Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist they do not notice, that a real epidemic is developing around them. Written by
Fredrik Klasson <firstname.lastname@example.org>
The script von Trier and Vørsel have just finished writing at the beginning of the film is titled "The Policeman and the Whore" - an apparent reference to their previous collaboration, The Element of Crime (1984), whose lead characters are a detective and a prostitute. See more »
What the hell. All a nigger needs are loose shoes, tight pussies, and a warm place to shit.
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The film's title appears in red letters in the upper left corner of the screen for the entire length of the film. See more »
In Epidemic two story lines play out simultaneously with both reaching the same, inevitable conclusion. The first storyline is shot in documentary style and follows screenwriters Lars & Niels while they write a script called Epidemic. The second storyline is a lushly photographed production of the film that the characters are writing.
Epidemic is about the process of creation. The screenwriters begin as idealists - their vision is pure and remains so as long as the creation is contained. Once the creation/script/disease is introduced/unleashed to the world it becomes both an object to be corrupted as well as a force which corrupts.
It all ends, as any von Trier movie should, with a suffering woman and this one's a little heavy handed even by von Trier's standards. Gitte's hypnotically induced wig-out is an obvious foreshadowing of everyone's demise and although it is difficult to watch her deterioration she is quite a site to behold.
It is fitting that the most accurate and succinct description of a Lars von Trier film should come from the man himself and it is in Epidemic that he famously proclaims, "a film should be like a pebble in your shoe." And so it is.
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