Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
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Kevin J. O'Connor
An alien is on the run in America. To get his kicks, it kills anything that gets in its way, and uses the body as a new hiding place. This alien has a goal in life; power. Hotly pursued by ... See full summary »
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In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a ... See full summary »
In this first sequel of "Night of the Living Dead," four people take up residence in a deserted mall while trying to stay alive amid the armies of the dead and a vicious gang of militant bikers. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
In 1968, George Romero brought us "Night of the Living Dead." It became the classic horror film of its time. Now, George Romero brings us the most intensely shocking motion picture experience for all time. See more »
When Roger and Peter are entering Penny's department store as they are opening the doors, Roger lays his M-16 outside against the wall. As they fend off the dead Roger clearly throws his M-16 inside and it lands on the floor behind them, yet in later shots it still shows his rifle laying against the wall outside. See more »
Roger, get your head together, we got a lot of work to do.
You all right?
Perfect, baby. Perfect.
See more »
George A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him. See more »
Thoughtful if unsubtle epic follow-up to Night of the Living Dead was one of THE influential movies of the late 70's; pity, then, that the people it influenced paid more attention to the amped-up gore than to the sense of contained hysteria that makes what should be tough going (there are basically three scenes in this movie: zombies attack people, people attack zombies, people stand around talking) a uniquely involving and provocative self-analysis of the zombie film.
The symbolism is, well, not delicate. Just in case we missed it the first time, the trope that the mall attracts the zombies "because it was an important place to them" is repeated for our rumination. But the overall sustained atmosphere, inside and outside of the banal environment of the shopping mall, is by far the film's salient contribution; even when there is no obvious action onscreen, there is the threat of an attack to come, and the clock is clearly ticking on the four protagonists during their idyll. Moreover, it takes the conspicuously familiar and catapults it into an apocalyptic situation, creating a powerful sense of displacement.
The violence, which is primarily what draws people to or repels them from this movie, comes on strong, but quickly becomes monotonous (as it is, the vast majority of the violence in the movie is inflicted against the zombies rather than by them, though is none the less repulsive for that); the scariest part of the movie is how plausible it makes the concept of total disintegration of what we perceive as civilization. The soundtrack, highlighting pulsing, insistent synthesizer chords, contributes much to the onscreen tension, which the action choreography is exemplary. An unlikely masterpiece.
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