6.2/10
847
23 user 29 critic

The Doctor and the Devils (1985)

Grave robbers supply a doctor with bodies to test on.

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Writers:

(earlier screenplay),
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Cast

Cast overview, first billed only:
...
...
...
Jennie Bailey
...
Dr. Murray
...
...
Elizabeth Rock
...
Dr. Thornton
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Mrs. Flynn
...
O'Connor
...
Prof. Macklin
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Annabella Rock
...
Billy Bedlam (as Philip Davis)
...
Andrew Merry-Lees
Danny Schiller ...
Praying Howard
Bruce Green ...
Mole
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Storyline

In the Nineteenth Century, the renowned professor of anatomy Dr. Thomas Rock gives classes to neophyte medicine students in the local university. Dr. Rock uses his assistant Dr. Murray to buy corpses for his experiments from body snatchers paying a little fortune for the cadavers. When the alcoholic scum Robert Fallon and Timothy Broom overhear the conversation of grave-robbers about Dr. Rock, they decide to supply fresher corpses that worth more to the doctor, killing the poor inhabitants. Dr. Murray has unrequited feelings for the cockney whore Jennie Bailey that usually hangs around with the also prostitute Alice. When Dr. Murray discovers that Fallon has just sold the corpse of Alice, he seeks out the worthless Fallon and Broom to stop them from murdering Jennie. Will he arrive in time o save Jennie? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Horror | Drama

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

4 October 1985 (USA)  »

Also Known As:

O Médico e os Monstros  »

Box Office

Opening Weekend:

$22,559 (USA) (6 October 1985)

Gross:

$147,070 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The last theatrical movie of Timothy Dalton, prior to him being seen on-screen as James Bond. Dalton filmed Brenda Starr (1989) prior to The Living Daylights (1987). See more »

Goofs

The song Jennie sings in the tavern ("Whisper and I Shall Hear") was not written until 1891, while the Burke and Hare murders on which the film is based took place in 1828. See more »

Quotes

Timothy Broom: He's dead.
Robert Fallon: And fresh, Broom. Fresh as new-mown hay.
See more »

Connections

Version of The Flesh and the Fiends (1960) See more »

Soundtracks

But and ben wi' Burke and Hare
(uncredited)
19th-century Edinburgh children's skipping rhyme
(character names substituted for the original Burke, Hare and Knox)
See more »

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User Reviews

 
Fresh corpses don't come by to easily.
1 February 2007 | by (the Mad Hatter's tea party.) – See all my reviews

Dr Thomas Rock is an unorthodox anatomist who runs Edinburgh's School of Anatomy in the 1800s. Although his associates of the trade see his work as outrageous, as he discards tradition framework of the medical establishment. To encourage such knowledge and to dig a little deeper into his work Rock receives corpses from grave-robbers to make up for the few he only receives. Things take a turn for the worst when the slum of Robert Fallon and Timothy Broom find out there's good money in the job, and go one step further by providing on every occasion a 'fresh' corpse for the unconcerned doctor.

I couldn't help but be slightly disappointed by this Mel Brooks produced Gothic take on the true exploits of the infamous grave robbers of the 19th century, Burke and Hare. I believe Val Lewton's "The Body Snatcher (1945)" and "The Flesh and the Fiends (1959)" to be far superior, especially the way they seem to grab you and take you along for the ride. On this effort, I just couldn't get totally involved. The depressingly glum story was shaped off the late Dylan Thomas' rather old screenplay and is very similar to "The Flesh and the Fiends" in plot devices. The cerebrally literate script has plenty layers to work around with and genuinely makes some interesting observations on characters' behavioural habits, social status and the moral high ground of science. With the latter, we've heard it all before, but somewhat it still compels. Although some of sub-plots don't seem to gel and feel rather empty or under written (like the romance between Twiggy and Julian Sands and the affair between Rock's sister and wife). There's a dankly realistic and more an old-fashioned view within its martial and visual craftsmanship.

Directed Freddie Francis competently illustrates the picture with great aplomb and creates a solid period setting that resembles something out of Hammer studios. There's a nitty gritty vibe drummed up on the grimy sets by such gruesome perversion and dread. Where it lingers on it successfully. The dynamic factor of directing the actors and story seemed a little lacking, despite a suspenseful climax and hearty conclusion. This can be really attributed to John Morris' score, which really hangs there in such an mournfully haunting fashion. Focal photography was atmospherically well-etched by Gerry Turpin and Norman Warwick. Now what a cast! Timothy Dalton, Jonathan Pryce, Julian Sands, Twiggy, Stephen Rea and Patrick Stewart. A convincing Dalton is excellent as the work heavily sterile and egotistical Dr Rock. The undoubtedly superb Pryce and Rea are truly disquieting as the scummy lowlifes turned cold-blooded killers, Fallon and Broom. There's a wicked morbid sense of humour running through most of their dialogues. A classy Sands, is simply too one-note and a tailor made Twiggy is quite strong in her part as a prostitute.

A hot and cold fable that I only wished it could keep me engaged throughout the whole experience, rather than in patches. Well-made and acted, but bleakly weary and flat.


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