| Fotos (Alle 11 | Diashow) |
| Diane Keaton | ... | Kate Soffel | |
| Mel Gibson | ... | Ed Biddle | |
| Matthew Modine | ... | Jack Biddle | |
| Edward Herrmann | ... | Warden Peter Soffel | |
| Trini Alvarado | ... | Irene Soffel | |
| Jennifer Dundas | ... | Margaret Soffel (as Jennie Dundas) | |
| Danny Corkill | ... | Eddie Soffel | |
| Harley Cross | ... | Clarence Soffel | |
| Terry O'Quinn | ... | Detective Buck McGovern | |
| Pippa Pearthree | ... | Maggie | |
| William Youmans | ... | Guard George Koslow | |
| Maury Chaykin | ... | Guard Charlie Reynolds | |
| Joyce Ebert | ... | Matron Agnes Garvey | |
| Wayne Robson | ... | Halliday | |
| Dana Wheeler-Nicholson | ... | Jessie Bodyne | |
| Les Rubie | ... | Mr. Stevenson | |
| Paula Trueman | ... | Mrs. Stevenson | |
| Nancy Chesney | ... | Mrs. Fitzgerald | |
| Samantha Follows | ... | Becky Knotts | |
| Katie McCombs | ... | Rachel Garvey | |
| Linda Gabler | ... | Leota Yoeders | |
| Eric Hebert | ... | Paperboy | |
| Tom Harvey | ... | Attorney Burke | |
| Jack Jessop | ... | Attorney Watson | |
| William Duell | ... | Lenny | |
| John Dee | ... | Old Prisoner | |
| J. Winston Carroll | ... | Guard McGarey (as John W. Carroll) | |
| David Fox | ... | McNeil | |
| Fred Booker | ... | Trustee | |
| Valerie Buhagiar | ... | Alice | |
| Norma Dell'Agnese | ... | Woman Reporter | |
| Al Koslik | ... | Reporter (as Al Kozlik) | |
| Phillip Craig | ... | Reporter | |
| Frank Adamson | ... | Swinehart | |
| Don Granberry | ... | Roach | |
| Linda Carola | ... | Factory Girl | |
| George Belskey | ... | Mr. Bodyne | |
| Maruska Stankova | ... | Mrs. Bodyne (as Marushka Stankova) | |
| James Bradford | ... | Minister | |
| Charles Jolliffe | ... | Sheriff Hoon | |
| Rodger Barton | ... | Deputy Hoon | |
| Jack Mather | ... | Mr. Watson | |
| Lee-Max Walton | ... | Harry | |
| Sean Sullivan | ... | Farmer | |
| Warren Van Evera | ... | Farmer | |
| Walter Massey | ... | District Attorney | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Jane Foster | ... | Elsie | |
| Chris Cummings | ... | Boy (uncredited) | |
| Len Doncheff | ... | Polish Guard (uncredited) | |
| Clay Follett | ... | Farmer (uncredited) | |
| Heather Graham | ... | Factory Girl (uncredited) | |
| Kay Hawtrey | ... | Peter's Secretary (uncredited) | |
| David Huckvale | ... | Russian Twin (uncredited) | |
| Douglas Huckvale | ... | Russian Twin (uncredited) | |
| John Innes | ... | Reporter (uncredited) | |
| Derek Keurvorst | ... | Reporter (uncredited) | |
| Dan Lett | ... | Young Man (uncredited) | |
| Don McManus | ... | Reporter (uncredited) | |
| Alan C. Peterson | ... | Guard (uncredited) | |
| Dorothy Phelan | ... | Old Aunt (uncredited) | |
| Lou Pitoscia | ... | Prisoner (uncredited) | |
| Gerry Tucker | ... | Policeman (uncredited) | |
| Victoria Vanderkloot | ... | Bit Part (uncredited) | |
| Chuck Waters | ... | Bit Part (uncredited) | |
| Brian Young | ... | McNeil's Secretary (uncredited) | |
| Ralph Zeldin | ... | Russian (uncredited) | |
Regie | |||
| Gillian Armstrong | |||
Buch(In alphabetischer Reihenfolge) | ||
| Ron Nyswaner | writer | |
Produktion | |||
| Dennis E. Jones | .... | associate producer (as Dennis Jones) | |
| David Nicksay | .... | producer (as David A. Nicksay) | |
| Scott Rudin | .... | producer | |
| Edgar J. Scherick | .... | producer | |
Originalmusik | |||
| Mark Isham | |||
Kamera | |||
| Russell Boyd | |||
Schnitt | |||
| Nicholas Beauman | |||
Casting | |||
| Margery Simkin | |||
Szenenbild | |||
| Luciana Arrighi | |||
Bauten/Dekorationsbau (art directors) | |||
| Roy Forge Smith | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Dan Conley | |||
| Hilton Rosemarin | |||
Kostüme | |||
| Shay Cunliffe | |||
Maske/Frisuren | |||
| Linda Gill | .... | makeup artist | |
| Patricia Green | .... | makeup supervisor | |
| Paul LeBlanc | .... | hair stylist | |
Produktionsleiter (production managers) | |||
| Monty Diamond | .... | unit production manager: Pittsburgh | |
| Dennis E. Jones | .... | production manager (as Dennis Jones) | |
| Michael MacDonald | .... | unit manager | |
Regieassistenten | |||
| Ronald M. Bozman | .... | first assistant director: Pittsburgh (as Ron Bozman) | |
| Ronald M. Bozman | .... | second unit director (as Ron Bozman) | |
| Mark Egerton | .... | assistant director | |
| Richard Flower | .... | second assistant director | |
| Rocco Gismondi | .... | third assistant director | |
| Tony Gittleson | .... | second assistant director: Pittsburgh (as Anthony H. Gittelson) | |
| Glenn Randall Jr. | .... | second unit director (as Glenn H. Randall Jr.) | |
Ausstattung (Stab) | |||
| Daniel R. Bradette | .... | assistant property master | |
| Jacques M. Bradette | .... | supervising set decorator (as Jacques Bradette) | |
| J. Tracy Budd | .... | property master | |
| Carmi Gallo | .... | assistant art director | |
| Bill Harman | .... | construction coordinator | |
| Andris Hausmanis | .... | assistant art director | |
| Edward Pisoni | .... | art director: Pittsburgh | |
Ton Stab | |||
| George H. Anderson | .... | sound effects editor (as George Anderson) | |
| Dody Dorn | .... | dialogue editor (as Dody Jane Dorn) | |
| Dennis Drummond | .... | sound effects editor | |
| Robert Grieve | .... | supervising sound editor (as Bob Grieve) | |
| Jay M. Harding | .... | sound re-recording mixer | |
| David J. Kimball | .... | sound re-recording mixer | |
| David Lee | .... | production sound mixer | |
| Ray O'Reilly | .... | sound re-recording mixer | |
| Andrew Patterson | .... | dialogue loop editor | |
| Steve Switzer | .... | boom operator | |
| Christian T. Cooke | .... | foley mixer (uncredited) | |
| Terry Cooke | .... | temp mix re-recording mixer (uncredited) | |
| Reid Paul Martin | .... | assistant sound editor (uncredited) | |
| Don White | .... | adr recording mixer (uncredited) | |
Spezialeffekte | |||
| Kevin Pike | .... | special effects supervisor: Pittsburgh | |
| Neil Trifunovich | .... | special effects coordinator | |
| Jacques Godbout | .... | special effects technician (uncredited) | |
Stunts | |||
| Marco Bianco | .... | stunts | |
| Robin Grathwol | .... | stunts | |
| Glenn Randall Jr. | .... | stunt coordinator (as Glenn H. Randall Jr.) | |
| Bruce Smith | .... | stunts | |
| Victoria Vanderkloot | .... | stunts | |
| Chuck Waters | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| George Berrios | .... | first assistant camera: Pittsburgh | |
| Holly Bower | .... | still photographer | |
| Ralph Brandofino | .... | second assistant camera: Pittsburgh | |
| Darwin Dean | .... | director of photography: Pittsburgh | |
| Tony Eldridge | .... | second electrician | |
| Henri Fiks | .... | second camera operator | |
| Ron Gillham | .... | key grip | |
| Glen Goodchild | .... | second grip | |
| Chris Harris | .... | second assistant camera | |
| Gail Harvey | .... | still photographer | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Chris Holmes | .... | chief lighting technician | |
| John McCallum | .... | first assistant camera (as Sandy McCallum) | |
| Peter Norman | .... | director of photography: Pittsburgh | |
| Rod Parkhurst | .... | camera operator | |
| Robert Saad | .... | second camera operator | |
| Stuart Stein | .... | second assistant camera: Pittsburgh | |
Casting (Stab) | |||
| Stuart Aikins | .... | casting: Toronto | |
| Allan Amtzis | .... | casting assistant | |
| Lynne Carrow | .... | additional casting | |
| Brenda McConnell | .... | casting assistant | |
Kostüm und Garderobe (Stab) | |||
| Linda Kemp | .... | wardrobe mistress (as Lynda Kemp) | |
| Arthur Rowsell | .... | costumer: men | |
| Patti Unger | .... | costumer: women (as Patty Unger) | |
Schnitt (Stab) | |||
| Bob Kaiser | .... | color timer | |
| Bruce Lange | .... | first assistant editor | |
| John Pleffer | .... | post-production coordinator | |
| Michael Rea | .... | second assistant editor | |
Musik (Stab) | |||
| Mark Adler | .... | music arranger: string arrangements | |
| Todd Boekelheide | .... | music supervisor | |
Transporte | |||
| Nick Sweetman | .... | transportation coordinator | |
Restlicher Stab | |||
| Todd Arnow | .... | location auditor | |
| Michael Barnathan | .... | assistant: Mr. Scherick | |
| Marc Dassas | .... | location manager | |
| Nora Dunfee | .... | dialect consultant | |
| Alice Ferrier | .... | production coordinator: Canada | |
| Cassie Freckleton | .... | location auditor | |
| Penelope Hynam | .... | script supervisor | |
| Patricia Johnson | .... | unit publicist | |
| Lisa McClelland | .... | production coordinator: Pittsburgh | |
| Peggy Munns | .... | assistant: Ms. Armstrong | |
| Rick Parker | .... | wrangler | |
| Janice Polley | .... | assistant: Mr. Nicksay | |
| Stephen Seliy | .... | location manager: Pittsburgh (as Steve Seliy) | |
| Adam J. Shully | .... | assistant location manager | |
| Ed Urban | .... | technical advisor (as Lt. Ed Urban) | |
| Casey Brown | .... | production assistant (uncredited) | |
| Linda Callow | .... | stand-in: Diane Keaton (uncredited) | |
| Lev Mailer | .... | adr voice (uncredited) | |
| Dan Roth | .... | adr voice (uncredited) | |
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"Mrs. Soffel" is a wonderful movie I have seen many times, but the last viewing was so many years ago I'm watching it right now on TCM.
I'm a sucker for movies whose main characters suddenly, inexplicably make a decision which goes against everything they seem to embody, or at least that which the viewer has come to know about them.
In early 20th-century America, the lot of a wife, even that of a well-to-do-man and mother to lovely children, was a lonely, empty, barren existence. In a wealthy household with servants, there was very little meaningful work for the mistress of the house to do every day.
Even the layers upon layers of clothes Victorian women wore served no practical purpose except to restrict movement and render their wearers merely decorative. Express your opinions and you got packed off to visit relatives in hopes that maybe the change of scenery would "do you good." There were millions of avenues for creative expression and enterprise that were simply cut off for women.
Good minds went to waste. Souls shriveled and died.
Kate Soffel (Diane Keaton) was the wife of a prison warden in Pittsburgh at the turn of the last century. She served as something of a missionary to the prisoners, giving them Bibles, holding prayer readings with them and hoping to guide them towards remorse and redemption. She never expects to fall in love with one of the inmates. But fall she does, for the charming Ed Biddle (Mel Gibson), who along with his brother Jack, (Matthew Modine) are in jail on murder charges.
Kate is suffocating; the Biddles are desperate. Prone to fits of melancholy and depression, plagued with fears that she is not a good mother and that she has failed her husband -- whom she has come to learn she really doesn't know very well -- Kate, like so many women of her era, is desperate for something to end the tedium, the frustration, the despair. She is a perfect candidate for the dangerous voyage she helps plan and sets out on with the Biddle brothers.
"Mrs. Soffel" raises many ethical and moral issues, among them the divergent path Kate takes from her religious teachings, and the Biddle brothers' guilt or innocence. It can be appreciated equally on one or more levels, but it remains a remarkably restrained depiction of emotions and passion that are anything but.