Opening Night (1977)

Regisseur:

John Cassavetes

Drehbuchautor:

John Cassavetes (writer)

Premierendatum:

17. April 1978 (Sweden)

Genre:

Drama

Plot:

An actress suffers an emotional uproar in her personal life after a fan dies trying to see her.

Plot Keywords:

Hit By Car | Drunkenness | Theater | Actress | New York City

Filmpreise:

Nominated for 2 Golden Globes. Another 2 wins & 1 nomination

Nutzerkommentare:

Great Great Great - Opening Night is a movie for people who love movies!

Besetzung

Gena Rowlands	...	Myrtle Gordon
John Cassavetes	...	Maurice Aarons
Ben Gazzara	...	Manny Victor
Joan Blondell	...	Sarah Goode
Paul Stewart	...	David Samuels
Zohra Lampert	...	Dorothy Victor
Laura Johnson	...	Nancy Stein
John Tuell	...	Gus Simmons
Ray Powers	...	Jimmy
John Finnegan	...	Prop man
Louise Lewis	...	Kelly (as Louise Finch)
Fred Draper	...	Leo
Katherine Cassavetes	...	Vivian
Lady Rowlands	...	Melva Drake
Carol Warren	...	Carla

Länge:

144 Min

Produktionsland:

USA

Sprache:

Englisch

Farbe:

Farbe (Metrocolor)

Seitenverhältnis:

1.85 : 1

Tonverfahren:

Mono

Altersfreigabe:

Finland:K-16 | Sweden:15 | UK:15 | USA:PG-13

Firma:

Faces Distribution

Bezüge zu anderen Titeln:

Verweis/Anspielung/Erwähnung in Todo sobre mi madre (1999)

Great Great Great - Opening Night is a movie for people who love movies!

Opening Night is *such* a fun movie to watch. John Cassavetes was smack dab in the middle of his stride as a director, having completed A Woman Under The Influence (his watershed picture, a hugely intense, absolutely fantastic movie that manages to zone almost completely on nothing but individual human emotions - fear, love, self-doubt) and The Killing of a Chinese Bookie (an awesome awesome awesome movie with Ben Gazzara where he's working for and running from the mafia around Los Angeles, incredible, resonant, mostly handheld cinematography that places emphasis on human faces and a script that is full of realistic dialogue - probably because the film is heavily improvised) just before this. What it's all about is a middle-aged actress whose overriding insecurities as a human being are drawn to the surface by a single incident: the accidental death of an adoring, enigmatic fan. As she muddles her way through previews of her upcoming Broadway play 'Second Woman' (of which she is the star), her health -- mental and otherwise -- begins to deteriorate. She just can't get it together, and an unsympathetic (and when they feign sympathy and support, they're unbelievable) cast of supporters doesn't help matters. She drinks and drinks and drinks and falls down some and messes up a lot. Will she get it together in time for Opening Night?

Underneath this, John Cassavetes stages and films various scenes of the fictitious play in front of an actual audience, aware of the film cameras filming a movie or not. In that sense, these bits of the film are incredibly interesting. John Cassavetes and Gena Rowlands share unmatched chemistry on stage, being that they were one of the most in-love couples in the annals of film history, and it shows. Cassavetes reminds me you of his dynamite ability as a nuanced, fun-to-watch character actor, and Gena Rowlands reminds you of why she's believable as an adored, successful stage actress. These are somewhat arcane stage performances, but are delightful.

What is wrong with Opening Night? It's a movie for people who love movies, with long takes, memorable camera moves, first rate acting, high-concept ideas, a solid beginning middle and end, a great score, and a central theme that is very compelling. Some of Cassavetes' best work, a real brawny film, tall and beautiful, heavily recommended to people who are sick of cotton candy movies, sick of feature-length trailers, sick of all the crap. If you want a thick, expansive thing, Opening Night sits on the shelf, waiting.