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Blue Thunder (1983)

R | | Action, Crime, Drama | 13 May 1983 (USA)
The cop test pilot for an experimental police helicopter learns the sinister implications of the new vehicle.

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Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Paul Roebling ...
...
...
Montoya
...
Ed Bernard ...
Jason Bernard ...
Mayor
Mario Machado ...
Mario Machado
...
Alf Hewitt
Pat McNamara ...
Matusek
Jack Murdock ...
Clifford A. Pellow ...
Allen (as Clifford Pellow)
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Storyline

Blue Thunder is a specially modified helicopter. It is for police work, but is armed and designed to counter street insurgencies. Its makers want to show what it will do, but have to train Los Angeles Police pilot Frank Murphy to fly and use it in order to allow it to operate in the city. Murphy and the project pilot have differences going back to Vietnam. The conflict between them continues to heat up as Murphy begins to suspect that Blue Thunder is more than has been disclosed. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Flying the most lethal weapon ever made... The Blue Thunder Special. At his fingertips, an infrared camera that can see right through your bedroom walls. A microphone that can record your most intimate conversations. And a 20mm electric cannon with six barrels that can turn your neighborhood into a raging inferno. But he's not headed for a war-torn country. He'll be cruising the skies of America. And only one man can stop him from using it on you. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 May 1983 (USA)  »

Also Known As:

Relámpago azul  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Warren Oates was very ill with flu and chronic emphysema during filming. See more »

Goofs

At the beginning of the final battle scenes Murphy is shot at by two F-16 fighters that miss, first blowing up a restaurant and then blowing out the side of a high-rise. In both instances the debris falling from the sky is obviously styrofoam and not concrete or steel. See more »

Quotes

Lymangood: Hey, I've got a black guy in a beanie down there! Looks like he's selling dope out of a van!
Frank Murphy: Is that a red beanie?
Lymangood: Yeah, that's him!
Frank Murphy: He's our's - undercover buy program.
Lymangood: Oh, right, right right right, yeah!
Frank Murphy: You *were* at the briefing?
Lymangood: Yes, Sir, Sir! I guess I just forgot, Sir!
Frank Murphy: [laughs] You're going to fit right in!
See more »

Crazy Credits

There are no opening credits after the title is shown. See more »

Connections

Referenced in The Cinema Snob: Robot Jox (2013) See more »

Soundtracks

Theme From Blue Thunder (Dance Version)
(uncredited)
Written by Arthur B. Rubinstein (as Arthur Rubinstein)
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Anthony Marinelli & Brian Banks
Arranged by Reno Romano, Anthony Marinelli, Brian Banks & Evan Pace
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Somebody is watching you, me, and them.
23 February 2006 | by See all my reviews

One of the things that really caught my attention about this film was the brief blurb at the beginning which stated something to the effect of "All of the surveillance equipment depicted in this film exists and is in use in the United States." Knowing what I do of technology, I am not surprised that those capabilities existed back then. However, I received a powerful demonstration of the stealth technology called "whisper mode" in the film, a couple of years after seeing it. I live near a major U.S. Army firing range, and our local airport hosts a considerable amount of military traffic. At this particular time, I was renting a house about one kilometer from the airport. I went out for a walk late one Sunday night, and, shortly after leaving the house, I heard a noise I could not identify. It was a loud hissing sound, 'which seemed very close at hand, but I could not locate the source, until I looked up. Passing overhead at about 200 meters was a Chinook helicopter, the type with two rotors, and fuselage that looks kind of like a banana. Normally, the rotor noise on these cargo helicopters will rattle windows, but this baby was tip-toeing out of town very quietly. If I had been indoors, I never would have heard it. This made me completely rethink the sequence where the helicopter was hovering right outside of a building, and the people inside couldn't hear it! I took it for artistic license at the time, but the demonstration I witnessed of "whisper mode" made it seem entirely feasible.

This film appealed to me strongly, for several reasons. I am a techno freak, to begin with, and I love anything that flies. Also, the characters in the movie are amazingly human, kooky, (especially the lead characters wife,) and easy to identify with. And the kind of shenanigans the Feds were trying to pull seem all too realistic to me, in light of some of the things that they have been caught doing! And I loved the response of sending a couple of F-15's armed with missiles after the renegade, when he is stooging around in downtown Los Angeles. Missiles are not known for being highly selective when they are of the heat seeking type, and urban areas are rich with thermal signatures which can confuse the tiny brain packed into an air-to-air missile. The filmmakers actually downplayed the havoc that could result from launching such weapons in a downtown area.

I found the film to be an enjoyable, realistic, thought provoking experience, which I would recommend to most people. The hardware is not the star, thanks to the excellent work of Roy Scheider and his supporting cast, and the dialog is tight and realistic. When informed that one of the suspects in a liquor store robbery is wearing a Hawiian shirt and a cowboy hat, Scheider's character says, "What ever happened to being inconspicuous?"


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