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A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.

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3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sonja Smits ...
...
Nicki Brand (as Deborah Harry)
Peter Dvorsky ...
Leslie Carlson ...
Barry Convex (as Les Carlson)
Jack Creley ...
Lynne Gorman ...
...
Reiner Schwarz ...
David Bolt ...
Lally Cadeau ...
Henry Gomez ...
Harvey Chao ...
David Tsubouchi ...
Kay Hawtrey ...
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Storyline

Max Renn runs a TV channel, and when looking for new material to show--he discovers "Videodrome." His girlfriend, Nicki Brand, goes to audition for the show, and Max gets drawn into the underlying plot that uses the show as its front for a global conspiracy. Written by Paul Reynolds <pauljr@innotts.co.uk>

Plot Summary | Plot Synopsis

Taglines:

First it controls your mind...then it destroys your body See more »

Genres:

Horror | Sci-Fi

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

4 February 1983 (USA)  »

Also Known As:

Cuerpos invadidos  »

Box Office

Budget:

$5,952,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

| (unrated)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of five Sci-Fi/Horror movies that were heavily promoted by Universal Pictures prior to their impending releases in 1982 and given prospective release dates. The others were: E.T. the Extra-Terrestrial (1982), The Thing (1982) (both set release dates for that summer), Halloween III: Season of the Witch (1982) (October), The Dark Crystal (1982) and Videodrome (1983) (December). This ultimately changed when Universal pushed back the film from its original slated release date to February 1983. See more »

Goofs

Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »

Quotes

Harlan: North America's getting soft, patrón, and the rest of the world is getting tough. Very, very tough. We're entering savage new times, and we're giong to have to be pure and direct and strong, if we're going to survive them. Now, you and this cesspool you call a television station and your people who wallow around in it, your viewers who watch you do it, they're rotting us away from the inside. We intend to stop that rot.
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Crazy Credits

The VIDEODROME title experiences a TV white noise distortion. See more »

Connections

Referenced in Family Guy: Peter's Got Woods (2005) See more »

Frequently Asked Questions

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User Reviews

 
David Cronenberg's "Videodrome".
13 October 2004 | by (Sacramento, CA) – See all my reviews

Videodrome (1983) was a bizarre film that David Cronenberg made before he become a "director-for-hire" for his next couple of films. He takes a cerebral look at the ever popular fad of pirate satellite feeds and small-time t.v. channels. It was during this time that video tapes and satellite t.v. were becoming popular. Cronenberg decided to uses these and make a very strange and clinically sexually film. As with all of his films the sex seems mechanical, neither stimulating or sensual.

James Woods stars as the part owner of a small t.v. station who pirates satellite feeds and scours the world for erotic film and programming that he could use for his station. That is until one day he stumbles across a video feed that he wished he never had. He slowly becomes addicted to the perverse violence and sex that he witnesses on the tapes. But soon his life and those around him will be changed forever. Debra Harry co-stars as Woods love interest who slowly enjoys the tapes, more so than Woods.

Videodrome is a film that has to be seen to be believed. Yes, it's one of those films that has built up a following over the years and a reputation. This is one of the films that deserves it. However I must warn you that this is a Cronenberg film so thinking will be necessary when viewing it. The effects and visuals are quite the show. Croneneberg keeps his theme from the past films such as Shivers, Rabid and Scanners. We must welcome the new flesh!

Highly recommended.

This film is available in an R-rated and Unrated versions. For full enjoyment please watch the unrated director's cut. If you watch the R-rated version not only will you miss out on all of the cool visuals and effects but you'll be pretty much confused


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