Tired of her husband's philandering ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is covered up. Her daughters are having ... See full summary »
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
The planet has been affected by a mysterious occurrence known as the Violent Unknown Event, or V.U.E. It has caused immortality and disability. Victims have learned new and peculiar ... See full summary »
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert. Written by
Paul Kevin Harm <email@example.com>
The cooing of a collared dove is not a sound that would have fallen on Jacobean ears, as the species was unknown in Britain until 1955. See more »
Mr. Chandos was a man who spent more time with his gardener than his wife. They discussed plum trees - ad nauseam. He gave his family and his tennants cause to dread September, for they were regaled with plums till their guts rumbled like thunder and their backsides ached from overuse. He built the chapel at Fouvant, where the pew seats are made of plumwood, so the tennants still have cause to remember Chandos through their backsides - on account of the splinters.
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This film should really be a 4 star triumph. Almost the entire film is constituted of still-framed shots on location, optimising and occasionally irrespective of the weather conditions. The acting is brilliant; stylised, sure, but always engaging and intriguing. The script is an object lesson in exposition and narrative through convincing dialogue. Crucially the whole thing is endlessly amusing, witty, startling, suggestive and naughty.
There's a problem. Mindful of its aesthetic, it's static and relies on the highly wrought script too much. The vernacular (another seamlessly incorporated feature of the writing) intensifies its density... consequently I found it difficult to follow in the detail it probably deserved. Not as tense, nor as sexy a piece as The Cook etc. but funnier. 6/10
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