Tina Lehmann is an auto mechanic who dreams of becoming a pop star. One day after work she sneaks onto the set of the TV music program 'Formel Eins' with her demo tape, and lands a job as a...
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Orson Welles, as judge Rauch, holds a lengthy trial against Jess Tyler, a caretaker deserted by his wife ten years before, who's accused of improper relations with his daughter Kady. ... See full summary »
Tina Lehmann is an auto mechanic who dreams of becoming a pop star. One day after work she sneaks onto the set of the TV music program 'Formel Eins' with her demo tape, and lands a job as a go-fer. Her boyfriend Stevie Dromberger, who has been drafted into the army, doesn't like the attention she's receiving from the celebrity guests, and goes AWOL when he thinks she is dating the singer Limahl. Written by
Kevin Ackley <firstname.lastname@example.org>
What would you expect from a movie that opens with a slate "This film should be played LOUD"?
"Der Formel Eins Film" was a sad effort to adapt a successful "Top-of-the-pops"-like TV music show to the big screen. Obviously the producers had the idea that it would be enough to throw in a couple of pop stars and then get away with no story, no actors and no humour. Probably all participants had their deal of fun doing this, but watching it is almost unbearable.
I guess it would be quite funny to ask Campino, mastermind of German punk legend "Die Toten Hosen", about their appearance in this movie as "running gag", trying to sneak in the show in various idiotic disguises (at least that lead to a funny mini-album).
Example of the gags? You've been warned: "Let's go to the fitness center". - "F**kness center?"
The 80's might have become some kind of cult era. If the whole decade would've been like this movie, we'd have to thank our maker that we've gotten out there alive... Go and watch some MTV instead.
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