Emma is a divorced woman with a teen aged boy who moves into a small town and tries to make a go of a horse ranch. Murphy is the town druggist who steers business her way. Things are going ... See full summary »
Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the ... See full summary »
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory. Written by
Kenneth Chisholm <email@example.com>
At one point in the film, a line of dialogue states, "We're gonna hit the back roads!". Sally Field would star in a movie called Back Roads (1981) a couple of years later. See more »
In the scene in Reuben's hotel room after Norma Rae has been hit, you see her take the ice pack away from her nose. The shot changes and she takes it away a second time. See more »
I know the first time you're in is bad. It comes with the job. I saw a pregnant women on a picket line get hit in the stomach with a club. I saw a boy of 16 shot in the back. I saw a guy blown to hell and back when he tried to start his car in the morning. You just got your feet wet on this one.
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The first time I saw this film was at an advance screening when I was a film student, and director Martin Ritt was there to speak and answer questions. I remember that he seemed like a very down-to-earth, nice guy. He patiently answered the students' questions and explained why the story attracted him. Maybe some of the affection I have for the film is because of that original positive experience, but I've probably seen it at least a dozen times and it hasn't worn thin.
Some people may find some of the characters and situations lacking in depth, but for me the movie is chiefly about Norma Rae's transformation as she becomes passionately devoted to unionizing the mill workers and, secondly, her interesting friendship with Reuben. It succeeds brilliantly on both counts, largely because of Sally Field's amazing performance. The scene where she stands on the table with the "union" sign is a classic, and it's Field's raw emotion that draws you in. Her fear and anger, and the power she feels when her coworkers show their support, are so apparent and so real that I'm always deeply moved.
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