KAUFEN MRS. SOFFEL
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Mrs. Soffel
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Mrs. Soffel (1984)

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Nutzer-Bewertung: 6.1/10 (1,022 Bewertungen)
Fotos (Alle 11 | Diashow)

Übersicht

Regisseur:
Gillian Armstrong
Drehbuchautor:
Ron Nyswaner (writer)
Premierendatum:
26. Dezember 1984 (USA) mehr
Genre:
Drama | Romanze mehr
Werbezeile:
A true story
Plot:
Peter Soffel is the stuffy warden of a remote American prison around the turn of the century. His wife... mehr | add synopsis
Filmpreise:
Nominated for Golden Globe. Another 1 nomination mehr
Nutzerkommentare:
Ignored, overlooked, forgotten. And why? mehr

Besetzung

  (In der Reihenfolge des Abspanns) (komplette Besetzung)

Diane Keaton ... Kate Soffel

Mel Gibson ... Ed Biddle
Matthew Modine ... Jack Biddle

Edward Herrmann ... Warden Peter Soffel
Trini Alvarado ... Irene Soffel
Jennifer Dundas ... Margaret Soffel (as Jennie Dundas)
Danny Corkill ... Eddie Soffel
Harley Cross ... Clarence Soffel

Terry O'Quinn ... Detective Buck McGovern
Pippa Pearthree ... Maggie
William Youmans ... Guard George Koslow
Maury Chaykin ... Guard Charlie Reynolds
Joyce Ebert ... Matron Agnes Garvey
Wayne Robson ... Halliday

Dana Wheeler-Nicholson ... Jessie Bodyne
Les Rubie ... Mr. Stevenson
Paula Trueman ... Mrs. Stevenson
Nancy Chesney ... Mrs. Fitzgerald
Samantha Follows ... Becky Knotts
Katie McCombs ... Rachel Garvey
Linda Gabler ... Leota Yoeders
Eric Hebert ... Paperboy
Tom Harvey ... Attorney Burke
Jack Jessop ... Attorney Watson
William Duell ... Lenny
John Dee ... Old Prisoner
J. Winston Carroll ... Guard McGarey (as John W. Carroll)
David Fox ... McNeil
Fred Booker ... Trustee
Valerie Buhagiar ... Alice
Norma Dell'Agnese ... Woman Reporter
Al Koslik ... Reporter (as Al Kozlik)
Phillip Craig ... Reporter
Frank Adamson ... Swinehart
Don Granberry ... Roach
Linda Carola ... Factory Girl
George Belskey ... Mr. Bodyne
Maruska Stankova ... Mrs. Bodyne (as Marushka Stankova)
James Bradford ... Minister
Charles Jolliffe ... Sheriff Hoon
Rodger Barton ... Deputy Hoon
Jack Mather ... Mr. Watson
Lee-Max Walton ... Harry
Sean Sullivan ... Farmer
Warren Van Evera ... Farmer
Walter Massey ... District Attorney
übrige Besetzung in alphabetischer Reihenfolge:
Jane Foster ... Elsie
Chris Cummings ... Boy (uncredited)

Len Doncheff ... Polish Guard (uncredited)
Clay Follett ... Farmer (uncredited)

Heather Graham ... Factory Girl (uncredited)
Kay Hawtrey ... Peter's Secretary (uncredited)
David Huckvale ... Russian Twin (uncredited)
Douglas Huckvale ... Russian Twin (uncredited)
John Innes ... Reporter (uncredited)
Derek Keurvorst ... Reporter (uncredited)
Dan Lett ... Young Man (uncredited)
Don McManus ... Reporter (uncredited)

Alan C. Peterson ... Guard (uncredited)
Dorothy Phelan ... Old Aunt (uncredited)
Lou Pitoscia ... Prisoner (uncredited)
Gerry Tucker ... Policeman (uncredited)
Victoria Vanderkloot ... Bit Part (uncredited)
Chuck Waters ... Bit Part (uncredited)
Brian Young ... McNeil's Secretary (uncredited)
Ralph Zeldin ... Russian (uncredited)
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Regie
Gillian Armstrong 
 
Buch
(In alphabetischer Reihenfolge)
Ron Nyswaner  writer

Produktion
Dennis E. Jones .... associate producer (as Dennis Jones)
David Nicksay .... producer (as David A. Nicksay)
Scott Rudin .... producer
Edgar J. Scherick .... producer
 
Originalmusik
Mark Isham 
 
Kamera
Russell Boyd 
 
Schnitt
Nicholas Beauman 
 
Casting
Margery Simkin 
 
Szenenbild
Luciana Arrighi 
 
Bauten/Dekorationsbau (art directors)
Roy Forge Smith 
 
Bühnenbildner/Ausstatter (set decorators)
Dan Conley 
Hilton Rosemarin 
 
Kostüme
Shay Cunliffe 
 
Maske/Frisuren
Linda Gill .... makeup artist
Patricia Green .... makeup supervisor
Paul LeBlanc .... hair stylist
 
Produktionsleiter (production managers)
Monty Diamond .... unit production manager: Pittsburgh
Dennis E. Jones .... production manager (as Dennis Jones)
Michael MacDonald .... unit manager
 
Regieassistenten
Ronald M. Bozman .... first assistant director: Pittsburgh (as Ron Bozman)
Ronald M. Bozman .... second unit director (as Ron Bozman)
Mark Egerton .... assistant director
Richard Flower .... second assistant director
Rocco Gismondi .... third assistant director
Tony Gittleson .... second assistant director: Pittsburgh (as Anthony H. Gittelson)
Glenn Randall Jr. .... second unit director (as Glenn H. Randall Jr.)
 
Ausstattung (Stab)
Daniel R. Bradette .... assistant property master
Jacques M. Bradette .... supervising set decorator (as Jacques Bradette)
J. Tracy Budd .... property master
Carmi Gallo .... assistant art director
Bill Harman .... construction coordinator
Andris Hausmanis .... assistant art director
Edward Pisoni .... art director: Pittsburgh
 
Ton Stab
George H. Anderson .... sound effects editor (as George Anderson)
Dody Dorn .... dialogue editor (as Dody Jane Dorn)
Dennis Drummond .... sound effects editor
Robert Grieve .... supervising sound editor (as Bob Grieve)
Jay M. Harding .... sound re-recording mixer
David J. Kimball .... sound re-recording mixer
David Lee .... production sound mixer
Ray O'Reilly .... sound re-recording mixer
Andrew Patterson .... dialogue loop editor
Steve Switzer .... boom operator
Christian T. Cooke .... foley mixer (uncredited)
Terry Cooke .... temp mix re-recording mixer (uncredited)
Reid Paul Martin .... assistant sound editor (uncredited)
Don White .... adr recording mixer (uncredited)
 
Spezialeffekte
Kevin Pike .... special effects supervisor: Pittsburgh
Neil Trifunovich .... special effects coordinator
Jacques Godbout .... special effects technician (uncredited)
 
Stunts
Marco Bianco .... stunts
Robin Grathwol .... stunts
Glenn Randall Jr. .... stunt coordinator (as Glenn H. Randall Jr.)
Bruce Smith .... stunts
Victoria Vanderkloot .... stunts
Chuck Waters .... stunts
 
Kamera und Elektrik (Stab)
George Berrios .... first assistant camera: Pittsburgh
Holly Bower .... still photographer
Ralph Brandofino .... second assistant camera: Pittsburgh
Darwin Dean .... director of photography: Pittsburgh
Tony Eldridge .... second electrician
Henri Fiks .... second camera operator
Ron Gillham .... key grip
Glen Goodchild .... second grip
Chris Harris .... second assistant camera
Gail Harvey .... still photographer
Chris Helcermanas-Benge .... still photographer
Chris Holmes .... chief lighting technician
John McCallum .... first assistant camera (as Sandy McCallum)
Peter Norman .... director of photography: Pittsburgh
Rod Parkhurst .... camera operator
Robert Saad .... second camera operator
Stuart Stein .... second assistant camera: Pittsburgh
 
Casting (Stab)
Stuart Aikins .... casting: Toronto
Allan Amtzis .... casting assistant
Lynne Carrow .... additional casting
Brenda McConnell .... casting assistant
 
Kostüm und Garderobe (Stab)
Linda Kemp .... wardrobe mistress (as Lynda Kemp)
Arthur Rowsell .... costumer: men
Patti Unger .... costumer: women (as Patty Unger)
 
Schnitt (Stab)
Bob Kaiser .... color timer
Bruce Lange .... first assistant editor
John Pleffer .... post-production coordinator
Michael Rea .... second assistant editor
 
Musik (Stab)
Mark Adler .... music arranger: string arrangements
Todd Boekelheide .... music supervisor
 
Transporte
Nick Sweetman .... transportation coordinator
 
Restlicher Stab
Todd Arnow .... location auditor
Michael Barnathan .... assistant: Mr. Scherick
Marc Dassas .... location manager
Nora Dunfee .... dialect consultant
Alice Ferrier .... production coordinator: Canada
Cassie Freckleton .... location auditor
Penelope Hynam .... script supervisor
Patricia Johnson .... unit publicist
Lisa McClelland .... production coordinator: Pittsburgh
Peggy Munns .... assistant: Ms. Armstrong
Rick Parker .... wrangler
Janice Polley .... assistant: Mr. Nicksay
Stephen Seliy .... location manager: Pittsburgh (as Steve Seliy)
Adam J. Shully .... assistant location manager
Ed Urban .... technical advisor (as Lt. Ed Urban)
Casey Brown .... production assistant (uncredited)
Linda Callow .... stand-in: Diane Keaton (uncredited)
Lev Mailer .... adr voice (uncredited)
Dan Roth .... adr voice (uncredited)
 
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Weitere Details

Alternativ:
Flucht zu dritt (Bundesrepublik Deutschland) [de]
mehr
Länge:
110 Min | 112 Min (TCM print)
Produktionsland:
USA
Sprache:
Englisch
Farbe:
Farbe (Metrocolor)
Seitenverhältnis:
1.85 : 1 mehr
Tonverfahren:
Dolby
Altersfreigabe:
UK:PG | Finland:K-16 | Singapore:PG | USA:PG-13 | Canada:AA (Ontario)
MOVIEmeter: ?
^ 18% since last week why?

Fun-Ecke

Dies und das:
A very old, closed, unused bridge in the village of Elora, Ontario was refurbished for the movie, and now serves as a pedestrian bridge there. mehr
Bezüge zu anderen Titeln:
Ausschnittsweise enthalten in The Making of 'Mrs. Soffel' (1984) (TV) mehr

Häufig gestellte Fragen (FAQ)

This FAQ is empty. Add the first question.
6 out of 7 people found the following comment useful:-
Ignored, overlooked, forgotten. And why?, 26 June 2006
8/10
Author: ecjones1951 von United States

"Mrs. Soffel" is a wonderful movie I have seen many times, but the last viewing was so many years ago I'm watching it right now on TCM.

I'm a sucker for movies whose main characters suddenly, inexplicably make a decision which goes against everything they seem to embody, or at least that which the viewer has come to know about them.

In early 20th-century America, the lot of a wife, even that of a well-to-do-man and mother to lovely children, was a lonely, empty, barren existence. In a wealthy household with servants, there was very little meaningful work for the mistress of the house to do every day.

Even the layers upon layers of clothes Victorian women wore served no practical purpose except to restrict movement and render their wearers merely decorative. Express your opinions and you got packed off to visit relatives in hopes that maybe the change of scenery would "do you good." There were millions of avenues for creative expression and enterprise that were simply cut off for women.

Good minds went to waste. Souls shriveled and died.

Kate Soffel (Diane Keaton) was the wife of a prison warden in Pittsburgh at the turn of the last century. She served as something of a missionary to the prisoners, giving them Bibles, holding prayer readings with them and hoping to guide them towards remorse and redemption. She never expects to fall in love with one of the inmates. But fall she does, for the charming Ed Biddle (Mel Gibson), who along with his brother Jack, (Matthew Modine) are in jail on murder charges.

Kate is suffocating; the Biddles are desperate. Prone to fits of melancholy and depression, plagued with fears that she is not a good mother and that she has failed her husband -- whom she has come to learn she really doesn't know very well -- Kate, like so many women of her era, is desperate for something to end the tedium, the frustration, the despair. She is a perfect candidate for the dangerous voyage she helps plan and sets out on with the Biddle brothers.

"Mrs. Soffel" raises many ethical and moral issues, among them the divergent path Kate takes from her religious teachings, and the Biddle brothers' guilt or innocence. It can be appreciated equally on one or more levels, but it remains a remarkably restrained depiction of emotions and passion that are anything but.

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