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Wonder- Review

While another bruising company of costumed heroes makes the walls vibrate in stereo at many theatres (actually in most of the screens at your local multiplex), a quieter, more gentle film is opening to give families a nice alternative. And it stars real flesh and blood actors rather than computer-generated characters. It’s based on the rare young adult novel that’s not set in a dystopian future. The beloved five year-old book offers another take on a tale as old as time, with themes that echo the live Beauty And The Beast from earlier in the year. Add a dash of The Elephant Man, a pinch of The Phantom Of The Opera, a sprinkle of Mask, toss it in a middle school (maybe cooked in a classic “Easy Bake Oven”) and film goers should savor this sweet, nourishing cinema dish all about a most unusual boy, who despite his
See full article at WeAreMovieGeeks.com »

Film Review: ‘Wonder’

Film Review: ‘Wonder’
Auggie Pullman (Jacob Tremblay), the central character in Stephen Chbosky’s “Wonder,” is a brainy 10-year-old boy with a sweet high voice and a congenital facial deformity, whom numerous corrective surgeries have left looking like a cherub after a car accident. His left eye tugs downward as if a teardrop were falling from it; his ears are bulbs of flesh, and his face is framed by a pinkish ring of scar tissue. That said, he’s not the Phantom of the Opera. He’s just an ordinary kid whose looks take a bit of getting used to.

Auggie is a science geek who loves “Star Wars” and Minecraft, ice cream and X-Box sports games; he’s fueled by all-American fantasies of going to outer space. (He likes to walk around in a toy astronaut helmet that conceals him and feeds his dreams.) His face, which looks youthful and old at the same time, is jarring
See full article at Variety - Film News »

"An Evening With Anthony Waye", London, 15 November

  • CinemaRetro
Tony Waye with Halle Berry on the set of Die Another Day.

Cinema Retro has received the following press release:

The Production Guild of Great Britain presents:

‘An Evening with Anthony Waye’ 7:30pm - 10pm, Wednesday 15 November 2017 The Courthouse Hotel, 19-21 Great Marlborough Street, Soho London W1F 7Hl

The Production Guild of Great Britain kicks off a brand new series of events this month, designed to take the public behind the scenes of film and TV drama production by hearing from some of Britain’s most experienced production professionals.

‘An Evening with Anthony Waye’, taking place on Wednesday 15th November in central London, is the first of the Production Guild’s new ‘Close Up’ series of events which aim to raise the profile of leading British careers in production. Tickets are openly available to the general public, as well as PG members and film students.

From mail boy to executive producer,
See full article at CinemaRetro »

David Lynch as Actor: How His Onscreen Persona Has Evolved From ‘The Cleveland Show’ to ‘Lucky’

  • Indiewire
David Lynch as Actor: How His Onscreen Persona Has Evolved From ‘The Cleveland Show’ to ‘Lucky’
Here’s a strange thought: David Lynch has been in front of the camera more often in the last 10 years than he’s been behind it. Though rarely thought of as an actor in the same manner as other on-camera directors, Lynch has appeared not only in several of his own projects — most recently the “Twin Peaks” revival, in which his Gordon Cole became one of the main characters — but an expectedly far-flung range of others as well. Though he only lends his voice to some of them, he imbues each role with his nonpareil essence.

Read More:Why ‘Lucky’ Should Earn the Late Harry Dean Stanton His First Oscar

Lynch made no feature-length films or TV series in the 11 long years between the release of “Inland Empire” and this new “Twin Peaks,” but he did grace us with his presence onscreen several times. Most prominently — and weirdly, and hilariously — that
See full article at Indiewire »

After Soderbergh: See the Top 10 Box Office Track Records of Classic Indie Filmmakers

  • Indiewire
After Soderbergh: See the Top 10 Box Office Track Records of Classic Indie Filmmakers
In a career that began with “sex lies and videotape” in 1989, “Logan Lucky” is Steven Soderbergh’s 26th theatrical release. It will extend his record as the top-grossing American director to come out of the independent scene in its formative years — a period we’ll define as 1975 (Joan Micklin Silver’s “Hester Street”) through 1992 (Quentin Tarantino’s debut, “Reservoir Dogs”).

To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s.
See full article at Indiewire »

How Sean Penn Saved Fast Times at Ridgemont High from Being a Disaster

  • MovieWeb
How Sean Penn Saved Fast Times at Ridgemont High from Being a Disaster
In addition to saving Brooke Shields from drowning, Jeff Spicoli also saved Fast Times at Ridgemont High. The cult classic high school movie is celebrating its 35th anniversary and writer Cameron Crowe and director Amy Heckerling have recently shared some little-known facts about the making the movie and one of them is that Sean Penn's Spicoli character saved the movie and lead to its success on home video. Another fact that was shared was that David Lynch was recommended to originally direct the comedy.

Heckerling and Crowe spoke to Variety about the making of the movie and some of the hardship that they faced. The studio didn't think that there was any money to be made from a movie about high school kids and thought that it was a complete waste of time. Fast Times at Ridgemont High initially only opened in just 200 theaters in the United States and
See full article at MovieWeb »

David Lynch Was Approached To Direct ‘Fast Times At Ridgemont High’

  • The Playlist
David Lynch Was Approached To Direct ‘Fast Times At Ridgemont High’
Early on in his career, it was more than evident that David Lynch had talent, but no one in the industry was quite sure what to do with him. George Lucas approached the director behind “Eraserhead” and “The Elephant Man” to helm “Star Wars: Episode VI – Return of the Jedi,” which Lynch turned down (he would scratch his blockbuster, sci-fi itch a year later with the infamous “Dune“).

Continue reading David Lynch Was Approached To Direct ‘Fast Times At Ridgemont High’ at The Playlist.
See full article at The Playlist »

‘Fast Times’ at 35: Cameron Crowe, Amy Heckerling on Courting David Lynch, Sean Penn’s Method Acting, Genital Equality

‘Fast Times’ at 35: Cameron Crowe, Amy Heckerling on Courting David Lynch, Sean Penn’s Method Acting, Genital Equality
The seminal teen flick “Fast Times at Ridgemont High” is celebrating its 35th anniversary on Sunday.

Not only did the coming-of-age tale set in Southern California launch the careers of director Amy Heckerling and writer Cameron Crowe, the comedy catapulted Sean Penn, Jennifer Jason Leigh, Phoebe Cates, and Judge Reinhold into stardom.

And in 2005, “Fast Times,” which was based on Crowe’s 1981 book chronicling his adventures going undercover at a San Diego high school, was selected for preservation in the Library of Congress’ National Film Registry as being “culturally, historically, or aesthetically significant.”

Ironically, “Fast Times” had to overcome many obstacles during production and almost failed to get released.

Among the early difficulties the production encountered was finding a director for the comedy, which also featured future best actor Oscar winners Forest Whitaker and Nicolas Cage — billed as Nicolas Coppola — as well as Eric Stoltz and Anthony Edwards.

Universal executive Thom Mount surprisingly recommended David Lynch, who
See full article at Variety - Film News »

Ellis & Hamner’s Red & Red 2 get 4K Ultra HD Treatment in Sept.

  • Comicmix
Program Description

Relive the action-packed adventures of retired and extremely dangerous special agents in the most amazing picture quality available today when both Red and Red 2 arrive separately on 4K Ultra HD Combo Pack (plus Blu-ray™ and Digital HD) on September 5 from Lionsgate. Red features an all-star cast including Bruce Willis, Morgan Freeman, John Malkovich, Helen Mirren and Mary-Louise Parker. In the film’s sequel, Red 2, Anthony Hopkins, Catherine Zeta-Jones and Byung Hun Lee join the franchise.

Both movies are available for the first time on 4K Ultra HD, which provides over four times the resolution of Full HD and includes High Dynamic Range (Hdr) to deliver the brightest, most vivid and realistic color with the greatest contrast. The 4K Ultra HD Blu-ray will also feature Dolby Vision™ high-dynamic range imaging and Dolby Atmos immersive audio. Dolby Vision transforms the TV experience in the home by delivering greater brightness and contrast,
See full article at Comicmix »

Rome Film Festival to give David Lynch lifetime achievement award

Rome Film Festival to give David Lynch lifetime achievement award
Steven Soderbergh’s Logan Lucky will have its European premiere in Rome.

The 2017 Rome Film Festival (Oct 26-Nov 5) will honour David Lynch with a lifetime achievement award.

The director of Mulholland Drive, Twin Peaks and The Elephant Man will also discuss his career onstage, as well as the three Italian directors that had the greatest influence on his career, including Federico Fellini.

The festival’s artistic director Antonio Monda said: “Mr. Lynch has prepared a great analysis of 8½”.

There will also be onstage masterclasses with Lord Of The Rings star Ian McKellen, who will discuss Jacques Tati; Cannes favourite Xavier Dolan (Mommy); Fight Club author Chuck Palahniuk, who will talk horror films, and actress Vanessa Redgrave.

Monda, in his third year as festival director, said of the line-up: “The formula will be the same… but as these five names demonstrate I would like to slide towards the more popular side of the festival audience”.

It’s also
See full article at ScreenDaily »

Watch The Thrilling Trailer For Marshall Starring Chadwick Boseman, Josh Gad And Kate Hudson

Witness the rise of the man who changed America. Chadwick Boseman (Black Panther) is Thurgood Marshall.

Also starring Josh Gad, Kate Hudson, Dan Stevens, Sterling K. Brown and James Cromwell, watch the exciting trailer now.

Such an dynamic trailer – with a fall season release date, expect to see awards buzz for such a powerful film. Acting, directing, writing, producing categories, including the technical categories for cinematography, costumes, hair and makeup, and production design, with score and song to round out the possible nominations.

Long before he sat on the United States Supreme Court or claimed victory in Brown v. Board of Education, Thurgood Marshall (Chadwick Boseman) was a young rabble-rousing attorney for the NAACP. The new motion picture, Marshall, is the true story of his greatest challenge in those early days – a fight he fought alongside attorney Sam Friedman (Josh Gad), a young lawyer with no experience in criminal law: the case of black chauffeur Joseph Spell (Sterling K. Brown), accused by his white employer, Eleanor Strubing (Kate Hudson), of sexual assault and attempted murder.

The film has a top notch production team.

Directed by Reginald Hudlin, Marshall is produced by Paula Wagner, Jonathan Sanger ( The Elephant Man, Vanilla Sky, Flight Of The Navigator), and Reginald Hudlin. It is written by Jake Koskoff and Michael Koskoff.

Hudlin co-produced the 88th Academy Awards ceremony in 2016 and was one of the producers of Quentin Tarantino’s Django Unchained, for which he received an Oscar nomination for Best Picture for the film.

Paula Wagner launched Cruise/Wagner Productions (C/W) with her former CAA client Tom Cruise. C/W went on to produce such critically acclaimed films as The Others, The Last Samurai, Vanilla Sky, Without Limits, Shattered Glass, Narc, Elizabethtown, and Ask the Dust, as well as Steven Spielberg’s War of the Worlds (which Wagner executive produced). C/W was responsible for the original Mission: Impossible film trilogy (Mission: Impossible 2 and Mission: Impossible III).

Open Road Films will release Marshall on October 13, 2017. Mark it on your calendar now.

Check out the film at it’s official site: http://www.marshallmovie.com/

The post Watch The Thrilling Trailer For Marshall Starring Chadwick Boseman, Josh Gad And Kate Hudson appeared first on We Are Movie Geeks.
See full article at WeAreMovieGeeks.com »

‘The Naked Civil Servant’ Blu-ray Review

Stars: John Hurt, Liz Gebhardt, Patricia Hodge, Stanley Lebor, Katherine Schofield, Colin Higgins, John Rhys-Davies, Stephen Johnstone, Antonia Pemberton | Written by Quentin Crisp, Philip Mackie | Directed by Jack Gold

When John Hurt died we lost a true legend of film, and an actor loved by both young and old. Some knew him for his role as Kane in Alien, John Merrick in The Elephant Man, and even Doctor Who. Perhaps his most daring role though was as Quentin Crisp, The Naked Civil Servant.

The Naked Civil Servant is the story of Quentin Crisp, a shamelessly (and famously) homosexual man who was never afraid to be himself, even at a time when it was illegal. Looking at his coming of age and growth into old age the film celebrates the life of a truly inspirational individual.

Quentin Crisp is anything but shy, you get to see this in The Naked Civil Servant
See full article at Blogomatic3000 »

The Best of Movie Poster of the Day: Part 17

  • MUBI
Above: Unused poster design for The Handmaiden (Park Chan-wook, S. Korea, 2017); designer: Empire Design.It’s been a while since I did one of these round-ups of the most popular posts on Movie Poster of the Day—since the beginning of the year, in fact—but in that time one poster has been liked and reblogged more than 2,800 times, making it the second most popular design I’ve ever posted on the blog. The comp design for Park Chan-wook’s The Handmaiden, which I featured as part of my interview with Empire Design’s John Calvert back in March, is a deserving fan favorite: an exquisite and beautifully realized concept that was shelved only in favor of something even more perfect.The rest of the Top 20 features the usual eclectic mix of old and new (there are six posters for new films in the list, and two new designs for
See full article at MUBI »

The Elephant Man

Mel Brooks saw Eraserhead and perceived what few others could at the time, that David Lynch was an empathetic artist who, while fully capable of provoking nightmares, was just as able to move an audience to tears. That’s exactly what happened with Brooks’ 1980 production of The Elephant Man, a Frankensteinian parable about an outwardly ugly creature with a beautiful soul. Acted to understated perfection by Anthony Hopkins and John Hurt, Lynch’s commercial debut is also one of the most lustrously beautiful black and white films ever photographed, courtesy of Freddie Francis.
See full article at Trailers from Hell »

Eraserhead

David Lynch’s visionary black comedy was shot in sunny California but the bleakly surreal black and white imagery, full of smoking chimneys and dilapidated walk-ups, suggests a nightmare factory town by way of Diane Arbus. The film has such a uniquely grungy beauty (courtesy of Frederick Elmes’ photography) and featured such eccentrically empathetic characters (in particular the woebegone hero played by Jack Nance) that the prescient Mel Brooks took a chance on the unknown Lynch and hired him to direct The Elephant Man. Commensurate with its “hand-made” origins, Eraserhead never had a proper theatrical release trailer, so we’re presenting the trailer for the dvd release.
See full article at Trailers from Hell »

The Unexpected, Groundbreaking, Cult Phenomenon of ‘Twin Peaks’

The Unexpected, Groundbreaking, Cult Phenomenon of ‘Twin Peaks’
What do you tell people to expect before watching Twin Peaks? It’s as complicated an answer as what to expect when you meet David Lynch. Just ask the man: “They expect, like, a person that's 5-foot-8. Who's very hairy. Who's had most of their teeth removed and who's just gotten out of the hospital,” the filmmaker said in 1990.

Et spoke with Lynch and the cast of Twin Peaks throughout the unexpected, groundbreaking series’ short-lived initial run from 1990 to 1991 on ABC. The TV phenomenon, which returns Sunday, May 21 for a third season on Showtime, showcased Lynch’s penchant for challenging our initial perceptions of everyday life and suggesting there’s always something more going on.

More: Kyle MacLachlan Returns as Agent Cooper in First Look at 'Twin Peaks' Revival -- Watch!

“Then sometimes they're surprised and a lot of times they're not, because we all know that the surface is one thing and there's 99 percent
See full article at Entertainment Tonight »

How 'Twin Peaks' Brought David Lynch's Warped American Vision to TV

How 'Twin Peaks' Brought David Lynch's Warped American Vision to TV
It's a question we've been asking since the late Seventies: What exactly is David Lynch, and where the fuck did he come from?

With the ballyhooed resurrection of Twin Peaks, his legendary 1990-1991 TV series, Lynch yet again has stepped onto the cultural stage in a big way, and earned his profile as America's bullgoose weirdo. Magazine profiles once again try – and fail – to ascertain who exactly he is and what he's doing. Worse, they try to normalize him, place him within established cultural traditions and treating him like a wise man from Planet Whatzit.
See full article at Rolling Stone »

David Lynch Is Done Directing Movies

  • MovieWeb
David Lynch Is Done Directing Movies
There are a lot of positives about the modern Hollywood landscape, but there are also some very brutal truths to it. Most studios are primarily interested in very bankable franchises or things that they know will provide them a huge return at the box office. That has made it hard for some filmmakers to get the type of movies they want to make going. This has led legendary director David Lynch to announce that he is officially done directing movies.

The writer/director recently spoke with The Sydney Morning Herlad and, since he hasn't directed a movie in a while, he was asked if he is ever planning on making one again. While he was reportedly uncertain at first, he definitively said "Yes, it is," when asked if Inland Empire was indeed his last movie. David Lynch did provide some reason for his unceremonious retirement from directing movies, though. Here's what he had to say.
See full article at MovieWeb »

David Lynch Likely Done With Filmmaking

  • LRM Online
The Sydney Morning Herald sat down with David Lynch recently for an interview and spoke about a number of topics. The most important revelation in the article was a brief comment from the famed director about his future in cinema. According to David Lynch, his movie, Inland Empire, will be his last.

"Things changed a lot," Lynch says. "So many films were not doing well at the box office even though they might have been great films and the things that were doing well at the box office weren't the things that I would want to do."

While sad news, it's not exactly a surprise based on the current movie landscape. Once upon a time, the creative roles were reversed. Television had the formulaic content meant to appeal to a very specific audience and films, like Mr. Lynch's Eraserhead, The Elephant Man, and Blue Velvet, were more experimental and offered
See full article at LRM Online »

The Mad Max effect: why cinema is having a monochrome moment

The new colour-free version of Mad Max: Fury Road is leading a renewed charge in black-and-white filmmaking

Take a look at the latest Mad Max movie and you will notice that it isn’t, in fact, a new Mad Max at all. That’s still Tom Hardy strapped to the front of a speeding jalopy, while shaven-headed kamikaze drivers zigzag around one another bellowing their war cries. And they’re still in hot pursuit of Charlize Theron, as she ploughs her juggernaut across the post-apocalyptic desert. But the fireballs and flame-throwing guitars look subtly different now; subdued, even classical. It’s the faces and the landscapes, both equally craggy, that have a surprising new texture and prominence in George Miller’s colourless version of Mad Max: Fury Road (subtitled “black and chrome edition”), which reaches cinemas this month, two years after the success of the eye-popping original. It had been
See full article at The Guardian - Film News »
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