| Fotos (Alle 28 | Diashow) |
| Christopher Reeve | ... | Superman / Clark Kent | |
| Richard Pryor | ... | Gus Gorman | |
| Jackie Cooper | ... | Perry White | |
| Marc McClure | ... | Jimmy Olsen | |
| Annette O'Toole | ... | Lana Lang | |
| Annie Ross | ... | Vera Webster | |
| Pamela Stephenson | ... | Lorelei Ambrosia | |
| Robert Vaughn | ... | Ross Webster | |
| Margot Kidder | ... | Lois Lane | |
| Gavan O'Herlihy | ... | Brad | |
| Nancy Roberts | ... | Unemployment Clerk | |
| Graham Stark | ... | Blind Man | |
| Henry Woolf | ... | Penguin Man | |
| Gordon Rollings | ... | Man in Cap (as Gordon Rawlings) | |
| Peter Wear | ... | Bank Robber | |
| Justin Case | ... | Mime | |
| Bob Todd | ... | Dignified Gent | |
| Terry Camilleri | ... | Delivery Man | |
| Stefan Kalipha | ... | Data School Instructor | |
| Helen Horton | ... | Miss Henderson | |
| Lou Hirsch | ... | Fred | |
| Bill Reimbold | ... | Wages Man | |
| Shane Rimmer | ... | State Policeman | |
| Al Matthews | ... | Fire Chief | |
| Barry Dennen | ... | Dr. McClean | |
| Enid Saunders | ... | Minnie Bannister | |
| Kevin Harrison Cork | ... | D.J. | |
| Robert Henderson | ... | Mr. Simpson | |
| Paul Kaethler | ... | Ricky | |
| R.J. Bell | ... | Mr. Stokis | |
| Pamela Mandell | ... | Mrs. Stokis | |
| Peter Whitman | ... | Man at Cash Point | |
| Ronnie Brody | ... | Husband | |
| Sandra Dickinson | ... | Wife | |
| Philip Gilbert | ... | Newsreader | |
| Pat Starr | ... | White Coated Scientist | |
| Gordon Signer | ... | Mayor | |
| John Bluthal | ... | Pisa Vendor | |
| George Chisholm | ... | Street Sweeper | |
| David Fielder | ... | Olympic Runner | |
| Robert Beatty | ... | Tanker Captain | |
| Christopher Malcolm | ... | Miner #1 (as Chris Malcolm) | |
| Larry Lamb | ... | Miner #2 | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| Roy Alon | ... | Man Trapped in Car (uncredited) | |
| Stan Edmonds | ... | Applauding Man (uncredited) | |
| Les Kimber | ... | Bus Driver (uncredited) | |
| Grant Lowe | ... | Cab Driver (uncredited) | |
| Mildred Shay | ... | Woman in Elevator (uncredited) | |
| Aaron Smolinski | ... | Boy at Photo Booth (uncredited) | |
| Geoffrey Steele | ... | Man in Elevator (uncredited) | |
| David Winning | ... | Commuter (uncredited) | |
Regie | |||
| Richard Lester | |||
Buch | ||
| Jerry Siegel | (characters) & | |
| Joe Shuster | (characters) | |
| David Newman | (screenplay) and | |
| Leslie Newman | (screenplay) | |
Produktion | |||
| Ilya Salkind | .... | executive producer | |
| Robert Simmonds | .... | associate producer | |
| Pierre Spengler | .... | producer | |
Originalmusik | |||
| Ken Thorne | |||
Kamera | |||
| Robert Paynter | |||
Schnitt | |||
| John Victor-Smith | |||
Casting | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Debbie McWilliams | |||
Szenenbild | |||
| Peter Murton | |||
Bauten/Dekorationsbau (art directors) | |||
| Brian Ackland-Snow | |||
| Terry Ackland-Snow | |||
| Bert Davey | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Peter Young | |||
Kostüme | |||
| Evangeline Harrison | |||
Maske/Frisuren | |||
| Paul Engelen | .... | makeup artist | |
| Stuart Freeborn | .... | makeup artist | |
| Robert L. Stevenson | .... | hair department head | |
Ausstattung (Stab) | |||
| Richard Holland | .... | set designer | |
| Ted Michell | .... | scenic artist | |
| Wesley Peppiatt | .... | props | |
| Michael G. Ploog | .... | illustrator | |
| Michael G. Ploog | .... | storyboard artist | |
| Denis Rich | .... | illustrator | |
| Andrew Semple | .... | painter | |
| Bob Sherwood | .... | dressing prop (uncredited) | |
Ton Stab | |||
| Roy Charman | .... | sound mixer | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Archie Ludski | .... | dubbing editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Rocky Phelan | .... | dubbing editor | |
| Don Sharpe | .... | dubbing editor | |
| Paul Smith | .... | dubbing editor | |
| Lionel Strutt | .... | adr mixer | |
Spezialeffekte | |||
| Colin Chilvers | .... | director of miniatures | |
| Colin Chilvers | .... | special effects director | |
| Chris Corbould | .... | special effects senior technician | |
| Ian Corbould | .... | special effects | |
| Neil Corbould | .... | special effects technician | |
| Paul Corbould | .... | special effects | |
| Ricky Farns | .... | special effects | |
| Dave Ford | .... | special effects | |
| Ginger Gemmel | .... | camera operator: model unit | |
| Martin Gutteridge | .... | special effects supervisor | |
| Garth Inns | .... | special effects | |
| Peter Netley | .... | special effects | |
| Zoran Perisic | .... | front projection consultant | |
| Roy Quinn | .... | special effects | |
| Neil Trifunovich | .... | on set effects | |
| Brian Warner | .... | special effects supervisor | |
Visual Effects | |||
| Ken Baker | .... | assistant director: process unit | |
| Dennis Bartlett | .... | matte supervisor: process unit | |
| Charles Bishop | .... | art director: model unit | |
| Janice Body | .... | assistant matte artist | |
| Martin Body | .... | optical and matte camera | |
| John Deaton | .... | focus puller: model unit | |
| Roy Field | .... | supervisor of optical and visual effects | |
| Peter Harman | .... | optical and matte photography | |
| John Harris | .... | photography: process unit | |
| Keith Holland | .... | cameraman | |
| Nick Laws | .... | second assistant director: process unit | |
| Peter Melrose | .... | matte artist | |
| Harry Oakes | .... | photographer: model unit | |
| Terry Reed | .... | supervising modelmaker | |
| Steve Wright | .... | digital animator: video game computer animation, Atari Inc. | |
| Alan Buchan | .... | visual effects (uncredited) | |
| Peter Donen | .... | visual effects supervisor (uncredited) | |
| Dion Hatch | .... | optical cameraman: CRC (uncredited) | |
| Derek Meddings | .... | additional model effects (uncredited) | |
| Paul Wilson | .... | additional model photography (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunts | |
| Ken Barker | .... | stunts | |
| Dickey Beer | .... | stunts | |
| Marc Boyle | .... | stunts | |
| Sue Crosland | .... | stunts | |
| Clive Curtis | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Greg Wayne Elam | .... | stunts | |
| Richard Hammatt | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts | |
| Wayne Michaels | .... | stunts | |
| Colin Prescott | .... | balloon stunts arranger | |
| Colin Skeaping | .... | stunts | |
| Eddie Stacey | .... | stunts | |
| Mark Stewart | .... | stunts | |
| Terry Walsh | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Marc Wolff | .... | helicopter stunt pilot | |
| Rick Anderson | .... | stunts (uncredited) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Eddie Eddon | .... | stunts (uncredited) | |
| Alex Green | .... | stunts (uncredited) | |
| Dick Hancock | .... | stunts (uncredited) | |
| Ken Kirzinger | .... | stunts (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Greg Powell | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
| Les White | .... | stunts (uncredited) | |
Kamera und Elektrik (Stab) | |||
| Stephen Claydon | .... | focus puller | |
| Freddie Cooper | .... | camera operator | |
| John Deaton | .... | focus puller | |
| David Garfath | .... | camera operator | |
| Jeff Paynter | .... | focus puller | |
| Derek Suter | .... | clapper loader | |
| Matt Tundo | .... | director of photography: Alberta scenes | |
| Costas Charitou | .... | titles & opticals: Camera Effects Ltd (uncredited) | |
| Vince Goddard | .... | electrician (uncredited) | |
Casting (Stab) | |||
| Trish Robinson | .... | casting: Canada | |
Kostüm und Garderobe (Stab) | |||
| Betty Adamson | .... | wardrobe supervisor | |
| Barbara Ann Schoemaker | .... | costume assistant | |
Schnitt (Stab) | |||
| Peter Hollywood | .... | associate editor | |
Musik (Stab) | |||
| Robert Hathaway | .... | music editor | |
| Ken Thorne | .... | conductor | |
| Ken Thorne | .... | music arranger | |
Restlicher Stab | |||
| Joy Bayley | .... | production assistant | |
| Pauline Couteleno | .... | production executive | |
| Susie Ford | .... | accounting assistant | |
| Robert Harman | .... | flying effects technician | |
| Maria Monreal | .... | executive assistant to producers | |
| Mark Mostyn | .... | runner | |
| Christopher Reeve | .... | production consultant | |
| Tana Tocher | .... | caterer | |
| Marc Wolff | .... | helicopter pilot | |
| Frans J. Afman | .... | financial consultant (uncredited) | |
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| Superman | Superman II | Superman Returns | Superman IV: The Quest for Peace | Supergirl |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| Nachrichtenartikel | IMDb Action section | IMDb UK section |
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After making two fairly decent Superman movies, things took a slightly different turn with Superman III. Gene Hackman was nowhere to be found, Lois Lane has such a small part that she's essentially not even in the continuity anymore (Clark apparently forgets all about his love of Lois when he re-meets Lana Lang). And things became really funny, or were at least supposed to be. If you consider "campy" to be funny.
Superman faces off against himself, after being exposed to a new form of kryptonite that has tobacco tar mixed in. Can the world trust a Superman who destroys oil tankers and sleeps with random women on top of the Statue of Liberty? The best part of the "Evil Superman" sequence is when we see Superman drunk, if for no other reason than the thought of Superman getting drunk (or even having the ability to become intoxicated) is a most unusual thought. Good thing Superman doesn't drive a car.
I really enjoyed the entrance of Lana Lang into the film. Lana, in my opinion, was always the more appropriate match for Superman and there is no exception in this movie. She shares a history with him, is more caring than Lois and less dominant. I'm curious where the Lois/Lana thing will go in Part 4, if it goes anywhere. (I am not suggesting dominant women are bad, by the way. But the fact of the matter is anyone dating Superman is going to have to be comfortable with being second fiddle.) What sold me on this movie (and almost scored it a 7 instead of a 6) is the tie-in with "Office Space". In Office Space, Superman III is referenced for a computer program that takes fractions of a cent and puts them in a bank account. The scene in this film was great, and really made me appreciate the way Mike Judge used it many years later.
With nicotine and tar being the secret ingredients in the new kryptonite, was there some message being sent? Richard Pryor was great. He was funny and made the entire film more of a comedy with kitsch than the serious films we had seen before. Many people really didn't like the campiness, I guess, but I thought it was enjoyable for the most part (though they did go over the top just a bit). In my mind, Superman was the light story and Batman the dark story, so I'd rather see a silly Superman than a silly Batman.
The new villain to replace Lex Luthor was okay, but why bother making a new villain if he's going to be the exact same character? I would hope after fifty years of comic books, there would have been at least one other super villain they could have chosen (although the new "Superman Returns" focuses on Luthor again, so I guess creativity is minimal in the Superman world).
If you've seen parts one and two, you may as well see this. But do keep in mind that the world of Superman turns a little "bizarro" for the next two hours of film time...