The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
In the far future, a duke and his family are sent by the Emperor to a sand world from which comes a spice that is essential for interstellar travel. The move is designed to destroy the duke and his family, but his son escapes and seeks revenge as he uses the world's ecology as one of his weapons. Written by
John Vogel <firstname.lastname@example.org>
Its surface is barren. Its true strength hidden. Its foreboding desert conceals the power to fold space, to slow time, to send the mind where the body cannot go. It is the source of the ultimate power. It is the deadly battleground where a young leader will emerge to command an army of six million warriors against the tyrannical force that threatens to enslave the universe. It is the clash for the greatest prize of all... The planet called Dune. See more »
The tendons visible when Paul hooks the worm were made from condoms. See more »
When Paul prepares to ride the worm he is surrounded by Stilgar and other warriors in the desert, some of them having red paint on their shoulders identifying them as the "Fedaykin".
AFTER the worm riding scene however, Stilgar is seen putting red paint on those same warriors and pronouncing them Fedaykin in a ceremony. This indicates those two scenes were filmed in reverse chronological order but edited together incorrectly. See more »
A beginning is a very delicate time. Know then, that it is the year 10191. The known universe is ruled by the Padisha Emperor Shaddam IV, my father. In this time, the most precious substance in the Universe is the spice melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The Spacing Guild and its navigators, who the spice has mutated over four-thousand years, use the orange spice gas, which gives them the ability to fold space. That...
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This Film Is Dedicated To Federico de Laurentiis See more »
There are two groups of people who write at IMDb, the pessimists and the optimists. The pessimists love to complain about something or other in a film. The optimists try and find something good. DUNE probably ranks as one of those that feels like it's going to be good, but leaves a confusing, lackluster feeling in its wake. In an attempt to be optimistic, I will try focusing ONLY on the good parts. This might be tough.
I will give David Lynch credit (indeed, as Frank Herbert did when he saw this) for trying to take an enormous amalgamation of things and ideas from the novel and trying to turn them into a movie. Lynch's visual style is very raw here and everything in the production design seems to be under his spell.
The sets, costumes, cinematography, and choice of cast is excellent. All of them lend a flavor of difference that transcends whatever confusion is on the screen. (On the side note: I was sick of hearing Kyle MacLachlan repeating himself over and over) The creature designs by Carlo Rambaldi are very Lynch-ien, even though we rarely get to see them.
Overall, a sci-fi epic that requires a lethargic butt, an open mind, and a copy of Frank Herbert's novel to enjoy. Still, it is far superior to the TV miniseries of late (I know saying that is blasphemy to some). I refuse to rate this with stars or anything else.
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