The Elephant Man (1980)
Auggie is a science geek who loves “Star Wars” and Minecraft, ice cream and X-Box sports games; he’s fueled by all-American fantasies of going to outer space. (He likes to walk around in a toy astronaut helmet that conceals him and feeds his dreams.) His face, which looks youthful and old at the same time, is jarring
Cinema Retro has received the following press release:
The Production Guild of Great Britain presents:
‘An Evening with Anthony Waye’ 7:30pm - 10pm, Wednesday 15 November 2017 The Courthouse Hotel, 19-21 Great Marlborough Street, Soho London W1F 7Hl
The Production Guild of Great Britain kicks off a brand new series of events this month, designed to take the public behind the scenes of film and TV drama production by hearing from some of Britain’s most experienced production professionals.
‘An Evening with Anthony Waye’, taking place on Wednesday 15th November in central London, is the first of the Production Guild’s new ‘Close Up’ series of events which aim to raise the profile of leading British careers in production. Tickets are openly available to the general public, as well as PG members and film students.
From mail boy to executive producer,
Read More:Why ‘Lucky’ Should Earn the Late Harry Dean Stanton His First Oscar
Lynch made no feature-length films or TV series in the 11 long years between the release of “Inland Empire” and this new “Twin Peaks,” but he did grace us with his presence onscreen several times. Most prominently — and weirdly, and hilariously — that
To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s.
Heckerling and Crowe spoke to Variety about the making of the movie and some of the hardship that they faced. The studio didn't think that there was any money to be made from a movie about high school kids and thought that it was a complete waste of time. Fast Times at Ridgemont High initially only opened in just 200 theaters in the United States and
Continue reading David Lynch Was Approached To Direct ‘Fast Times At Ridgemont High’ at The Playlist.
Not only did the coming-of-age tale set in Southern California launch the careers of director Amy Heckerling and writer Cameron Crowe, the comedy catapulted Sean Penn, Jennifer Jason Leigh, Phoebe Cates, and Judge Reinhold into stardom.
And in 2005, “Fast Times,” which was based on Crowe’s 1981 book chronicling his adventures going undercover at a San Diego high school, was selected for preservation in the Library of Congress’ National Film Registry as being “culturally, historically, or aesthetically significant.”
Ironically, “Fast Times” had to overcome many obstacles during production and almost failed to get released.
Among the early difficulties the production encountered was finding a director for the comedy, which also featured future best actor Oscar winners Forest Whitaker and Nicolas Cage — billed as Nicolas Coppola — as well as Eric Stoltz and Anthony Edwards.
Universal executive Thom Mount surprisingly recommended David Lynch, who
Relive the action-packed adventures of retired and extremely dangerous special agents in the most amazing picture quality available today when both Red and Red 2 arrive separately on 4K Ultra HD Combo Pack (plus Blu-ray™ and Digital HD) on September 5 from Lionsgate. Red features an all-star cast including Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren and Mary-Louise Parker. In the film’s sequel, Red 2, Anthony Hopkins, Catherine Zeta-Jones and Byung Hun Lee join the franchise.
Both movies are available for the first time on 4K Ultra HD, which provides over four times the resolution of Full HD and includes High Dynamic Range (Hdr) to deliver the brightest, most vivid and realistic color with the greatest contrast. The 4K Ultra HD Blu-ray will also feature Dolby Vision™ high-dynamic range imaging and Dolby Atmos immersive audio. Dolby Vision transforms the TV experience in the home by delivering greater brightness and contrast,
The 2017 Rome Film Festival (Oct 26-Nov 5) will honour David Lynch with a lifetime achievement award.
The director of Mulholland Drive, Twin Peaks and The Elephant Man will also discuss his career onstage, as well as the three Italian directors that had the greatest influence on his career, including Federico Fellini.
The festival’s artistic director Antonio Monda said: “Mr. Lynch has prepared a great analysis of 8½”.
There will also be onstage masterclasses with Lord Of The Rings star Ian McKellen, who will discuss Jacques Tati; Cannes favourite Xavier Dolan (Mommy); Fight Club author Chuck Palahniuk, who will talk horror films, and actress Vanessa Redgrave.
Monda, in his third year as festival director, said of the line-up: “The formula will be the same… but as these five names demonstrate I would like to slide towards the more popular side of the festival audience”.
Also starring Josh Gad, Kate Hudson, Dan Stevens, Sterling K. Brown and James Cromwell, watch the exciting trailer now.
Such an dynamic trailer – with a fall season release date, expect to see awards buzz for such a powerful film. Acting, directing, writing, producing categories, including the technical categories for cinematography, costumes, hair and makeup, and production design, with score and song to round out the possible nominations.
Long before he sat on the United States Supreme Court or claimed victory in Brown v. Board of Education, Thurgood Marshall (Chadwick Boseman) was a young rabble-rousing attorney for the NAACP. The new motion picture, Marshall, is the true story of his greatest challenge in those early days – a fight he fought alongside attorney Sam Friedman (Josh Gad), a young lawyer with no experience in criminal law: the case of black chauffeur Joseph Spell (Sterling K. Brown), accused by his white employer, Eleanor Strubing (Kate Hudson), of sexual assault and attempted murder.
The film has a top notch production team.
Directed by Reginald Hudlin, Marshall is produced by Paula Wagner, Jonathan Sanger ( The Elephant Man, Vanilla Sky, Flight Of The Navigator), and Reginald Hudlin. It is written by Jake Koskoff and Michael Koskoff.
Hudlin co-produced the 88th Academy Awards ceremony in 2016 and was one of the producers of Quentin Tarantino’s Django Unchained, for which he received an Oscar nomination for Best Picture for the film.
Paula Wagner launched Cruise/Wagner Productions (C/W) with her former CAA client Tom Cruise. C/W went on to produce such critically acclaimed films as The Others, The Last Samurai, Vanilla Sky, Without Limits, Shattered Glass, Narc, Elizabethtown, and Ask the Dust, as well as Steven Spielberg’s War of the Worlds (which Wagner executive produced). C/W was responsible for the original Mission: Impossible film trilogy (Mission: Impossible 2 and Mission: Impossible III).
Open Road Films will release Marshall on October 13, 2017. Mark it on your calendar now.
Check out the film at it’s official site: http://www.marshallmovie.com/
The post Watch The Thrilling Trailer For Marshall Starring Chadwick Boseman, Josh Gad And Kate Hudson appeared first on We Are Movie Geeks.
When John Hurt died we lost a true legend of film, and an actor loved by both young and old. Some knew him for his role as Kane in Alien, John Merrick in The Elephant Man, and even Doctor Who. Perhaps his most daring role though was as Quentin Crisp, The Naked Civil Servant.
The Naked Civil Servant is the story of Quentin Crisp, a shamelessly (and famously) homosexual man who was never afraid to be himself, even at a time when it was illegal. Looking at his coming of age and growth into old age the film celebrates the life of a truly inspirational individual.
Quentin Crisp is anything but shy, you get to see this in The Naked Civil Servant
Et spoke with Lynch and the cast of Twin Peaks throughout the unexpected, groundbreaking series’ short-lived initial run from 1990 to 1991 on ABC. The TV phenomenon, which returns Sunday, May 21 for a third season on Showtime, showcased Lynch’s penchant for challenging our initial perceptions of everyday life and suggesting there’s always something more going on.
More: Kyle MacLachlan Returns as Agent Cooper in First Look at 'Twin Peaks' Revival -- Watch!
“Then sometimes they're surprised and a lot of times they're not, because we all know that the surface is one thing and there's 99 percent
With the ballyhooed resurrection of Twin Peaks, his legendary 1990-1991 TV series, Lynch yet again has stepped onto the cultural stage in a big way, and earned his profile as America's bullgoose weirdo. Magazine profiles once again try – and fail – to ascertain who exactly he is and what he's doing. Worse, they try to normalize him, place him within established cultural traditions and treating him like a wise man from Planet Whatzit.
The writer/director recently spoke with The Sydney Morning Herlad and, since he hasn't directed a movie in a while, he was asked if he is ever planning on making one again. While he was reportedly uncertain at first, he definitively said "Yes, it is," when asked if Inland Empire was indeed his last movie. David Lynch did provide some reason for his unceremonious retirement from directing movies, though. Here's what he had to say.
"Things changed a lot," Lynch says. "So many films were not doing well at the box office even though they might have been great films and the things that were doing well at the box office weren't the things that I would want to do."
While sad news, it's not exactly a surprise based on the current movie landscape. Once upon a time, the creative roles were reversed. Television had the formulaic content meant to appeal to a very specific audience and films, like Mr. Lynch's Eraserhead, The Elephant Man, and Blue Velvet, were more experimental and offered
Take a look at the latest Mad Max movie and you will notice that it isn’t, in fact, a new Mad Max at all. That’s still Tom Hardy strapped to the front of a speeding jalopy, while shaven-headed kamikaze drivers zigzag around one another bellowing their war cries. And they’re still in hot pursuit of Charlize Theron, as she ploughs her juggernaut across the post-apocalyptic desert. But the fireballs and flame-throwing guitars look subtly different now; subdued, even classical. It’s the faces and the landscapes, both equally craggy, that have a surprising new texture and prominence in George Miller’s colourless version of Mad Max: Fury Road (subtitled “black and chrome edition”), which reaches cinemas this month, two years after the success of the eye-popping original. It had been
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