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Louis Gossett Jr.,
A demon who seeks to create eternal night by destroying the last of the unicorns and marrying a fairy princess is opposed by the forest boy Jack and his elven allies in this magical fantasy. Two different versions of this picture feature soundtracks by either Tangerine Dream or Jerry Goldsmith. Written by
Keith Loh <firstname.lastname@example.org>
I can only say that this film, at least the European version, succeeds into
the creation of a fantasy world that very very few other films have. And
NEVER has a fairytale forest been realised so vividly and fantastically as
here. The production design at Pinewood Studios is truly
Of course, this film was a considerable flop. And looking at it, it isn't
too hard to see why. A film that retains some semblance of morality - in
this case the most basic, good versus evil - will not play to young
audiences of the late 20th century. The tone of the film is perhaps too dark
for young children, the overall theme of the film perhaps too juvenile for
most adults. And so Legend finds itself in a cinematic limbo, a place
without a core audience.
Of course, a cult audience has evolved around this film as it does around
anything that misses its major target, and so Legend is a film that is
either loved or loathed. Either way, Ridley Scott's stunning visual
imaginings are realised with undeniable skill.
In addition to Scott's and his team's visual successes, this film - at least
for European viewers - is embellished with one of the most beautiful scores
ever written. Jerry Goldsmith has, during his transition from traditional to
synthesied orchestra, created one of the richest scores ever bestowed on a
Quite what Warner Bros thought they were doing when they removed this score
and cut chunks out of the film (and re-edited what was left) I will never
understand. The film would and did flop in both versions, but that doesn't
necessarily mean it shouldn't have been made.
If you are knew to this film, do yourself a favour and never watch the
American version, unless it is the revamped widescreen version with the
Goldsmith score back in place.
A visual dream, a beautiful score, a moral tale. Is there any wonder it
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