14 out of 15 people found the following comment useful :- If you were there, you'll understand., 11. Juni 2000
Author:
unclepete von Liverpool, England
Boys from the Black Stuff is more than just a story. It's a snapshot of a
special time in a special place. Liverpool in the 1980's could be a bleak
and despairing place, with only the common threads of unemployment and
humour keeping spirits alive. The story centres on the struggle of a
ragged
band of workers trying to make ends meet. On the way we see scams,
subterfuge, corruption and the ongoing battle between the workers and the
'sniffers' (welfare benefit fraud investigators).
The locations are superb, painting a grisly accurate portrait of the time,
with much of the filming done in Liverpool 8.
The language and dialogue also help capture the spirit of the time, with
idiomatic 'scouse' used without apology.
Perhaps the best summary of the whole series is encapsulated in a line
from
the opening scenes in the first episode. Whilst establishing the number of
dependents a claimant has, he is told that his grown up children who are
'on
the dole' don't count. His response: "Nobody on the dole
counts,love".
Recently released on dvd, this series is a documented history of the sharp
end of 'Thatcher's Millions' - watch it if you can.
10 out of 10 people found the following comment useful :- I can't believe there's no hope left, 2. Oktober 2001
Author:
hamactor von Kettering, UK
When Bleasdale's original one-off play "The Black Stuff" received critical
acclaim in 1980, the BBC approached the writer to expand his ideas into a
mini-series of five 50 minute episodes. The result was "Boys From The
Blackstuff". Each episode focuses in on the life of a different character
(Snowy, Tommy, Chrissy, Yosser, George) and winds even tighter knots of
anguish around their desperate struggles to find work in Liverpool, 1982,
as
well as starkly portraying the devastating effects of unemployment on
their
domestic lives (and mental health). In the first episode "Jobs For The
Boys", Snowy Malone, a committed socialist and workers' revolutionary
activist, tells of his inner struggles to maintain his beliefs amongst his
workmates, whose understandable need for money forces them to forego their
principles. Snowy dies tragically whilst fleeing the pursuing DHSS
officials
from the dole office. (Bleasdale's portrayal of the devious tactics of the
DOE was actually very close to real life, and not at all fantastic or
overplayed). More DHSS v. Claimant stuff ensued in ep. 2 "Moonlighter",
wher
Tommy, a decent down to earth family man, is forced to take part in a
robbery while working nights as a security guard on a cargo ship. The
unbearable tensions of trying to keep his family together wear away at
Tommy's nerves, and the episode realistically shows the awful effects of
unemployment on the family. Tommy ends up crying silently, knowing that he
has in fact been degraded and dehumanised by his predicament. (I forgot to
tape ep.3 "Shop Thy Neighbour", which focuses on Chrissy, so I haven't
seen
that one, and can't comment on it).
The last two episodes are by far, the real masterpieces. Nothing can
prepare
the viewer to witness the sheer descent to rock-bottom which faces Yosser
Hughes (brilliantly played by Bernard Hill). Yosser, a weak and flawed
young
man, has his home and his dearly loved children mercilessly snatched from
him as his finances crumble, and ends up on the streets, clinging
painfully
to his washed out dream of "being someone". This is very bleak viewing
indeed, but the despair is counterpointed by moments of sharp, surreal,
mocking black humour. This episode surely ranks as one of the finest fifty
minutes you'll ever have the privelige to spend sitting in front of the
box.
The superb high quality and surreal sense of resignation/defeat/humour
carries on into the final episode "George's Last Ride". George Malone,
ex-docker, socialist/Labour activist, political icon to a generation of
workers, and symbol of an earlier era fast fading, is terminally ill. Yet
still the fire of hope burns bright within him, hope for a better time, a
better deal for his class. We see George's body grow weaker, as his inner
spirit remains strong. He reminisces about the old days at the docks,
where
the workers stood shoulder to shoulder, fighting for better conditions.
George breathes his last, after a passionate final cry of hope....and thos
e
left behind seem to realise that his passing represents the death of all
that he stood for. After the emotional funeral, we cut to the utterly
surreal insanity of the local pub, filled with crazy characters, the
victims
of unemployment, trying to drink themselves into oblivion. (This pub scene
is truly unforgettable). Yosser, Chrissy and (? - sorry, forgot his
character name!) exit the pub and drift aimlessly down the street, as
age-old factories are being demolished on either side...
"Boys from the Blackstuff" remains one of the most important and enduring
TV
programmes ever made in Britain, and the last two episodes (at least) can
rightly be called masterpieces of television drama.
8 out of 8 people found the following comment useful :- Brilliant, 11. März 2005
Author:
phil-street von United Kingdom
As mini series go they do not come much better than this. A brilliant
portrayal of what life was like for those unfortunate people who found
themselves without work at the beginning of the 1980's. A depressing
testament to the power wielded by political leaders and the total
indifference shown by those in work to those without it. All young and
sceptical people bored by the stories told them by parents who were
affected by events portrayed in this series should take a look see.
Then they will realise that the stories they have heard are in fact
true. A lesson for all which, when once seen, must never be forgotten.
Comedy, pathos, bathos you name it, it has it all. Wonderfully acted.
Not a poor performance anywhere to be seen. Has great educational
value.
7 out of 7 people found the following comment useful :- Superb, 2. Januar 2005
Author:
Baz (salvador_2003) von London
This series is a brilliant insight to the devastation of Liverpool
during the 80's it shows the hardship of job seekers and the many
people who went through these times unemployed and deprived of their
jobs and their futures where therefore destroyed by the high level of
Unemployement during this period the five episodes are all written with
a hilarious wit and a brilliant raw expression of life during this time
that will make you laugh cry and feel for the characters and their
situations the most touching story is Yossers Story it is brilliant and
well written with a sense of comedy throughout although the results are
upsetting. Yosser Hughes the Liverpool lad with his three Children
alone living in a squalor he is desperate for a companion and finds
himself alone when his wife tells social services of her torment
suffered at the hands of Yosser (This a complete lie Yosser would not
hurt his children or his wife) so they take his children and evict him
he is beaten by the brutal Police who feel no remorse after they beat
him to a pulp in his bare living room then he is left alone in the
house desperate for work he tries to find a job at various areas of
work but is never successful and in the end he is arrested and tries to
drown himself to escape the life he has bean given. The brilliance
within the series is the ability to upset you and make you laugh at the
same time and finally realise the severity of unemployment during this
period the whole series is absolutely brilliant and should be viewed by
all because it is an outstanding look at life the history of a time in
which Liverpool suffered the most and is an outstanding portrait of
life a ten out of ten experience you will never forget
7 out of 7 people found the following comment useful :- Perfect TV Drama, 8. Juli 2003
Author:
scott25keates von Newcastle, England
TV executives could do with watching this masterpiece, in the hope that
they
remember that not all British TV dramas have to be set in a hospital or a
police station......And they don't have to be sh*t either. Boys... had top
scripts, top acting and even the BBC weather forecast camerawork gives it
an
unparralelled sense of authenticity. Pure quality.
7 out of 7 people found the following comment useful :- Great series, 7. Februar 2001
Author:
(henrijpherbert) von England
This series is a wonderfully realistic portrayal of life for the
unemployed
in the 1980s. It also manages to focus on characters, with all the cast
giving magnificent performances, especially Bernard Hill as the deeply
troubled Yosser Hughes. A masterpiece from start to end, this is one
series
that definitely should be repeated on TV. Another great thing is that you
can watch and fully understand each episode without having to have seen
any
of the others.
6 out of 6 people found the following comment useful :- Brilliance!, 10. Juni 2000
Author:
A J North (a.north@totalise.co.uk) von Leicester, England
This series is being reshown on T.V. at the moment and it reminds one on
how
drama should be made. True the subject matter about poverty and
unemployment
in 80's Britain was a strong one for the writer,producer,director& actors
to
rise to.
But they do it with the peak of professionalism,realism & creativity,
seldom
seen in more recent T.V. ( or Film for that matter ) output.
All the episodes which make up the series really move the watcher even
today
and it sends echoes out to everyone living in 90's Britain towards the
turn
of the century where some similar themes as explored in this piece are
still
more than ever relevant today.
6 out of 6 people found the following comment useful :- If you regard yourself as a social commentator, watch this., 15. Oktober 1998
Author:
Matthew Young (matthew.young@mjryoung.demon.co.uk) von London, England
Alan Bleasdale's defining production. Almost unbearably tragic characters,
yet Bleasdale manages to find the opportunity for rare wit in his dialogue.
As good a T.V. series as there has ever been. Truly the work of a
genius.
5 out of 5 people found the following comment useful :- Lets See it again!!, 25. Mai 2006
Author:
plutus1947 von Devon, England
Boys from the Blackstuff was first screened by the BBC in 1982.
It is in my opinion the finest drama series the BBC have ever produced.
Poignant and emotive. There are not enough superlatives to describe
this drama.
The script was second to none and Bleasdale's use of dialogue was
excellent. Although the dialogue and setting was very disquieting for
the most part, there were some lighter sides.
I have had the opportunity of seeing this series again recently, almost
a quarter of a century since its first airing and to me it has lost
nothing. I also feel that the latest generation of TV viewers would
thoroughly enjoy watching this tremendous series.
Perhaps the BBC would consider re-screening Boys from the Blackstuff in
2007 in celebration of its 25th anniversary. I would not mind betting
it would be in line for more awards.
Plutus
4 out of 4 people found the following comment useful :- It's really good., 17. Januar 2003
Author:
Victoria von San Francisco, USA
If you are interested in what it was like to live in Thatcher's Britain in
the eighties then look no futher. You need a strong stomach - especially
for
Yosser's Story. Memories of Cathy Come Home from the sixties spring to
mind.
It's good, it's real and it hurts to watch it - that's WHY it should be
seen. Thanks Alan Bleasdale- for seeing and telling it like it
is.
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"Boys from the Blackstuff" (1982)
14 out of 15 people found the following comment useful :-

If you were there, you'll understand., 11. Juni 2000
Author: unclepete von Liverpool, England
Boys from the Black Stuff is more than just a story. It's a snapshot of a special time in a special place. Liverpool in the 1980's could be a bleak and despairing place, with only the common threads of unemployment and humour keeping spirits alive. The story centres on the struggle of a ragged band of workers trying to make ends meet. On the way we see scams, subterfuge, corruption and the ongoing battle between the workers and the 'sniffers' (welfare benefit fraud investigators).
The locations are superb, painting a grisly accurate portrait of the time, with much of the filming done in Liverpool 8.
The language and dialogue also help capture the spirit of the time, with idiomatic 'scouse' used without apology.
Perhaps the best summary of the whole series is encapsulated in a line from the opening scenes in the first episode. Whilst establishing the number of dependents a claimant has, he is told that his grown up children who are 'on the dole' don't count. His response: "Nobody on the dole counts,love".
Recently released on dvd, this series is a documented history of the sharp end of 'Thatcher's Millions' - watch it if you can.
10 out of 10 people found the following comment useful :-
I can't believe there's no hope left, 2. Oktober 2001
Author: hamactor von Kettering, UK
When Bleasdale's original one-off play "The Black Stuff" received critical acclaim in 1980, the BBC approached the writer to expand his ideas into a mini-series of five 50 minute episodes. The result was "Boys From The Blackstuff". Each episode focuses in on the life of a different character (Snowy, Tommy, Chrissy, Yosser, George) and winds even tighter knots of anguish around their desperate struggles to find work in Liverpool, 1982, as well as starkly portraying the devastating effects of unemployment on their domestic lives (and mental health). In the first episode "Jobs For The Boys", Snowy Malone, a committed socialist and workers' revolutionary activist, tells of his inner struggles to maintain his beliefs amongst his workmates, whose understandable need for money forces them to forego their principles. Snowy dies tragically whilst fleeing the pursuing DHSS officials from the dole office. (Bleasdale's portrayal of the devious tactics of the DOE was actually very close to real life, and not at all fantastic or overplayed). More DHSS v. Claimant stuff ensued in ep. 2 "Moonlighter", wher Tommy, a decent down to earth family man, is forced to take part in a robbery while working nights as a security guard on a cargo ship. The unbearable tensions of trying to keep his family together wear away at Tommy's nerves, and the episode realistically shows the awful effects of unemployment on the family. Tommy ends up crying silently, knowing that he has in fact been degraded and dehumanised by his predicament. (I forgot to tape ep.3 "Shop Thy Neighbour", which focuses on Chrissy, so I haven't seen that one, and can't comment on it). The last two episodes are by far, the real masterpieces. Nothing can prepare the viewer to witness the sheer descent to rock-bottom which faces Yosser Hughes (brilliantly played by Bernard Hill). Yosser, a weak and flawed young man, has his home and his dearly loved children mercilessly snatched from him as his finances crumble, and ends up on the streets, clinging painfully to his washed out dream of "being someone". This is very bleak viewing indeed, but the despair is counterpointed by moments of sharp, surreal, mocking black humour. This episode surely ranks as one of the finest fifty minutes you'll ever have the privelige to spend sitting in front of the box. The superb high quality and surreal sense of resignation/defeat/humour carries on into the final episode "George's Last Ride". George Malone, ex-docker, socialist/Labour activist, political icon to a generation of workers, and symbol of an earlier era fast fading, is terminally ill. Yet still the fire of hope burns bright within him, hope for a better time, a better deal for his class. We see George's body grow weaker, as his inner spirit remains strong. He reminisces about the old days at the docks, where the workers stood shoulder to shoulder, fighting for better conditions. George breathes his last, after a passionate final cry of hope....and thos e left behind seem to realise that his passing represents the death of all that he stood for. After the emotional funeral, we cut to the utterly surreal insanity of the local pub, filled with crazy characters, the victims of unemployment, trying to drink themselves into oblivion. (This pub scene is truly unforgettable). Yosser, Chrissy and (? - sorry, forgot his character name!) exit the pub and drift aimlessly down the street, as age-old factories are being demolished on either side... "Boys from the Blackstuff" remains one of the most important and enduring TV programmes ever made in Britain, and the last two episodes (at least) can rightly be called masterpieces of television drama.
8 out of 8 people found the following comment useful :-

Brilliant, 11. März 2005
Author: phil-street von United Kingdom
As mini series go they do not come much better than this. A brilliant portrayal of what life was like for those unfortunate people who found themselves without work at the beginning of the 1980's. A depressing testament to the power wielded by political leaders and the total indifference shown by those in work to those without it. All young and sceptical people bored by the stories told them by parents who were affected by events portrayed in this series should take a look see. Then they will realise that the stories they have heard are in fact true. A lesson for all which, when once seen, must never be forgotten. Comedy, pathos, bathos you name it, it has it all. Wonderfully acted. Not a poor performance anywhere to be seen. Has great educational value.
7 out of 7 people found the following comment useful :-

Superb, 2. Januar 2005
Author: Baz (salvador_2003) von London
This series is a brilliant insight to the devastation of Liverpool during the 80's it shows the hardship of job seekers and the many people who went through these times unemployed and deprived of their jobs and their futures where therefore destroyed by the high level of Unemployement during this period the five episodes are all written with a hilarious wit and a brilliant raw expression of life during this time that will make you laugh cry and feel for the characters and their situations the most touching story is Yossers Story it is brilliant and well written with a sense of comedy throughout although the results are upsetting. Yosser Hughes the Liverpool lad with his three Children alone living in a squalor he is desperate for a companion and finds himself alone when his wife tells social services of her torment suffered at the hands of Yosser (This a complete lie Yosser would not hurt his children or his wife) so they take his children and evict him he is beaten by the brutal Police who feel no remorse after they beat him to a pulp in his bare living room then he is left alone in the house desperate for work he tries to find a job at various areas of work but is never successful and in the end he is arrested and tries to drown himself to escape the life he has bean given. The brilliance within the series is the ability to upset you and make you laugh at the same time and finally realise the severity of unemployment during this period the whole series is absolutely brilliant and should be viewed by all because it is an outstanding look at life the history of a time in which Liverpool suffered the most and is an outstanding portrait of life a ten out of ten experience you will never forget
7 out of 7 people found the following comment useful :-
Perfect TV Drama, 8. Juli 2003
Author: scott25keates von Newcastle, England
TV executives could do with watching this masterpiece, in the hope that they remember that not all British TV dramas have to be set in a hospital or a police station......And they don't have to be sh*t either. Boys... had top scripts, top acting and even the BBC weather forecast camerawork gives it an unparralelled sense of authenticity. Pure quality.
7 out of 7 people found the following comment useful :-
Great series, 7. Februar 2001
Author: (henrijpherbert) von England
This series is a wonderfully realistic portrayal of life for the unemployed in the 1980s. It also manages to focus on characters, with all the cast giving magnificent performances, especially Bernard Hill as the deeply troubled Yosser Hughes. A masterpiece from start to end, this is one series that definitely should be repeated on TV. Another great thing is that you can watch and fully understand each episode without having to have seen any of the others.
6 out of 6 people found the following comment useful :-

Brilliance!, 10. Juni 2000
Author: A J North (a.north@totalise.co.uk) von Leicester, England
This series is being reshown on T.V. at the moment and it reminds one on how drama should be made. True the subject matter about poverty and unemployment in 80's Britain was a strong one for the writer,producer,director& actors to rise to. But they do it with the peak of professionalism,realism & creativity, seldom seen in more recent T.V. ( or Film for that matter ) output.
All the episodes which make up the series really move the watcher even today and it sends echoes out to everyone living in 90's Britain towards the turn of the century where some similar themes as explored in this piece are still more than ever relevant today.
6 out of 6 people found the following comment useful :-

If you regard yourself as a social commentator, watch this., 15. Oktober 1998
Author: Matthew Young (matthew.young@mjryoung.demon.co.uk) von London, England
Alan Bleasdale's defining production. Almost unbearably tragic characters, yet Bleasdale manages to find the opportunity for rare wit in his dialogue. As good a T.V. series as there has ever been. Truly the work of a genius.
5 out of 5 people found the following comment useful :-

Lets See it again!!, 25. Mai 2006
Author: plutus1947 von Devon, England
Boys from the Blackstuff was first screened by the BBC in 1982.
It is in my opinion the finest drama series the BBC have ever produced. Poignant and emotive. There are not enough superlatives to describe this drama.
The script was second to none and Bleasdale's use of dialogue was excellent. Although the dialogue and setting was very disquieting for the most part, there were some lighter sides.
I have had the opportunity of seeing this series again recently, almost a quarter of a century since its first airing and to me it has lost nothing. I also feel that the latest generation of TV viewers would thoroughly enjoy watching this tremendous series.
Perhaps the BBC would consider re-screening Boys from the Blackstuff in 2007 in celebration of its 25th anniversary. I would not mind betting it would be in line for more awards.
Plutus
4 out of 4 people found the following comment useful :-

It's really good., 17. Januar 2003
Author: Victoria von San Francisco, USA
If you are interested in what it was like to live in Thatcher's Britain in the eighties then look no futher. You need a strong stomach - especially for Yosser's Story. Memories of Cathy Come Home from the sixties spring to mind. It's good, it's real and it hurts to watch it - that's WHY it should be seen. Thanks Alan Bleasdale- for seeing and telling it like it is.
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