The Elephant Man make-up took seven to eight hours to apply each day, and two hours to remove. Sir John Hurt would arrive on set at 5:00 a.m., and shoot from noon until 10:00 p.m. Because of the strain on the actor, he worked alternate days.
This film was Executively Produced by Mel Brooks, who was responsible for hiring Director David Lynch, and obtaining permission to film in black and white. He deliberately left his name off the credits, as he knew that people would get the wrong idea about the movie, if they saw his name on the film, given his fame as a satirist.
When Paramount studio executives were shown a cut of the film, they wanted the film's opening and closing surrealist sequences to be cut. Executive Producer Mel Brooks, according to Producer Stuart Cornfeld, said to them: "We are involved in a business venture. We screened the film for you, to bring you up to date as to the status of that venture. Do not misconstrue this as our soliciting the input of raging primitives."
Merrick's condition was undiagnosed at the time of his death. Later studies of his skeleton, and the casts made of his body, led researchers to suggest he suffered from neurofibromatosis (NF) type I, a genetic condition, from which one in four thousand people suffer. The NF Foundation used the movie as a fund-raising tool, and credited it with making the disease more widely known. Later examination, including CT scans of the skeleton, lead researchers to believe he suffered from Proteus syndrome, a much rarer condition than NF. A scientist, in 2001, speculated that Merrick may have suffered from a combination of neurofibromatosis type I and Proteus syndrome. In 2003, researchers used surviving DNA samples from Merrick in an attempt to determine his unique condition. However, these tests were inconclusive, and the cause of Joseph "John" Merrick's medical condition remains unknown.
Following the death of the real Joseph "John" Merrick, parts of his body were preserved for medical science to study. Some internal organs were kept in jars, and plaster casts were taken of his head, an arm, and a foot. Although the organs were destroyed by German air raids during World War II, the casts survived,, and are kept at the London Hospital. The make-up for Sir John Hurt, who played Merrick in this film, was designed directly from those casts.
When the nominees for the 53rd Annual Academy Awards were announced in February 1981, many in the industry were appalled that this movie was not going to be honored for its make-up effects. At the time, there was not a regular make-up category, and winners for make-up were cited with a special award. Feeling that the make-up technicians deserved to be rewarded for this film, a letter of protest was sent to the Academy's Board of Governors to ask them to change their minds and give the film a special award. The Academy refused, but in response to the outcry, they decided a year later to reward make-up artists with their own annual category, and thus the best make-up award was born. Because of earlier restrictions, some other notable films did not receive Oscars for their make-up, notably Dr. Jekyll and Mr. Hyde (1931), The Wizard of Oz (1939), and The Hunchback of Notre Dame (1939).
After the first day of shooting, when Sir John Hurt was exposed for the first time to the inconveniences of having his make-up applied, and walking around in it, he called his wife, saying, "I think they finally managed to make me hate acting."
Joseph "John" Merrick was a very intelligent and well-read gentleman. He loved to read and acted out scenes from pantomimes that he was taken to see. He often ended his correspondence to well wishers by quoting an Isaac Watts verse: "'Tis true my form is something odd, But blaming me is blaming God. Could I create myself anew, I would not fail in pleasing you. If I could reach from pole to pole, Or grasp the ocean with a span. I would be measured by the soul, The mind's the standard of the man." ~ Isaac Watts 1674-1748
The writers based this film on the memoirs of Dr. Frederick Treves, as well as other true accounts, but avoided the play by Bernard Pomerance. The true name of the Elephant Man was not John Merrick as most believe, but Joseph Carey Merrick. Merrick was born in Leicester, England on August 5, 1862, and died in the Royal London Hospital on April 11, 1890, at the age of twenty-seven. When Dr. Treves wrote his memoir, he referred to him as John. His handwritten manuscript reveals that Treves knew that Merrick's name was Joseph, and deliberately crossed out Joseph and replaced it with John. Merrick's surviving correspondence shows he signed his name as Joseph, and contemporary newspaper articles about his case refer to him by his correct name. Why Treves changed his name to John is unknown, but this movie is partly responsible for that continuing misconception.
Due to the constrictive deformity of his mouth, Merrick never spoke as clearly in real-life, as he does in the film. Dr. Frederick Treves often had to act as Merrick's interpretor for visitors. Those who knew him well, such as hospital staff and friends, grew used to his impeded speech, but it remained indistinct, and worsened as Merrick's condition deteriorated.
David Lynch narrowed his choices for the film's Cinematographer down to two names; Christopher Challis, who was considered a safe pair of hands, or Freddie Francis, who Lynch considered to be a much more talented Cinematographer, but hadn't worked in that role since 1964. Lynch decided to go with his gut instinct and hire Francis after Producer Stuart Cornfeld told him that, "No one ever made it big by being a pussy."
The real Merrick's London showman, Tom Norman, was not a brutal drunk, like the fictional "Bytes". Norman was a well-respected showman and founder of a temperance society. He and Joseph "John" Merrick were friends and business partners. Norman paid all of Merrick's expenses and split their earnings fifty-fifty. In a few weeks, Joseph saved up fifty pounds, as much as a typical working family made in a whole year. Ever since Treves wrote his memoirs with the character of the cruel showman, the Norman family has been appalled and embarked on a campaign to clear Tom Norman's good name. His granddaughter, Valerie, is eighty-two, and hopes to see his reputation restored before she passes away.
The opening scene of Merrick's mother being attacked by an elephant is not factual. His deformities were the result of disease, and he was called "The Elephant Man" because of his lumpy skin. However, the idea of an elephant attack comes from the melodramatic speech originally delivered by Tom Norman to those who paid to see Merrick exhibited.
This film was based on two published works, "The Elephant Man and Other Reminiscences" (1923) by Sir Frederick Treves (who was played by Sir Anthony Hopkins) and "The Elephant Man: A Study in Human Dignity" (1973) by Ashley Montagu, published fifty years after Treves' book. This movie was released fifty-seven years after the former, seven years after the latter, and ninety years after the death of Joseph "John" Merrick (the Elephant Man), who died in 1890.
Sir John Hurt kept the prosthetic cast of Joseph "John" Merrick's head after the shoot. He stored it in a cupboard in his house. Several years later, his house was burgled while was out, a friend phoned him and said, "There has been a burglary at your house." John asked what was taken, and the reply was, "Nothing! The robber must have opened the cupboard and the mask fell out! The burglar must have fled the scene in fright!"
In the film, Merrick constructs his cardboard cathedral from scraps he finds in the rubbish. He bases his design on a view of St. Philips Church from his window. Actually, Merrick's rooms in Bedstead Square were around the corner from the church. Also, the real Merrick assembled his church from a prefab kit of Mainz Cathedral, Germany. However, it's a very difficult model with a lot of tiny pieces. Joseph's work is still a miracle, as he could only use his left hand and primitive tools. (It took a modern kit builder seventeen solid hours to assemble one, using both hands and modern tools.) Joseph Merrick's beautiful cathedral can still be seen at the Royal London Museum Archives, ironically in the basement of St. Philips.
Although critically acclaimed, there are some film critics (including Roger Ebert) who accuse the film of excessive sentiment. They tend to attribute it to David Lynch relying heavily on Frederick Treves' memoirs for source material.
When Sir Anthony Hopkins shot the tearful reaction to encountering Merrick for the first time, Sir John Hurt wasn't on-set. Hopkins simply stared, unblinking, into a strong light, until a tear appeared.
The film was made and released around the time that another Elephant Man production was being performed, a stage play by Bernard Pomerance, which won the 1979 Tony Award for Best Play. This movie is not an adaptation of that play.
One documentary on the Elephant Man ended with a computer graphic extrapolation of what he might have looked like if he were not deformed: an image morphing from his actual face to a hypothetical one. This was done with a voiceover reading his famous poem, that ends with the line "The mind's the measure of the man".
The trivia items below may give away important plot points.
Many of the events shown in the film never happened. Merrick was generally not ill-treated by his managers, and he certainly was never abducted from the hospital, as depicted in the film. The despicable night watchman (portrayed by the late Michael Elphick) never existed either. Merrick had a peaceful and generally uneventful, if short, life at the hospital.