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Scarface (1983)

R  |   |  Crime, Drama  |  9 December 1983 (USA)
8.3
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Ratings: 8.3/10 from 474,708 users   Metascore: 65/100
Reviews: 817 user | 144 critic | 9 from Metacritic.com

In 1980 Miami, a determined Cuban immigrant takes over a drug cartel while succumbing to greed.

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Title: Scarface (1983)

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Top 250 #112 | Nominated for 3 Golden Globes. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ángel Salazar ...
Arnaldo Santana ...
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Michael P. Moran ...
Al Israel ...
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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

He loved the American Dream. With a Vengeance. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

9 December 1983 (USA)  »

Also Known As:

Caracortada  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$242,821 (USA) (19 September 2003)

Gross:

$44,700,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This film is dedicated to Ben Hecht and Howard Hawks, the writer and director of the original Scarface (1932)). See more »

Goofs

Shadow on the wall on the right as Montana is getting shouted at in his mother's kitchen. See more »

Quotes

[first lines]
Fidel Castro: ...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
Fidel Castro: [Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
See more »

Crazy Credits

We see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981 See more »

Connections

Featured in De wereld draait door: Episode #4.57 (2008) See more »

Soundtracks

Strangers in the Night
Performed by Frank Sinatra
Music by Bert Kaempfert
Lyrics by Charles Singleton and Eddie Snyder
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Scarface
24 March 1999 | by (Marietta, OH) – See all my reviews

I find myself enjoying this film when I watch it. Well, perhaps enjoying is a bit of an odd verb when you think of the storyline, its characters, the amount of violence and of course, the f-bomb being dropped about 15,000 times.

I like Pacino in this film. He shows us the violent anger we didn't see in Michael Corleone. We're Michael would say, "Never hate your enemies, it clouds your judgement," Tony Montana's out killing everybody. Now granted, there are moments in his performance...or in the script where you have to laugh. The questioning scene in the beginning of the film is a fine example of this. When asked where he got that scar on his cheek...well, I can't write what he says in the regular version, but I will tell you that on edited version on TNT, it from was "eating pine apple."

There is a great performance from Robert Loggia. He's the only character I truly believed in the film. Frank was a businessman, not a killer. All he wanted was the money. Greed killed him, as it has killed so many people. I enjoyed the direction Loggia went with Frank. It has carried over his recent work and has made Loggia one of Hollywood's must durable supporting actors.

Brian DePalma adds his usual blend of violence, but it seemed that for once, he was trying to make his own film. Not borrowed. No guessing games on who he stole from this time. Although he's blasted for the film's content, it is a new beginning to his career which took off, but it was really "The Untouchables" that made me consider him a serious director.


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