After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Max Renn runs a TV channel, and when looking for new material to show--he discovers "Videodrome." His girlfriend, Nicki Brand, goes to audition for the show, and Max gets drawn into the underlying plot that uses the show as its front for a global conspiracy. Written by
Paul Reynolds <email@example.com>
During filming of the Cathode Ray mission sequence, the film's gaffer, Jock Brandis, walked in and casually informed the crew that the power lines to the building were smoking because of the load imposed on them by the TV sets. See more »
Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »
You may never look at your television the same way...
This surreal, mind-bending thriller is quite possibly the strangest and most provocative film that cult director David Cronenberg has ever made.
Manager of a cable television station stumbles across a mysterious, sadistic program that begins to induce horrific visions for our hero. But what does it all mean?
Videodrome is a film that has long divided critics and audiences alike. Andy Worhol declared Videodrome the Clockwork Orange (1971) of the 80's, yet Roger Ebert called it one of the LEAST entertaining movies ever. Well, that's Ebert for ya. I however adore this film and gladly hail it as one of the most unique psychological thrillers ever! Videodrome is a film that was quite ahead of it's time when it came out. Most of Cronenberg's films have some kind of warning to society and with Videodrome the warning is about the power and influence of the media upon the human mind.
The story is both engaging and haunting. Cronenberg's direction is slickly-done as always giving this film an atmosphere of dread and mystery. The special FX, courtesy of makeup master Rick Baker, are stunningly good. Who could ever forget the scene where Max loses his gun... inside his stomach.
The cast is good, James Woods does a dynamic performance, as does attractive supporting stars Sonja Smitts and Deborah Harry.
Videodrome is a film quite unlike any other. For those who enjoy good mind-trip cinema, it is a must-see. One of Cronenberg's finest films.
*** 1/2 out of ****
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