WarGames (1983)

Regisseur:

John Badham

Drehbuchautoren:

Lawrence Lasker (written by) &
Walter F. Parkes (written by)

Premierendatum:

3. Juni 1983 (USA)

Genre:

Drama | Thriller

Werbezeile:

Is it a game, or is it real?

Plot:

A young man finds a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III.

Plot Keywords:

Anti War | Backdoor | Social Commentary | Whopper | United States Army

Filmpreise:

Nominated for 3 Oscars. Another 3 wins & 11 nominations

Nutzerkommentare:

wonderful film

Besetzung

Matthew Broderick	...	David Lightman
Dabney Coleman	...	Dr. John McKittrick
John Wood	...	Dr. Stephen Falken
Ally Sheedy	...	Jennifer Katherine Mack
Barry Corbin	...	General Jack Beringer
Juanin Clay	...	Pat Healy
Kent Williams	...	Arthur Cabot
Dennis Lipscomb	...	Lyle Watson
Joe Dorsey	...	Colonel Joe Conley
Irving Metzman	...	Paul Richter
Michael Ensign	...	Beringer's Aide
William Bogert	...	Mr. Lightman
Susan Davis	...	Mrs. Lightman
James Tolkan	...	FBI Agent Nigan
David Clover	...	Stockman

Alternativ:

War Games (USA) (alternative spelling)
War Games - Kriegsspiele (Bundesrepublik Deutschland) [de]

Länge:

114 Min

Produktionsland:

USA

Sprache:

Englisch

Farbe:

Farbe (Metrocolor)

Seitenverhältnis:

1.85 : 1

Tonverfahren:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Altersfreigabe:

Iceland:L | South Korea:All | Canada:PG (Ontario) | New Zealand:PG | Australia:PG | Finland:K-12 | France:U | Norway:12 (1984) | Sweden:11 | UK:PG | USA:PG | West Germany:12 | Singapore:PG

Drehorte:

7-Eleven Convenience Store - 41440 Big Bear Boulevard, Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA

Firma:

Metro-Goldwyn-Mayer (MGM)

Dies und das:

The dual 8-inch floppy drive is an IMSAI FDC-2, the monitor is a 17-inch Electrohome, the keyboard is an IMSAI IKB-1, and the 1200 baud modem (on top of the monitor) is a Cermetek 212A relabeled with the name "IMSAI". The acoustic coupler prop was added for visual effect only.

Pannen:

Abfolgefehler: Before David switches the Galaga game over to Howie in the beginning of the movie, there is an obvious jump in their positions.

Dialogzitate:

Stephen Falken: The whole point was to find a way to practice nuclear war without destroying ourselves. To get the computers to learn from mistakes we couldn't afford to make. Except, I never could get Joshua to learn the most important lesson.
David Lightman: What's that?
Stephen Falken: Futility. That there's a time when you should just give up.
Jennifer: What kind of a lesson is that?
Stephen Falken: Did you ever play tic-tac-toe?
Jennifer: Yeah, of course.
Stephen Falken: But you don't anymore.
Jennifer: No.
Stephen Falken: Why?
Jennifer: Because it's a boring game. It's always a tie.
[...]

Bezüge zu anderen Titeln:

Enthält ausschnittsweise Galaga (1981) (VG)

Soundtrack:

Video Fever

wonderful film

Cyberthrillers may not have started with "WarGames," but it was here the form achieved an early peak. As more filmmakers follow its example of portraying a high-tech face-off between man and machine, "WarGames" remains a standard to be measured against. While it's not a film classic, it's a very, very good popcorn thriller of uncommon craft, charm, and humanity.

Seattle high schooler David Lightman (Matthew Broderick) has only a few hours to undo what he thought was a sneak preview of an upcoming computer game but what instead got him tinkering with the U.S. Air Force's WOPR (War Operation Planned Response) computer system in such a way as to trigger a countdown to World War III. The FBI thinks he's a Soviet spy, while classmate Jennifer Mack (Ally Sheedy) is wondering if this isn't all really about a re-jiggered biology grade.

Broderick is solid, and Sheedy even better, but what really sells this film is everything else. Start with the excellent supporting performances. John Wood as a reclusive professor and Barry Corbin as a tobacco-chewing general get much of the kudos, and rightly, but there's a whole deep bench of quality work beyond that, like Kent Williams as a curt White House adviser, William Bogert and Susan Davis as David's out-of-it parents, Alan Blumenfeld as the swaggering bully of a biology teacher, and Juanin Clay as a beautiful but under-appreciated assistant (even by herself as she uses her own mouth as an ashcan for her boss's discarded gum.) You know the casting people behind this movie were on the ball when the opening sequence features two very recognizable faces, those of Michael Madsen and John Spencer, in what were film debuts for both.

That sequence with Madsen and Spencer as missile men point up another quality of "WarGames," the way the movie works in terms of setting up expectations and developing pace. The harrowing business between the two of them is mercilessly presented ("Turn your key, sir!") and then effectively abandoned so as to work in the central storyline, the replacement of these men with computers. We get a macro-view where Dabney Coleman as a tunnel-visioned war room executive effectively makes the case for "taking the men out of the loop" and then zoom back into what seems a totally unrelated story, that of slacker teen David Lightman and his high school travails.

The film could have just started with Lightman, and worked its way out to the business with the WOPR. But the early peek behind the curtain is a clever way of raising the stakes with the audience before the protagonist realizes what's up.

The set design, cinematography, lighting, music, and editing all work wonders as well. The NORAD war room is really a character onto itself, the ultimate source of reality in this film (and better for my money than the war room in 'Dr. Strangelove,' an obvious inspiration.) The way the cameras dart around from terminal to terminal as uniformed USAF technicians follow the progress of an apparent Soviet attack, lighting onto one of them just before he or she relays an important piece of information, is highly addictive and entertaining.

There's some sloppiness in the movie. Madsen and Spencer's talk about this great pot Spencer's character has scored strains credulity in the high-security setting they are in, and its blindingly obvious that the two men we see exiting a helicopter and entering a jeep during the credits are not the same two men getting out of the jeep moments later. And there's no real examination of the morality of Lightman's serial lawbreaking.

But this is a funny, exciting, consciousness-raising movie that is as entertaining now with the Cold War more than a decade behind us as it was all those years ago. For all the technical innovation on display, it's ironically appropriate we remember it for showing us how to butter an ear of corn, because it's the human side of the equation 'WarGames' keeps in its sights at all times.