30 out of 33 people found the following comment useful :- A great morale booster!, 15. März 2002
Author:
SmileysWorld von United States
Vietnam without a doubt was a dark period in our history.Any comedy
film surrounding Vietnam would indeed have to be done delicately.This
movie pulls it off.What amazes me most about the film is the flawless,
improvisational radio dialog from Robin Williams.This,as most of you
may know,was completely unscripted to allow Williams an opportunity to
work his magic.Also,it had to be timely,for the movie is,of course,set
in 1965.The fact that he was able to do this is nothing short of
amazing.The supporting cast was also incredible,with great performances
by Forrest Whitaker,Bruno Kirby,and the late J.T.Walsh as "Sergeant
Major Dickerson",the man you love to hate.Although some of the horror
that was Vietnam is here,it's only giving you a taste of it,as it
concentrates more on the Williams character's quest to make our beloved
soldiers forget their horror,at least for a while.Highly recommended.
14 out of 16 people found the following comment useful :- good morning and (a very good) day, 12. Januar 2006
Author:
Lee Eisenberg (eisenberg.lee@gmail.com) von Portland, Oregon, USA
"Good Morning, Vietnam" is truly Robin Williams at his best. As
anarchic DJ Adrian Cronauer in 1965 Saigon, he makes sure that you
never stop laughing. I really liked what he did with the tape of
Richard Nixon's speech, and then his comment about the bombing of a
restaurant. Most amazing is that he ad-libbed the whole thing (but hey,
that's Robin Williams). Maybe Cronauer wasn't that wacky in real life,
but every one of Williams' comments makes the movie worthwhile. The
soundtrack even includes his monologues (you'll go crazy over the
imitation of Lyndon Johnson, and the commentary from "Roosevelt E.
Roosevelt"). A comedy classic in every sense.
13 out of 16 people found the following comment useful :- Robin Williams does his thing well in this comedy that makes us think. ***1/2 (out of four), 14. November 2000
Author:
Blake French (film321@altavista.com) von USA
GOOD MORNING, VIETNAM / (1987) ***1/2 (out of four)
By Blake French:
Robin Williams is about as good as they come at doing stand up comedy, and
in "Good Morning, Vietnam" director Berry Levinson gives him everything he
needs to make the film go above and beyond the average satire. From his
outgoing sense of humor, to his aggressive personality, and dozens of vocal
effects, he portrays his character with interactive zest. Who can resist the
awakening voice of Williams on the radio yelling "Good Morning Vietnam."
This is a film that conquers the test of time.
"Good Morning, Vietnam" tells the story of a lively disc jockey who gets a
job on Armed Forced Radio during the Vietnam War. Robin Williams is the
fast-talking Adrian Cronauer, and who better to play the part than he.
Although this character is one-dimensional (we are never informed on his
background, marital status, where he comes from, what he did before we
meet), as the movie continues he gradually begins to change into a deeper,
more meaningful person.
The story moves along smoothly; the narrative through-line is consistent as
each scene relates to the next. Although little momentum or suspense can be
noticed, the film does have several underlining themes, often viewed upon in
a Stanley Kubrick style: sarcastic and uncompromising. We see how much a
little humor and jazz can greatly enlighten the hard-core atmosphere of the
military during Vietnam, and how it can thoroughly confuse the bleeding
heart officials.
The film hangs by the skin of its teeth for active conflict tension. Beyond
people objecting to the actions of Williams' character, there is just not a
lot of tension within the story, and at some points my interest wandered.
"Good Morning, Vietnam" is merely a portrait of Robin Williams releasing his
perennial comedy, and unfortunately that does happen to get old quite
quickly; the majority of an audience can only watch the humor for so long
until it becomes old and somewhat stale.
"Good Morning, Vietnam" is definitely not a flawless film, but we do
empathize for the main character, the scenes effectively capture the
attitude and mood during the war, and the dialogue and writing feel accurate
and involving. Barry Levinson has directed a marvelous comedy, one that is
not all about making us laugh, but also makes us think.
13 out of 17 people found the following comment useful :- The definitive Robin Williams film, 6. Mai 1999
Author:
Neil Ferris (n.ferris@uea.ac.uk) von Norwich, England
There never has been, and probably never will be, another film which shows
both sides of Williams to such a great degree.
As the wise-cracking disc-jockey, Williams shows his undisputed wild
comedic
talent, but the bomb scene and scenes of rural Vietnam life, truly allow
Williams to such his dramatic acting ability. They look at the conflict,
without getting in too deep.
A superb cast as well including Bruno Kirby and the late great J.T. Walsh
gives a solid backdrop, and are beautiful foils to Williams.
Overall, a wonderful movie, add it to your collection.
5 out of 5 people found the following comment useful :- Effective movie that is neither too funny nor too grim, 30. Juli 2006
Author:
S.R. Dipaling von Topeka,Kansas,USA
I just sat through a DVD of this movie,the second(?)time I'd seen this
film. The last time I could recall seeing this,it was on pay-per-view
television in a hotel(the Red Lion I think it was) room,August of
1988,so my memories of this film could use a refreshing. I'm glad I got
refreshed.
In 1965,Airman Adrian Cronauer(Robin Williams,in the first of his four
Academy Award nominations)is brought on to do an Armed Forces Radio
stint in Vietnam. Behind the microphone,Cronauer lets loose,much to the
surprise and delight of many of the troops and servicemen around the
area of combat. His combination of off-the-wall humor,impressions,sound
gags and quick wit,mixed with his love of free-wheeling Rock music of
the era,is pretty much welcomed in the area,save for a few angry sorts:
a Napoleon-complexed intermediate CO named Hauk(Bruno
Kirby,unrecognizable but for the voice) and a stiff-lipped,quietly
vindictive middle commander named Dickerson(J.T.Walsh,so good here it
would seem like this typecast him). As this is going on,Cronauer
becomes smitten with a local girl(Chinatra Sukapatra,spelling?)and
befriends her brother(Tung Thanh Tran),which leads the popular DJ down
a road of self-discovery.
With excellent support from Forrest Whitaker(one of my favorites!he
ends up sort of counter-balancing Williams' manic frenzy with nerdish
normalcy as his buddy/assistant/guide),Richard Edson,Noble
Winnigham,Robert Wuhl and Cu Ba Nguyen(as the oily GI bar
proprietor)among others,this film,directed by Barry Levinson(whose work
hasn't been this good in what feels like forever,certainly not since
Avalon or Rain Man) and written by Mitch Markowitz,it is arguable one
of the deftest films to create and maintain a balance between the
horrors and inhumanity of war and the humor and pathos that are very
much present in it. Robin Williams' fans may get much more out of this
that those who aren't,but I think even many of those who don't consider
themselves fanciers of his talents should be able to appreciate this.
The images were powerful enough that they stuck with me some after the
first time I saw GMV and after a second time I feel like can appreciate
even more out of this movie.
4 out of 4 people found the following comment useful :- Funny and real, 29. Oktober 2005
Author:
Grann-Bach (Grann-Bach@jubii.dk) von Denmark
Let me be perfectly frank and say right away that I watched this to
experience Robin Williams at his best. That guy has so much comedic
talent, it's unreal. I mostly got what I expected from this movie...
but I found that it also contained some truths about the Vietnam war.
The movie has plenty to offer on both fronts. Any fan of Williams'
comedy will definitely enjoy it, and I think most war-movie buffs will
too... if they can keep an open mind, and accept a slightly different
approach to the genre. The way the seriousness of war is underplayed
for most of the film really works to enhance the effect of it when it
is shoved right in our faces, when we are forced to acknowledge it. We
forget how serious and all-consuming war is, just like Adrian had(not
necessarily the real one, I know nothing of him except of what the film
told me, and as far as I understand, that's not that accurate a
portrayal of him), only to be confronted with it. More effective than
several big war movies. The plot is very good. The pacing is great, the
movie keeps moving pretty much all through the film. The characters are
well-written and credible. The acting is good pretty much all-round,
and Williams proves once again that he can do drama just as well as
comedy. The humor is typical Robin Williams. A very good film, and an
unusual war movie. I recommend this to fans of Robin Williams and war
movies. 7/10
5 out of 6 people found the following comment useful :- Dual Morals, 2. Januar 2004
Author:
Angry_Arguer von Shermer, Illinois
*** This comment may contain spoilers ***
This movie is silly and childish, but there is so much good thanks to
Williams and a bit of cleverness by Levinson to keep things more than
interesting. Why couldn't Weir have been as inventive with 'Dead Poets
Society'?
This is your only spoiler warning...
In comedies, characters learn nothing because often they are stereotypes
with nothing to offer.
In war movies, the characters learn one lesson: war is hell. This follows
two hours of fireballs, bullets, blood, and noise.
Here we have a twofold take on war. There is the blunt and obvious as
depicted in the Armstrong montage (copied by Peter Jackson in 'Return of the
King') where the hard lessons are taught through suffering. This is the
weaker message of the two.
Then there is the message of what wartime and big, bad evil censorship does
to creativity. Williams is once again a rebel and better than his
all-too-predictable role in 'Society'. See this and you'll never need to
see another Weir or Levinson again.
Overall, not only is 'Good Morning, Vietnam' funny, but it is worth your
time as an alternative take on a subject nearly beaten to death. Perhaps
the best war movie of the 80s.
Final Analysis = = Learn from this...
2 out of 2 people found the following comment useful :- A perfect showcase for Robin Williams' unique improv, 25. Oktober 2007
Author:
DAVID SIM von United Kingdom
*** This comment may contain spoilers ***
Good Morning, Vietnam is undoubtedly the film that propelled Robin
Williams to the A-list. Beforehand he was only known as Mork from Ork,
and the films he'd been asked to appear in (except perhaps Moscow on
the Hudson) were ones not really giving him an opportunity to flex his
true muscles as an actor.
But GMV changed all that, because it was the first time Williams had
been given a character that finally allowed him to showcase his unique
brand of improv. In this case, a DJ.
Its what Williams does with the part that makes GMV so compelling. His
live-wire performance transforms the entire movie. Without Williams,
GMV would be a considerably lesser film than it is.
Barry Levinson's film is rather unique because it was the first (and
only) one to add a bit of comedy into the Vietnam War. Taking a leaf
out of MASH's book, it uses the conflict in Saigon as a backdrop for
William's barnstorming impressions and impersonations. And for the most
part, its a sweet package.
Williams plays Adrian Cronauer, a funny man shipped to Saigon to be the
new host of a morning radio show. Adrian's irreverent antics in front
of the mike raises a few eyebrows among the straight-arrow US military,
but the troops love him!
All the while, Adrian gets to know Vietnamese culture up close and
personal. Something that leads to romance, friendship and eventually a
betrayal that changes Adrian's life forever.
It was the decision to put Robin Williams at the centre that makes Good
Morning, Vietnam such a great movie. Williams is a master of
improvisation. He can slip from one impersonation to the next
effortlessly. And the best part is, none of it is scripted. Williams
improvises routines right out of thin air. You know he's just making
this up as he's going along, and its a remarkable thing to see.
Levinson knows Williams needs no script or cue cards to work from. All
he does is position the camera in front of Williams behind the mike,
give him the line Good Morning, Vietnam and then go from there. And its
like watching a comic whirlwind. Any scene with him on his radio show
provides non-stop laughs. He has seldom been better in anything else.
What I also liked about GMV is its humorous approach to the misguided
Vietnam conflict. Its when it tries to be a little more serious and
dramatic that the film falls down. Yes the war in Vietnam was a
terrible tragedy. Especially because it represented the American's
sabre-rattling mentality at its narrowest. But the dramatic elements
offer nothing particularly enlightening about the war. The comedy
elements however do.
When Good Morning, Vietnam is funny its very funny. But when it tries
to make serious points it slows the film right down. Its Williams
irreverent commentaries on the conflict that give the film its life.
Even when he's doing impressions of Richard Nixon and even Elmer Fudd
there's a thinly disguised veil of contempt against the US military's
participation in the Vietnam War. They're wrapped up in sharply
satirical comic material, but they make more of an impact than the
film's outright heavy-handed approach. Subtlety makes all the
difference.
Robin Williams is the heart and soul of the entire picture of course.
Whether he's delivering manic rapid-fire monologues on the air to
teaching native Vietnamese the hip aspects of the English language, he
holds the attention whenever he's around. He was deservedly nominated
for an Oscar. An Oscar he should have won really.
Levinson surrounds Williams with talented character actors. The most
engaging are Forest Whitaker and Noble Willingham. Whitaker plays
Edward, a timid young man who learns to loosen up after spending time
in Adrian's company. And Willingham plays Gen. Taylor, the only one
among the top brass who takes a shine to Adrian's unorthodox methods.
He brings depth to what could have been an easily clichéd character.
On the downside, JT Walsh plays exactly the type of character
Willingham is so skillful at avoiding. A pompous, self-important
bureaucrat who takes an instant dislike to Adrian's free-thinking
spirit. I have to admit I found it a bit hard to swallow that Walsh's
character Sgt Major Dickerson (tee-hee!) would actually try to get
Adrian killed in VC territory. No matter how much he hated him. His is
an unnecessary character really. The film could have done just as well,
and arguably better without him.
Nethertheless, the ending is still quite sad when Adrian winds up being
shipped back to the US because one of his Vietnamese friends is a
terrorist. Williams performance is so faultless that even when you can
see the mechanicals of the plot clicking into place, you still feel
sadness for him. His closing message is the perfect blend of cutting
humour and acute pathos.
Good Morning, Vietnam would have been better if it had stayed true to
the comic route. But despite a few bumps in the screenplay, Robin
Williams' quite excellent (even virtuoso) performance keeps things
remarkably on course. He made a questionable detour into sentimental
schmaltz in the following 90s, but this film shows you what Robin
Williams can be capable of when given the right material to work with.
2 out of 2 people found the following comment useful :- Robin Williams plays an over-the top disc jockey who gives hope and laughter to soldiers in Vietnam, 19. September 1999
Author:
Adriane Simo (adriane7@mindspring.com) von chandler, az
A memorable film. One of Robin Williams best roles, next to "Good Will
Hunting" and "Dead Poets Society". And one of his funniest roles too.
Playing Adrian, he shows laughter through pain at one of America's most
tragic times. A wonderful film that should be watched by all of Williams'
fans.
1 out of 1 people found the following comment useful :- Very funny, Robin Williams delivers a good time., 9. März 2003
Author:
Meltdown53098533 (Meltdown53098533@aol.com) von london, ont.
I wasn't alive to witness most of the key events of what is happening in
GMV, but I had a good understranding of it. I have to admit everytime I
see
it the movie always makes me laugh. But I imagin if you know the events of
Nixon, the Vietnam war, the pope and the other events mentioned in Good
Morning Vietnam, you will only find it funnier.
Robin Williams plays Airman Adrian Cronaure, a DJ with a sense of humor
that always makes everyone smile. He is brought into a military radio
station to do morning shows, and atracts an incredible amout of fans and
listeners.
The troops in the field love him, with all his hilarious antics and with
him playing the greats in music. But the brass can't stand him and are
willing to do anything to get him thrown out of the job.
The humor is real enjoyable for everyone young and old. Robin brings in
yet
another great performance that pleased me, my friends and my whole
family.
7.2/10
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Good Morning, Vietnam (1987)
30 out of 33 people found the following comment useful :-

A great morale booster!, 15. März 2002
Author: SmileysWorld von United States
Vietnam without a doubt was a dark period in our history.Any comedy film surrounding Vietnam would indeed have to be done delicately.This movie pulls it off.What amazes me most about the film is the flawless, improvisational radio dialog from Robin Williams.This,as most of you may know,was completely unscripted to allow Williams an opportunity to work his magic.Also,it had to be timely,for the movie is,of course,set in 1965.The fact that he was able to do this is nothing short of amazing.The supporting cast was also incredible,with great performances by Forrest Whitaker,Bruno Kirby,and the late J.T.Walsh as "Sergeant Major Dickerson",the man you love to hate.Although some of the horror that was Vietnam is here,it's only giving you a taste of it,as it concentrates more on the Williams character's quest to make our beloved soldiers forget their horror,at least for a while.Highly recommended.
14 out of 16 people found the following comment useful :-

good morning and (a very good) day, 12. Januar 2006
Author: Lee Eisenberg (eisenberg.lee@gmail.com) von Portland, Oregon, USA
"Good Morning, Vietnam" is truly Robin Williams at his best. As anarchic DJ Adrian Cronauer in 1965 Saigon, he makes sure that you never stop laughing. I really liked what he did with the tape of Richard Nixon's speech, and then his comment about the bombing of a restaurant. Most amazing is that he ad-libbed the whole thing (but hey, that's Robin Williams). Maybe Cronauer wasn't that wacky in real life, but every one of Williams' comments makes the movie worthwhile. The soundtrack even includes his monologues (you'll go crazy over the imitation of Lyndon Johnson, and the commentary from "Roosevelt E. Roosevelt"). A comedy classic in every sense.
13 out of 16 people found the following comment useful :-

Robin Williams does his thing well in this comedy that makes us think. ***1/2 (out of four), 14. November 2000
Author: Blake French (film321@altavista.com) von USA
GOOD MORNING, VIETNAM / (1987) ***1/2 (out of four)
By Blake French:
Robin Williams is about as good as they come at doing stand up comedy, and in "Good Morning, Vietnam" director Berry Levinson gives him everything he needs to make the film go above and beyond the average satire. From his outgoing sense of humor, to his aggressive personality, and dozens of vocal effects, he portrays his character with interactive zest. Who can resist the awakening voice of Williams on the radio yelling "Good Morning Vietnam." This is a film that conquers the test of time.
"Good Morning, Vietnam" tells the story of a lively disc jockey who gets a job on Armed Forced Radio during the Vietnam War. Robin Williams is the fast-talking Adrian Cronauer, and who better to play the part than he. Although this character is one-dimensional (we are never informed on his background, marital status, where he comes from, what he did before we meet), as the movie continues he gradually begins to change into a deeper, more meaningful person.
The story moves along smoothly; the narrative through-line is consistent as each scene relates to the next. Although little momentum or suspense can be noticed, the film does have several underlining themes, often viewed upon in a Stanley Kubrick style: sarcastic and uncompromising. We see how much a little humor and jazz can greatly enlighten the hard-core atmosphere of the military during Vietnam, and how it can thoroughly confuse the bleeding heart officials.
The film hangs by the skin of its teeth for active conflict tension. Beyond people objecting to the actions of Williams' character, there is just not a lot of tension within the story, and at some points my interest wandered. "Good Morning, Vietnam" is merely a portrait of Robin Williams releasing his perennial comedy, and unfortunately that does happen to get old quite quickly; the majority of an audience can only watch the humor for so long until it becomes old and somewhat stale.
"Good Morning, Vietnam" is definitely not a flawless film, but we do empathize for the main character, the scenes effectively capture the attitude and mood during the war, and the dialogue and writing feel accurate and involving. Barry Levinson has directed a marvelous comedy, one that is not all about making us laugh, but also makes us think.
13 out of 17 people found the following comment useful :-

The definitive Robin Williams film, 6. Mai 1999
Author: Neil Ferris (n.ferris@uea.ac.uk) von Norwich, England
There never has been, and probably never will be, another film which shows both sides of Williams to such a great degree.
As the wise-cracking disc-jockey, Williams shows his undisputed wild comedic talent, but the bomb scene and scenes of rural Vietnam life, truly allow Williams to such his dramatic acting ability. They look at the conflict, without getting in too deep.
A superb cast as well including Bruno Kirby and the late great J.T. Walsh gives a solid backdrop, and are beautiful foils to Williams.
Overall, a wonderful movie, add it to your collection.
5 out of 5 people found the following comment useful :-

Effective movie that is neither too funny nor too grim, 30. Juli 2006
Author: S.R. Dipaling von Topeka,Kansas,USA
I just sat through a DVD of this movie,the second(?)time I'd seen this film. The last time I could recall seeing this,it was on pay-per-view television in a hotel(the Red Lion I think it was) room,August of 1988,so my memories of this film could use a refreshing. I'm glad I got refreshed.
In 1965,Airman Adrian Cronauer(Robin Williams,in the first of his four Academy Award nominations)is brought on to do an Armed Forces Radio stint in Vietnam. Behind the microphone,Cronauer lets loose,much to the surprise and delight of many of the troops and servicemen around the area of combat. His combination of off-the-wall humor,impressions,sound gags and quick wit,mixed with his love of free-wheeling Rock music of the era,is pretty much welcomed in the area,save for a few angry sorts: a Napoleon-complexed intermediate CO named Hauk(Bruno Kirby,unrecognizable but for the voice) and a stiff-lipped,quietly vindictive middle commander named Dickerson(J.T.Walsh,so good here it would seem like this typecast him). As this is going on,Cronauer becomes smitten with a local girl(Chinatra Sukapatra,spelling?)and befriends her brother(Tung Thanh Tran),which leads the popular DJ down a road of self-discovery.
With excellent support from Forrest Whitaker(one of my favorites!he ends up sort of counter-balancing Williams' manic frenzy with nerdish normalcy as his buddy/assistant/guide),Richard Edson,Noble Winnigham,Robert Wuhl and Cu Ba Nguyen(as the oily GI bar proprietor)among others,this film,directed by Barry Levinson(whose work hasn't been this good in what feels like forever,certainly not since Avalon or Rain Man) and written by Mitch Markowitz,it is arguable one of the deftest films to create and maintain a balance between the horrors and inhumanity of war and the humor and pathos that are very much present in it. Robin Williams' fans may get much more out of this that those who aren't,but I think even many of those who don't consider themselves fanciers of his talents should be able to appreciate this. The images were powerful enough that they stuck with me some after the first time I saw GMV and after a second time I feel like can appreciate even more out of this movie.
4 out of 4 people found the following comment useful :-

Funny and real, 29. Oktober 2005
Author: Grann-Bach (Grann-Bach@jubii.dk) von Denmark
Let me be perfectly frank and say right away that I watched this to experience Robin Williams at his best. That guy has so much comedic talent, it's unreal. I mostly got what I expected from this movie... but I found that it also contained some truths about the Vietnam war. The movie has plenty to offer on both fronts. Any fan of Williams' comedy will definitely enjoy it, and I think most war-movie buffs will too... if they can keep an open mind, and accept a slightly different approach to the genre. The way the seriousness of war is underplayed for most of the film really works to enhance the effect of it when it is shoved right in our faces, when we are forced to acknowledge it. We forget how serious and all-consuming war is, just like Adrian had(not necessarily the real one, I know nothing of him except of what the film told me, and as far as I understand, that's not that accurate a portrayal of him), only to be confronted with it. More effective than several big war movies. The plot is very good. The pacing is great, the movie keeps moving pretty much all through the film. The characters are well-written and credible. The acting is good pretty much all-round, and Williams proves once again that he can do drama just as well as comedy. The humor is typical Robin Williams. A very good film, and an unusual war movie. I recommend this to fans of Robin Williams and war movies. 7/10
5 out of 6 people found the following comment useful :-
Dual Morals, 2. Januar 2004
Author: Angry_Arguer von Shermer, Illinois
*** This comment may contain spoilers ***
This movie is silly and childish, but there is so much good thanks to Williams and a bit of cleverness by Levinson to keep things more than interesting. Why couldn't Weir have been as inventive with 'Dead Poets Society'?
This is your only spoiler warning...
In comedies, characters learn nothing because often they are stereotypes with nothing to offer.
In war movies, the characters learn one lesson: war is hell. This follows two hours of fireballs, bullets, blood, and noise.
Here we have a twofold take on war. There is the blunt and obvious as depicted in the Armstrong montage (copied by Peter Jackson in 'Return of the King') where the hard lessons are taught through suffering. This is the weaker message of the two.
Then there is the message of what wartime and big, bad evil censorship does to creativity. Williams is once again a rebel and better than his all-too-predictable role in 'Society'. See this and you'll never need to see another Weir or Levinson again.
Overall, not only is 'Good Morning, Vietnam' funny, but it is worth your time as an alternative take on a subject nearly beaten to death. Perhaps the best war movie of the 80s.
Final Analysis = = Learn from this...
2 out of 2 people found the following comment useful :-

A perfect showcase for Robin Williams' unique improv, 25. Oktober 2007
Author: DAVID SIM von United Kingdom
*** This comment may contain spoilers ***
Good Morning, Vietnam is undoubtedly the film that propelled Robin Williams to the A-list. Beforehand he was only known as Mork from Ork, and the films he'd been asked to appear in (except perhaps Moscow on the Hudson) were ones not really giving him an opportunity to flex his true muscles as an actor.
But GMV changed all that, because it was the first time Williams had been given a character that finally allowed him to showcase his unique brand of improv. In this case, a DJ.
Its what Williams does with the part that makes GMV so compelling. His live-wire performance transforms the entire movie. Without Williams, GMV would be a considerably lesser film than it is.
Barry Levinson's film is rather unique because it was the first (and only) one to add a bit of comedy into the Vietnam War. Taking a leaf out of MASH's book, it uses the conflict in Saigon as a backdrop for William's barnstorming impressions and impersonations. And for the most part, its a sweet package.
Williams plays Adrian Cronauer, a funny man shipped to Saigon to be the new host of a morning radio show. Adrian's irreverent antics in front of the mike raises a few eyebrows among the straight-arrow US military, but the troops love him!
All the while, Adrian gets to know Vietnamese culture up close and personal. Something that leads to romance, friendship and eventually a betrayal that changes Adrian's life forever.
It was the decision to put Robin Williams at the centre that makes Good Morning, Vietnam such a great movie. Williams is a master of improvisation. He can slip from one impersonation to the next effortlessly. And the best part is, none of it is scripted. Williams improvises routines right out of thin air. You know he's just making this up as he's going along, and its a remarkable thing to see.
Levinson knows Williams needs no script or cue cards to work from. All he does is position the camera in front of Williams behind the mike, give him the line Good Morning, Vietnam and then go from there. And its like watching a comic whirlwind. Any scene with him on his radio show provides non-stop laughs. He has seldom been better in anything else.
What I also liked about GMV is its humorous approach to the misguided Vietnam conflict. Its when it tries to be a little more serious and dramatic that the film falls down. Yes the war in Vietnam was a terrible tragedy. Especially because it represented the American's sabre-rattling mentality at its narrowest. But the dramatic elements offer nothing particularly enlightening about the war. The comedy elements however do.
When Good Morning, Vietnam is funny its very funny. But when it tries to make serious points it slows the film right down. Its Williams irreverent commentaries on the conflict that give the film its life. Even when he's doing impressions of Richard Nixon and even Elmer Fudd there's a thinly disguised veil of contempt against the US military's participation in the Vietnam War. They're wrapped up in sharply satirical comic material, but they make more of an impact than the film's outright heavy-handed approach. Subtlety makes all the difference.
Robin Williams is the heart and soul of the entire picture of course. Whether he's delivering manic rapid-fire monologues on the air to teaching native Vietnamese the hip aspects of the English language, he holds the attention whenever he's around. He was deservedly nominated for an Oscar. An Oscar he should have won really.
Levinson surrounds Williams with talented character actors. The most engaging are Forest Whitaker and Noble Willingham. Whitaker plays Edward, a timid young man who learns to loosen up after spending time in Adrian's company. And Willingham plays Gen. Taylor, the only one among the top brass who takes a shine to Adrian's unorthodox methods. He brings depth to what could have been an easily clichéd character.
On the downside, JT Walsh plays exactly the type of character Willingham is so skillful at avoiding. A pompous, self-important bureaucrat who takes an instant dislike to Adrian's free-thinking spirit. I have to admit I found it a bit hard to swallow that Walsh's character Sgt Major Dickerson (tee-hee!) would actually try to get Adrian killed in VC territory. No matter how much he hated him. His is an unnecessary character really. The film could have done just as well, and arguably better without him.
Nethertheless, the ending is still quite sad when Adrian winds up being shipped back to the US because one of his Vietnamese friends is a terrorist. Williams performance is so faultless that even when you can see the mechanicals of the plot clicking into place, you still feel sadness for him. His closing message is the perfect blend of cutting humour and acute pathos.
Good Morning, Vietnam would have been better if it had stayed true to the comic route. But despite a few bumps in the screenplay, Robin Williams' quite excellent (even virtuoso) performance keeps things remarkably on course. He made a questionable detour into sentimental schmaltz in the following 90s, but this film shows you what Robin Williams can be capable of when given the right material to work with.
2 out of 2 people found the following comment useful :-
Robin Williams plays an over-the top disc jockey who gives hope and laughter to soldiers in Vietnam, 19. September 1999
Author: Adriane Simo (adriane7@mindspring.com) von chandler, az
A memorable film. One of Robin Williams best roles, next to "Good Will Hunting" and "Dead Poets Society". And one of his funniest roles too. Playing Adrian, he shows laughter through pain at one of America's most tragic times. A wonderful film that should be watched by all of Williams' fans.
1 out of 1 people found the following comment useful :-
Very funny, Robin Williams delivers a good time., 9. März 2003
Author: Meltdown53098533 (Meltdown53098533@aol.com) von london, ont.
I wasn't alive to witness most of the key events of what is happening in GMV, but I had a good understranding of it. I have to admit everytime I see it the movie always makes me laugh. But I imagin if you know the events of Nixon, the Vietnam war, the pope and the other events mentioned in Good Morning Vietnam, you will only find it funnier. Robin Williams plays Airman Adrian Cronaure, a DJ with a sense of humor that always makes everyone smile. He is brought into a military radio station to do morning shows, and atracts an incredible amout of fans and listeners. The troops in the field love him, with all his hilarious antics and with him playing the greats in music. But the brass can't stand him and are willing to do anything to get him thrown out of the job. The humor is real enjoyable for everyone young and old. Robin brings in yet another great performance that pleased me, my friends and my whole family. 7.2/10
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