| Fotos (Alle 20 | Diashow) |
| Nastassja Kinski | ... | Irena Gallier (as Nastassia Kinski) | |
| Malcolm McDowell | ... | Paul Gallier | |
| John Heard | ... | Oliver Yates | |
| Annette O'Toole | ... | Alice Perrin | |
| Ruby Dee | ... | Female | |
| Ed Begley Jr. | ... | Joe Creigh | |
| Scott Paulin | ... | Bill Searle | |
| Frankie Faison | ... | Det. Brandt | |
| Ron Diamond | ... | Det. Ron Diamond | |
| Lynn Lowry | ... | Ruthie | |
| John Larroquette | ... | Bronte Judson | |
| Tessa Richarde | ... | Billie | |
| Patricia Perkins | ... | Taxi Driver | |
| Berry Berenson | ... | Sandra | |
| Fausto Barajas | ... | Otis | |
| John H. Fields | ... | Massage Parlor Manager | |
| Emery Hollier | ... | Yeatman Brewer | |
| Stephen Marshal | ... | Moonie | |
| Robert Pavlovich | ... | Ted (as Robert Pavlovitch) | |
| Julie Denney | ... | Carol | |
| Arione De Winter | ... | Indian Village Mother | |
| Francine Segal | ... | Josie | |
| Don Hood | ... | Train Station Agent | |
| David Showacre | ... | Man in Bar | |
| Neva Gage | ... | Cat-Like Woman | |
| Marisa Folse | ... | Indian Girl | |
| Danelle Hand | ... | Indian Girl | |
| John C. Isbell | ... | Policeman | |
| Roger E. Reid | ... | Policeman (as Roger Reid) | |
| Charles Joseph Konya Jr. | ... | Policeman | |
| Marco St. John | ... | Policeman | |
| Brett Alexander | ... | Cub Scout | |
| Gregory Gatto | ... | Cub Scout | |
| Terc Martinez | ... | Cub Scout | |
| David Ross McCarty | ... | Man in Airport | |
| Harry Hauss | ... | Helicopter Pilot #1 (as Harold C. Hauss) | |
| James Deeth | ... | Helicopter Pilot #2 | |
| Ray Wise | ... | Soap Opera Man | |
| Jo Ann Dearing | ... | Soap Opera Woman | |
| The Black Pope | ... | D.J. (voice) | |
| übrige Besetzung in alphabetischer Reihenfolge: | |||
| David Blackwell | ... | Staring Man on Bus (uncredited) | |
Regie | |||
| Paul Schrader | |||
Buch(In alphabetischer Reihenfolge) | ||
| DeWitt Bodeen | story | |
| Alan Ormsby | writer | |
| Paul Schrader | uncredited | |
Produktion | |||
| Jerry Bruckheimer | .... | executive producer | |
| Charles W. Fries | .... | producer | |
| Max Rosenberg | .... | executive producer (uncredited) | |
Originalmusik | |||
| Giorgio Moroder | |||
Kamera | |||
| John Bailey | |||
Schnitt | |||
| Jacqueline Cambas | |||
| Jere Huggins | |||
| Ned Humphreys | |||
| Bud S. Smith | |||
Casting | |||
| Mary Goldberg | |||
Szenenbild | |||
| Ferdinando Scarfiotti | |||
Bauten/Dekorationsbau (art directors) | |||
| Edward Richardson | |||
Bühnenbildner/Ausstatter (set decorators) | |||
| Bruce Weintraub | |||
Kostüme | |||
| Daniel Paredes | |||
Maske/Frisuren | |||
| Lance Anderson | .... | special makeup effects artist | |
| Janice D. Brandow | .... | hair stylist | |
| Thomas R. Burman | .... | special makeup effects | |
| Bari Dreiband-Burman | .... | special makeup effects artist (as Bari Dreiband) | |
| Leonard Engelman | .... | makeup artist | |
| Edouard F. Henriques | .... | special makeup effects artist (as Eddie Henriques) | |
| Tom Hoerber | .... | special makeup effects artist | |
| Mike Menzel | .... | special makeup effects artist (uncredited) | |
Produktionsleiter (production managers) | |||
| Bill Badalato | .... | unit production manager | |
| Tom Jacobson | .... | unit production manager | |
Regieassistenten | |||
| James Dillon | .... | dga trainee | |
| Stephen P. Dunn | .... | second assistant director | |
| Michael Grillo | .... | first assistant director | |
| Bud S. Smith | .... | second unit director (as Bud Smith) | |
Ausstattung (Stab) | |||
| Lauren Cory | .... | set designer | |
| Lee Ezzes | .... | swing gang | |
| Peter Ivy | .... | construction foreman | |
| Jeannine Claudia Oppewall | .... | set designer (as Jeannine Oppewall) | |
| Vic Petrotta Jr. | .... | property master | |
| Curtis A. Schnell | .... | set designer | |
| Jack G. Taylor Jr. | .... | assistant art director | |
| Robert Misetich | .... | painter (uncredited) | |
Ton Stab | |||
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound editor | |
| Louis L. Edemann | .... | sound editor | |
| Richard C. Franklin | .... | sound editor | |
| David W. Gray | .... | stereo sound engineer: Dolby | |
| Robert L. Hoyt | .... | sound re-recordist | |
| Scott Mathews | .... | special sound effects | |
| Chris McLaughlin | .... | sound | |
| Ron Nagel | .... | special sound effects | |
| Stanley H. Polinsky | .... | sound re-recordist | |
| Brian Reeves | .... | sound consultant | |
| Hank Salerno | .... | loop dialogue editor | |
| Norman B. Schwartz | .... | post-production dialogue | |
| John J. Stephens | .... | sound re-recordist | |
| James E. Webb | .... | sound | |
| John Roesch | .... | foley artist (uncredited) | |
Spezialeffekte | |||
| James Cummins | .... | lab technician | |
| Pat Domenico | .... | special effects | |
| Karl G. Miller | .... | special effects (as Karl Miller) | |
Visual Effects | |||
| Robert Blalack | .... | catvision optical effects | |
| Syd Dutton | .... | matte artist | |
| Dennis Glouner | .... | matte photographer | |
| Henry Schoessler | .... | visual effects | |
| Bill Taylor | .... | matte photographer | |
| Albert Whitlock | .... | special visual effects | |
| Chris Regan | .... | optical supervisor (uncredited) | |
Stunts | |||
| Brad Bovee | .... | stunts | |
| Angeline Brown | .... | stunts | |
| Vince Deadrick Jr. | .... | stunts | |
| Bennie E. Dobbins | .... | stunts | |
| Madeleine Klein | .... | stunts | |
| Beth Nufer | .... | stunts | |
| Ron Oxley | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Mike Tillman | .... | stunts | |
| Mark Weiner | .... | stunts | |
Kamera und Elektrik (Stab) | |||
| William D. Barber | .... | assistant camera: New Orleans | |
| Richard Kamins | .... | best boy | |
| Jeffrey L. Kimball | .... | director of photography: second unit (as Jeffrey Kimball) | |
| Joel Kirschner | .... | second assistant camera | |
| Ann Lucas | .... | assistant camera: New Orleans | |
| Joseph F. Valentine | .... | second camera operator (as Joe Valentine) | |
| Paul Vombrack | .... | photography: second unit, New Orleans | |
| Richard Walden | .... | first assistant camera | |
| Lito White | .... | camera operator: New Orleans | |
| Steve Yaconelli | .... | camera operator | |
Animation | |||
| Ellis Burman | .... | animation: artifacts | |
| Allan Hall | .... | animation: artifacts | |
| Bob Williams | .... | animation: artifacts | |
Schnitt (Stab) | |||
| Ross Albert | .... | associate film editor | |
| Craig Bassett | .... | assistant film editor | |
| Donah Bassett | .... | negative cutter | |
| Jack Garsha | .... | color timer | |
| Phil Hetos | .... | color consultant | |
| Bud S. Smith | .... | supervising editor | |
Musik (Stab) | |||
| Bob Badami | .... | music editor | |
| Brian Banks | .... | synthesizer programmer | |
| Sylvester Levay | .... | orchestrator (as Sylvester Levai) | |
Restlicher Stab | |||
| Patti Bosworth | .... | assistant to executive producer | |
| Corey Burton | .... | adr loop group | |
| Beverly Davis | .... | assistant to director | |
| Craig Deman | .... | production assistant | |
| Susan Goldberg | .... | production assistant | |
| Arnold Goodwin | .... | title designer | |
| Alan J. Lam | .... | assistant production accountant | |
| Steve Martin | .... | animal trainer | |
| Kiki Morris | .... | assistant to director (as Katherine Morris) | |
| Charles Newirth | .... | location manager | |
| Charles Newirth | .... | production assistant | |
| Ron Oxley | .... | animal coordinator | |
| Nanette Siegert | .... | production associate | |
| Wilbur Stark | .... | executive consultant | |
| Mark Weiner | .... | animal trainer | |
| Peter Weiss | .... | assistant to director | |
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| Malèna | Cruel Intentions | Hierankl | Fantasma dell'opera, Il | Cat People |
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| Besetzung und Stab | Beteiligte Firmen | Externe Kritiken |
| Nachrichtenartikel | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
"Cat People" is one of those movies that, by all rights, shouldn't be shown on network TV. That's not a comment on quality; it's one of the best erotic thrillers ever made (next to "The Hunger"). But when you have a movie where, for the last half hour, the female lead is mostly undressed ... how can you *show* the last half of the movie?
Very simply stated, they *don't* show it. I tried to watch Cat People on USA or some other network one night, and the last half hour had been cut down to about five minutes and made absolutely no sense. Worse, I was watching it with someone who had never seen it before, and when it was over, she was thoroughly confused and unimpressed.
So, number one: See this movie, if you haven't already! And number two, when you do ... rent or buy the video, or catch a revival on one of the premium cable channels.