A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A gold mining camp in the California foothills is besieged by a neighboring landowner intent on stealing their claims. A preacher rides into camp and uses all of his powers of persuasion to convince the landowner to give up his attacks on the miners. Written by
David J. Kiseleski <firstname.lastname@example.org>
Apparently, the long gap between Clint Eastwood making westerns was caused by a mid-life allergy Eastwood had to horses. See more »
When Hull Barret rides into town by himself on the wagon he is fine. When riding out with The Preacher after the fight you can see a cast on his arm. It is also visible as he mounts the wagon. Back in camp, it's fine again. See more »
"Pale rider" is truly a spectacular film and unquestionably the very greatest western of the 80's. The fact that western was slowly dying as a genre already in the 70's is a sad but regrettable truth. Clint Eastwood still appeared in three of 'em: he played the amusing leading role of "Joe Kidd" (1972) - great, peculiar and funny little film - and he directed two magnificent masterpieces "High plains drifter" (1972) and "The Outlaw Josey Wales" (1976). What else did the 70's had to offer? Not too much. "Little big man" (1970), "Pat Garrett and Billy the Kid" (1973) and "The Shootist" (1976). At the dawn of the 80's western was pretty much dead. "Silverado" and exceptional "Pale rider" (both released in 1985) are quite likely the only notable westerns of the decade in question.
And "Pale rider" is the better one - Clint Eastwood's last traditional western. Of course he climbed back to saddle in terrific and highly awarded "Unforgiven" (1992) but it was no longer a traditional western - more like an unusual anti-western. In "Pale rider" Eastwood is was once again (and for the very last time) the quiet, calm, cool and mysterious cowboy, (called "the preacher") classic and almost a supernatural character that rides into small, dusty town. Late John Russell with his terrific Lee Van Cleef-like looks is outstanding as the ruthless villain Stockburn. Movie is simply marvelous: amusing, well-written and exciting and it has a superb acting. This is a fantastic, gripping film that future generations will remember as one of the last real westerns. "Pale rider" is just one of the many reasons why I adore Eastwood. 10 out of 10.
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