Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Christmas is approaching and 9 year-old Ralphie wants only one thing: a Red Ryder Range Shot 200 BB gun. When he mentions it at the dinner table, his mother's immediate reaction is that he'll put his eye out. He then decides on a perfect theme for his teacher but her reaction is like his. He fantasizes about what it would be like to be Red Ryder and catch the bad guys. When the big day arrives he gets lots of present under the tree including a lovely gift from his aunt that his mother just adores. But what about the BB gun? Written by
In 2012, a staged musical adaptation of this movie opened on Broadway. One of the co-producers was Peter Billingsley, who as a child played the lead role of Ralphie in the movie. As an adult, Billingsley transitioned into producing such movies as The Break-Up (2006), Four Christmases (2008), and Iron Man (2008). "A Christmas Story: The Musical!" was the first stage play or musical he produced. See more »
When the fuse blows while the Parkers are decorating the Christmas tree, the room goes completely dark despite the roaring fire in the fireplace behind Ralphie and Randy. See more »
Ralphie as Adult:
The old man stood there, quivering with fury, stammering as he tried to come up with a real crusher. All he got out was...
The Old Man:
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"Ming the Merciless" and "Flash Gordon" are listed as characters despite being cut from the general release. See more »
"A Christmas Story" is a rare film about children yet for adults. While kids will definitely enjoy this Christmas-themed saga, adults will find a deeper level of depth than they may remember from seeing the film at a younger age.
The movie strikes a sharp contrast between the exaggerated, polysyllabic narration of Ralphie, filled with nostalgia and lucid memories, and the soft, high-pitched childlike wonder of Ralphie's spoken word. The narrator is clearly not the same character as the one portrayed on film, but a character wholly outside the story, reliving his childhood emotions and anecdotes. Yet he is the heart of the film, the true center of gravity. This is because the movie is not about a scary Santa Clause and a BB gun - it's about childhood memories and the feelings they evoke. To that end, "A Christmas Story" is flawless.
"A Christmas Story" tells of the epically materialistic journey of Ralphie (Peter Billingsley) as he searches for the golden, upheld idol of all red-blooded American boys: A Red Rider Air Rifle. Ralphie spins an intricate web of cunning and deceit as he plots to get his hands on it - including an essay, a trip to Santa Claus and more. The movie also shows us a glimpse of his family - his irritable, foul-mouthed father with a good heart, his whiny brother Randy, and his sweet, all-American mother. It is not so much a continuous story as a series of vignettes, but it ultimately serves the movie's purpose.
This is a funny film. The narration by Jean Shepherd is filled with love for this story. He absolutely captures the emotions and logic of childhood. In a subtle but amusing moment, Shepherd intones the incomparably eloquent pouring forth of thought into writing - only to have Billingsley note in his awe-filled, high-pitched voice that "I think everyone should have a Red Rider BB gun. It's very good for Christmas." (paraphrased). Most of the humor is similar - the natural exaggeration of a child as expressed by Shepherd's consistent string of hyperbole.
Also, there's a reason why it's played constantly on cable TV throughout the Christmas season - it's a movie everyone can relate to. There are moments of such pure truth here that few can deny their power. I'm sure that there is a scientific law left unwritten that determines that every kid must at some point fantasize about his parents feeling absolutely terrible and forever regretting some unutterable punishment they inflicted on their child
in this case, the immortal washing of a mouth out with
Obviously, "A Christmas Story" is not a film that can be compared to Casablanca or Citizen Kane. It simply excels at its simple goals, and comes together as an extraordinarily entertaining piece of cinema.
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