One man's struggle to contain the curse he hides within... and his last-ditch attempt to free himself with the love of family. But when it looks as if he is losing his battle, and ... See full summary »
In a red light district, newswoman Karen White is bugged by the police, investigating serial killer Eddie Quist, who has been molesting her through phone calls. After police officers find them in a peep-show cabin and shoot Eddie, Karen becomes emotionally disturbed and loses her memory. Hoping to conquer her inner demons, she heads for the Colony, a secluded retreat where the creepy residents are rather too eager to make her feel at home. There also seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery. Written by
Tim Kretschmann <Tim.K@VirComm.com>
Rick Baker was originally doing the special effects for the film, but he left to do An American Werewolf in London (1981), leaving the effects job for this film in the hands of assistant Rob Bottin. Both this film and "American Werewolf" were released the same year and both received praise for their makeup work. See more »
When Chris arrives at the colony in his Mazda, you hear the tires squeal, but his car is on the grass, not the cement. See more »
Dr. George Waggner:
Repression. Repression is the father of neurosis, of self-hatred. Now, stress results when we fight against our impulses. We've all heard people talk about animal magnetism, the natural man. the noble savage, as if we'd lost something valuable in our long evolution into civilized human beings. Now there's a good reason for this.
See more »
A burger being fried on a grill plays out over the closing credits. See more »
Joe Dante is a great fan of the horror genre, and most of his films are dedicated to that passion directly, as in his film creations, and indirectly, with his use of inside jokes and references and his use of beloved figures from the genre itself in small roles. It is this passion and love that makes his films special, and The Howling is no different. It is a boost for the relatively weak sub-genre of lycanthropy. It has marvellous special effects which are still quite good by today's standards, some good humour, well-choreographed chase scenes, and some good acting. The script is weak and laden with cliches, but remember it is a parody in ways. Dante names characters using the names of great horror directors(his idols I imagine) such as Terry Fisher, Freddie Francis, and Erle Kenton. Forrest J. Ackerman, Roger Corman, John Sayles, Dick Miller, John Carradine, Kenneth Tobey, and Kevin McCarthy make appearances. Patrick Macnee is quite good in his role, and Dee Wallace is excellent in her screaming way. Overall a fine film!
15 of 23 people found this review helpful.
Was this review helpful to you?