killeen | .... | assistant sound editor (as Kathy Killeen) | |
| Thomas A. Gulino | .... | sound editor | |
| John Pritchett | .... | sound mixer | |
| John Pritchett | .... | sound | |
| Marc S. Shaw | .... | adr editor | |
| Gail Showalter | .... | assistant sound editor | |
| Jeffrey Stern | .... | sound editor | |
| Jacqueline Tager | .... | assistant sound editor (as Jacqui Tager) | |
| Dick Vorisek | .... | sound re-recording supervisor | |
Spezialeffekte | |||
| Robert G. Willard | .... | special effects (as Robert Willard) | |
Kamera und Elektrik (Stab) | |||
| Michael F. Barrow | .... | gaffer (as Michael Barrow) | |
| Michael F. Barrow | .... | grip equipment | |
| Michael F. Barrow | .... | lighting equipment | |
| Martin Bosworth | .... | grip (as Marty Bosworth) | |
| Chris Centrella | .... | key dolly grip | |
| Henry Cline | .... | second assistant camera | |
| Geoffrey Coburn | .... | electrician | |
| Robert Diehl | .... | electrician | |
| Bill Flick | .... | grip | |
| Lars Larson | .... | grip | |
| Mark Lorge | .... | electrician | |
| Hugh McCallum | .... | best boy grip | |
| Robert McClure | .... | electrician | |
| John Merriman | .... | best boy electric | |
| George Mooradian | .... | first assistant camera | |
| Lorey Sebastian | .... | still photographer | |
| Michael Sudmeier | .... | electrician | |
| Greg White-Wiegand | .... | electrician | |
| Quintin Woo | .... | electrician | |
Kostüm und Garderobe (Stab) | |||
| Candace Blake | .... | wardrobe assistant | |
| Dawn Johnson | .... | costumer | |
| Sally Roberts | .... | wardrobe assistant | |
| Sally Roberts | .... | assistant costume designer (uncredited) | |
Schnitt (Stab) | |||
| Peter B. Ellis | .... | apprentice editor | |
| K.F. Ligammari | .... | apprentice editor | |
| Colleen Sharp | .... | apprentice editor | |
| Barbara Tulliver | .... | assistant editor | |
Musik (Stab) | |||
| Warren Bernhardt | .... | musician: piano solom, "Fugue From the Toccata in C Minor" | |
| Suzana Peric | .... | music editor | |
Transporte | |||
| Gregory W. Anderson | .... | driver (as Gregory Anderson) | |
| Jerry Jackson | .... | transportation coordinator | |
| Jon McCarthy | .... | driver (as Jon R. McCarthy) | |
| David Milchen | .... | driver captain | |
Restlicher Stab | |||
| Alexa Albert | .... | production assistant | |
| Rachel Cline | .... | assistant to producer | |
| Liz Dixon | .... | coach | |
| Liz Dixon | .... | consultant | |
| Peter Hutcheson | .... | production assistant | |
| Kevin Hyman | .... | production accountant | |
| Ricky Jay | .... | consultant: confidence games | |
| Richard Lorenzana | .... | financial representative | |
| Ron Lynch | .... | location manager | |
| Susan McBrine | .... | caterer (as Susan MacBrine) | |
| Ivan Passer Jr. | .... | production assistant | |
| P.J. Pettiette | .... | dailies courier | |
| Deborah Pritchett | .... | production office coordinator | |
| Cathy Sarkowsky | .... | production office coordinator | |
| Sheila Thompson | .... | craft service | |
| Lynn Wegenka | .... | key production assistant | |
| Christine Wilson | .... | script supervisor | |
| Patricia Wolff | .... | production assistant | |
| Scott Zigler | .... | production assistant | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
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| Lock, Stock and Two Smoking Barrels | The Galloping Ghost | The Big Lebowski | A Big Hand for the Little Lady | Ocean's Eleven |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| IMDb Krimi section | IMDb USA section | Add this title to MyMovies |
David Mamet wrote the screenplay and made his directorial debut with `House of Games,' a character study fraught with psychological overtones, in which a psychiatrist is lured into the dark world of the confidence game. Margaret Ford (Lindsay Crouse) has a successful practice and has written a best-selling novel, 'Driven.' Still, she is somewhat discontented with her own personal life; there's an emptiness she can neither define nor resolve, and it primes her vulnerability. When a patient, Billy Hahn (Steven Goldstein), confides to her during a session that he owes big money to some gamblers, and that they're going to kill him if he doesn't pay, she decides to intervene on his behalf. This takes her to the `House of Games,' a seedy little dive where she meets Mike (Joe Mantegna), a charismatic con-man who wastes no time before enticing her into his world. Instead of the `twenty-five large' that Billy claimed he owed, Mike shows her his book, and it turns out to be eight hundred dollars. And Mike agrees to wipe the slate clean, if she'll agree to do him one simple favor, which involves a card game he has going on in the back room. In the middle of a big hand, Mike is going to leave the room for a few minutes; while he is gone, her job is to watch for the `tell' of one of the other players. By this time, not only Margaret, but the audience, as well, is hooked. The dialogue, and Mamet's unique style and the precise cadence with which his actors deliver their lines, is mesmerizing. As Mike leads Margaret through his compelling, surreal realm of existence, and introduces her to the intricacies of the con game, we are swept right along with her. From that first memorable encounter, when he demonstrates what a `tell' is and how it works, to the lessons of the `short con,' to the stunning climax of this film, Mamet keeps the con going with an urgency that is relentless. And nothing is what it seems. In the end, Margaret learns some hard lessons about life and human nature, and about herself. She changes; and whether or not it's for the better is open to speculation. Mantegna is absolutely riveting in this film; he lends every nuance possible to a complex character who must be able to lead you willingly into the shadows, and does. Crouse also turns in an outstanding performance here; you feel the rigid, up-tight turmoil roiling beneath that calm, self-assured exterior, and when her experiences with Mike induce the change in her, she makes you feel how deeply it has penetrated. She makes you believe that she is capable of what she does, and makes you understand it, as well. The dynamic supporting cast includes Mike Nussbaum (Joey), Lilia Skala (Dr. Littauer), J.T. Walsh (The Businessman), Ricky Jay (George) and William H. Macy (Sergeant Moran). `House of Games' is the quintessential Mamet; he's written and directed a number of high-caliber plays and films since, and will no doubt grace us with more in the future. But this film will be the one that defines him; and you can go to the dictionary and look it up. You'll find it under `Perfection.' This is one great movie you do not want to miss. I rate this one 10/10.