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Dawn of the Dead (1978)

 -  Action | Horror  -  24 May 1979 (USA)
8.0
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Ratings: 8.0/10 from 76,841 users  
Reviews: 654 user | 196 critic

Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.

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Cast

Cast overview, first billed only:
David Emge ...
...
...
Gaylen Ross ...
David Crawford ...
Dr. Foster
David Early ...
Mr. Berman
Richard France ...
Scientist
Howard Smith ...
TV Commentator
Daniel Dietrich ...
Fred Baker ...
Commander
James A. Baffico ...
Wooley (as Jim Baffico)
Rod Stouffer ...
Young Officer on Roof
Jese Del Gre ...
Old Priest
Clayton McKinnon ...
Officer in Project Apt.
John Rice ...
Officer in Project Apt.
Edit

Storyline

Following the events of Night of the Living Dead (1968), we follow the exploits of four survivors of the expanding zombie apocalypse as they take refuge in an abandoned shopping mall following a horrific SWAT evacuation of an apartment complex. Taking stock of their surroundings, they arm themselves, lock down the mall, and destroy the zombies inside so they can eke out a living--at least for a while. Tensions begin to build as months go on, and they come to realize that they've fallen prey to consumerism. Soon afterward, they have even heavier problems to worry about, as a large gang of bikers discovers the mall and invades it, ruining the survivors' best-laid plans and forcing them to fight off both lethal bandits and flesh-eating zombies. Written by Curly Q. Link

Plot Summary | Plot Synopsis

Taglines:

George A. Romero's classic 1978 gore-fest, Dawn of the Dead, is back. See more »

Genres:

Action | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

24 May 1979 (USA)  »

Also Known As:

George A. Romero's Dawn of the Dead  »

Box Office

Budget:

$650,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ultimate Final Cut) | (Dario Argento's European Version) | (DVD) | (Extended Version)

Sound Mix:

(German prints)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Sixteen Singers/Musicians appear in the movie. John Paul, the former saxophonist of the local cover rock band Changes and space-themed rock band FLUID appears as the bald plaid-shirted zombie in the airport chart house (who also appears on the film's posters, video, DVD, and soundtrack album covers, and some of Day of the Dead (1985)'s releases), John Harrison (former bassist of the rock band Homebrew and who also was known for playing bass for the late legendary Blues/Rock Singer-Guitarist Roy Buchanan) appears as a janitor zombie in a jumpsuit who later gets a screwdriver stabbed in his left ear, Blues/Rock/Jazz Singer-Musician Donald Rubinstein (who composed the music for George A. Romero's Martin (1976) and Knightriders (1981) soundtracks) appears as a bloody faced zombie (wearing a denim shirt and green shirt under it) who attacks Roger in the mall parking lot scene, Folk Singer-Musician/Songwriter Vincent Vok appears as a TV Station Employee (wearing a white collared shirt and black necktie) at WGON-TV Studio, Mike Christopher, the former keyboardist of the space-themed rock band UFO, Changes and FLUID appears a Hare Krishna zombie, Michael James, the former and late bassist of both Changes and FLUID appears as a bald red-sweatered zombie in our four heroes' Monroeville Mall battle scene during the scene where Roger's arm and leg are wounded (but his bald zombie character can be seen twice only for a brief moment in a crowd), Tommy Lafitte appears as Miguel the Afro zombie in the projects apartment who comes out of a room and ends up biting his surviving wife Miguellita's neck and arm, the late Clayton Hill appears as a white sweater vested zombie who goes up and down the mall escalator, Sharon Ceccatti appears as a Nurse zombie, Jeannie Jefferies appears as a Blonde Glamour Model zombie who attacks Roger in his truck and later gets half of her face blown off, Maxine Lapiduss appears as a Redheaded zombie clawing at the JC Penny Door, Nancy Friedman appears as a Bandana Girl zombie with one arm, Joseph Pilato appears as the Head Cop (wearing black knit cap) at the police boat dock, Randy Kovitz appears as the cop who asks our four heroes for cigarettes at the police dock and then as a bearded biker wearing a blue beret and sunglasses, Mark 'Whitey' Cooper (who was known for being the lead singer of the local R&B band Whitey & The Blind Venetians) appears as a long blonde haired, bearded white collared shirted zombie who gets shot in the bikers' battle scene, and Greg Besnak, former lead singer of the goth rock band Without Tears appears as a long brown haired and Fu Manchu mustachioed zombie hit by Sledge the biker in the side of his head with a sledgehammer, and he turns, full-face, into the camera. Later, when Sledge gets eaten, he has another close-up, descending upon him. But it appeared on the Director's Cut only. It was edited out in the US release. See more »

Goofs

When Peter and Roger are blocking the doors with the trucks, in the shot where one sees a little hill, there's a woman running to get out of the shot. See more »

Quotes

Francine Parker: Stephen, I'm afraid. You're hypnotized by this place. All of you! You don't see that it's not a sanctuary, it's a prison! Let's just take what we need and get out of here!
Stephen: Do you have any idea how many times we would have to land to refuel on our way up north to Canada? Those things are everywhere! The authorities would give us just as hard a time, maybe worse. Fran, we have everything we need right here. Besides, you always wanted to play house, remember?
See more »

Crazy Credits

The zombies overrun the mall throughout the course of the end credits. See more »

Connections

Referenced in A Princess for Christmas (2011) See more »

Soundtracks

Ai Margini Della Follia
(uncredited)
Composed by Dario Argento, Claudio Simonetti, Massimo Morante, Fabio Pignatelli,
Antonio Marangolo, and Agostino Marangolo
Performed by Goblin
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A brilliant, scary, social commentary ****/****
26 September 2001 | by (A Shopping Mall) – See all my reviews

Dawn of the Dead- ****/****

George A. Romero's masterful classic is least of anything a film about zombies. "Dawn of the Dead" is thinly disguised as a zombie gore flick, but it is really three things. 1. A cultural statement portraying racism, angst, counter-culture and degradation. 2. An account of human bonding and human reaction to different environments, harsh and eclectic. 3. Least of this trio, it is a black comedy. Rather, it contains dark comedic elements.

Somewhere early along in the film, I looked past the initial plot of four strangers hiding in a mall from hordes of zombies swarming the world, as the government attempts to find a solution to the chaotic massacres. Peter Washington (Ken Foree) is the strong, black, courageous SWAT team member who rises above the other three protagonists to become their leader. Steven Andrews (David Emge) is the somewhat timid and hesitant traffic reporter, lover of the pregnant Francine (Gaylen Ross). Ostensibly hapless and useless, Francine is actually a valuable aide to the quartet. Last, is the resourceful and daring Roger (Scott H. Reiniger).

From where I left off, I overlooked the premise of the quartet defending themselves from hordes of flesh-eating monsters and instead saw thoroughly fleshed out character personalities, bonds, and interactions. Throughout the movie's length, we learn to genuinely love these guys; Roger is so smooth and fun, easily likeable, Peter is quiet, warm-spirited, and reliable, Steven and Francine are charming. We knows them like our friends and heroes, so when they are attacked by the ferocious zombies, the suspense is so nerve-wracking and our hearts beat so rapidly because we really care about the four protagonists and could not bear to watch them die. They started off as strangers and parted as companions. Also, it is very interesting to watch how they monopolized the mall, how, in the beginning, they slept on cold hallway floors, constantly keeping watch. Later, they eliminated the threat, dined in the mall's fancy restaurant, ice skated on the mall's link, visited the gun shop for weapons, slept in rooms with beds, dressers, televisions, and other luxuries. This is an accurate representation of how it is human nature to manipulate and survive through alien atmospheres. I found that vision ingenious.

Another brilliant message the film brings attention to regards the 1970-decade. I found that like "Pulp Fiction," "Dawn of the Dead" captures the spirit of its era. The racism, tumult, riots, counter-culture, degradation are all well represented here. The film shows SWAT teams, complete with racist officers, who kill for fun, raiding an unruly group of Hispanics and Blacks, hillbillies heading out in troops to battle zombies for sport, mercenaries and vigilantes running wild, all events indistinguishable from incidents in the 70's. Perhaps the most disturbing and ironic "70's incident" in the movie involves raiding gangs of bikers who explode into the mall, mirthfully slaughtering zombies (not that that is an offense) and vandalizing stores, stealing jewelry, guns, clothes, and everything they can find; whereas our heroes took only their necessities. What happens next is very scathingly satirical and ironic. In between the battle for the survival of the human species, the bikers find it necessary to start their own little civil war amongst the not-so-numerous survivors. They hunt down both zombies and our good guys; a perfectly timed paradoxical and cynical scene. Just like the battles between non-conformists and conventionalists during the 1970's and 1960's, when America was on the brink of disaster, this cinematic revolution is hard-hitting, gut wrenching, and very real. One fascinating facet of the movie is how the audience learns to disregard the now "minor" threat of the slow-moving zombies (a bullet or incision to the head will do the job). At this point, one would not even notice that this film had the slightest relevance to the horror genre. Instead, we fear the vicious bikers, a bigger threat, villains with swords and guns. This time, the suspense and uneasiness detonates, for there is a much greater chance of death for the heroes. I found the scariest part of the movie was the deterioration of the planet during the zombie apocalypse; how the human species' decline is morbidly presented effectively and expertly by George A. Romano.

However, a refreshing sense of black humor is tossed in towards the middle of the film. Zombies attempt to walk up escalators, ice skate, and explore their surroundings, with chuckles as the result of their clumsiness. One biting laugh comes when Steven explains to Francine why all these creatures have returned to the mall. "Instinct, memory. This was an important place in their lives," he points out.

And of course, there are many, many thrills and chills. This film isn't very "jump-out-from-the dark-with-a-chainsaw" scary, but more disturbing and extremely tense, because we actually care about our characters and don't want them to die. The movie is unpredictable in this aspect, unlike slashers where you are guessing who the one survivor is and how the others die. As the zombies close in, we plead, "Don't die, don't die!"

I have two minor complaints with this film. My biggest one is that the movie seems to carry on forever, the way "Goodfellas" did. Despite the brilliance I felt enraptured with, I kept asking myself, "When will this movie end?!?" However, I realize that Romano could not have trimmed any more scenes without damaging the potency of his work. Also, the gore was at times just too much. For instance, the exploding head scene was revolting, and most of all, the intestinal feeding scene when a biker is torn apart was repulsive; I couldn't watch as his guts were graphically shown ripping apart.

Aside from those two unfortunate aspects, I strongly encourage you, rather you HAVE to, watch "Dawn of the Dead." Thrilling and suspenseful thanks to extremely distinct characters, whose fate you hope a happy one, and grippingly socially relevant, this is a unique horror, or really of all genres, treasure.


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