Sense and Sensibility (1981) (TV)

Regisseur:

Rodney Bennett

Drehbuchautoren:

Jane Austen (novel)
Alexander Baron (writer)

Premierendatum:

1. Februar 1981 (UK)

Genre:

Drama

Plot:

Plot Keywords:

Britain | Letter Writing | Horse And Buggy | Class Differences | Rainstorm

Nutzerkommentare:

Skip it. See the 1995 version.

Besetzung

Irene Richard	...	Elinor Dashwood
Tracey Childs	...	Marianne Dashwood
Diana Fairfax	...	Mrs. Dashwood
Peter Woodward	...	Willoughby
Bosco Hogan	...	Edward Ferrars
Robert Swann	...	Colonel Brandon
Donald Douglas	...	Sir John Middleton
Annie Leon	...	Mrs. Jennings
Peter Gale	...	John Dashwood
Amanda Boxer	...	Fanny Dashwood
Julia Chambers	...	Lucy Steele
Elizabeth Benson	...	Mrs. Wallis
Marjorie Bland	...	Lady Middleton
Philip Bowen	...	Robert Ferrars
Christopher Brown	...	Mr. Palmer

Länge:

174 Min | UK:30 Min (7 episodes)

Produktionsland:

UK

Sprache:

Englisch

Farbe:

Farbe

Tonverfahren:

Mono

Altersfreigabe:

Finland:K-3 (DVD) (2007) | UK:U | Australia:G

Drehorte:

Babington House, Babington, Somerset, England, UK

Firma:

British Broadcasting Corporation (BBC)

Dialogzitate:

Elinor Dashwood: Do you have an understanding with Fanny's brother, Robert?
Lucy Steele: That great coxcomb! No! Although I've never met him. No, with Edward.

Bezüge zu anderen Titeln:

Neufassung von Sense and Sensibility (1971) (TV)

Soundtrack:

Piano Sonatina in G Major: II. Rondo - Allegro

Skip it. See the 1995 version.

Luckily we have the beautiful 1995 version to remind us that this is actually a wonderful story. You wouldn't know it from this. The actors are wooden, the costumes are lacking and the locations are dreary. The opening sequence with Elinor and Marianne sitting on some sort of demented cousin of a see-saw is just out and out creepy. None of the actors seem to have any interest and definitely no excitement with their roles. They're practically sleepwalking! The first problem with this is really in the script. The writers did not seem to find any of the humor in the book, and seemed to focus on all the wrong things. As has already been mentioned, the character of Margaret is completely left out. This isn't really a big deal, she is hardly in the book at all (kind of like Kitty in Pride & Prejudice - she's just there). But in her version, Emma Thompson really saw potential in the character of Margaret to add some cute one-liners and bring some comic relief. She expanded the character rather than deleting it, and it's easy to see which way worked better.

There's no comic relief in this version at all. No one's funny. No one's even interesting. This focuses too much on the Elinor/Edward factor and doesn't put any real energy in the Marianne/Willoughby/Brandon triangle - a real misfortune because I always found the latter plot line far more interesting.

Irene Richard does turn in an acceptable performance as Elinor. Tracey Childs is an okay Marianne, but definitely nothing exceptional. She loses major points when you compare her portrayal with Kate Winslet's Oscar-nominated one. Where Childs was quiet and accepting Winslet was all over the place with passion. To Childs's defense, let's note that she had the most wooden and irritating actors playing her suitors, while Winslet had the incredibly handsome Alan Rickman and Greg Wise.

All in all, this version just falls short in too many ways. See the remake, it's a shining example of how Austen *should* be done.