| Fotos (Alle 1 | Diashow) |
| Véronique Béliveau | ... | Neva | |
| John Boylan | |||
| John Colicos | ... | Allan Quatermain | |
| Ian De Voy | ... | Club member | |
| Yvon Dufour | ... | Alphonse | |
| Britt Ekland | ... | Queen Nyleptha | |
| Ken Gampu | ... | Umslopogaas | |
| Wilfrid Hyde-White | ... | Oldest Club Member | |
| Patrick Macnee | ... | Captain Good R.N. | |
| David McCallum | ... | Sir Henry Curtis | |
| John Quentin | ... | Stetopatris | |
| Hugh Rouse | ... | Reverend MacKenzie | |
| Sam Williams | ... | High Priest |
Regie | |||
| Alvin Rakoff | |||
Buch(In alphabetischer Reihenfolge) | ||
| H. Rider Haggard | book "Allan Quartermain" | |
| Allan Prior | writer | |
| Colin Turner | writer | |
Produktion | |||
| Susan A. Lewis | .... | producer | |
| Alvin Rakoff | .... | producer | |
| Harry Alan Towers | .... | executive producer | |
Originalmusik | |||
| Lew Lehman | |||
Kamera | |||
| Paul Van der Linden | |||
Schnitt | |||
| Stan Cole | |||
Szenenbild | |||
| James Weatherup | |||
Bauten/Dekorationsbau (art directors) | |||
| Vianney Gauthier | |||
| James Weatherup | (as James Wetherup) | ||
Maske/Frisuren | |||
| Pierre David | .... | hair stylist | |
| Marie-Angèle Protat | .... | makeup artist | |
Produktionsleiter (production managers) | |||
| Mychèle Boudrias | .... | production manager | |
| John Comfort | .... | production manager | |
Regieassistenten | |||
| Mireille Goulet | .... | assistant director | |
| Jake Wright | .... | assistant director | |
Ausstattung (Stab) | |||
| Michael L. Games | .... | property master | |
Ton Stab | |||
| Ellen Adams | .... | sound editor | |
| David Appleby | .... | sound re-recording mixer | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Patrick Drummond | .... | sound editor | |
| Robert Grieve | .... | sound editor | |
| Kenneth Heeley-Ray | .... | supervising sound editor | |
| Gary Oppenheimer | .... | sound editor | |
| Jean Rieul | .... | sound | |
| Jean Rival | .... | sound re-recording mixer | |
Kamera und Elektrik (Stab) | |||
| Yves Drapeau | .... | camera operator | |
| Howard Galbraith | .... | gaffer (as Howie Galbraith) | |
| Serge Grenier | .... | key grip | |
| Alan C. Smith | .... | camera operator | |
Schnitt (Stab) | |||
| Ian McBride | .... | assistant editor | |
| Michael O'Farrell | .... | assistant editor | |
Restlicher Stab | |||
| Kenneth Heeley-Ray | .... | supervising script editor (as Ken Heeley-Ray) | |
| Debi Nethersole | .... | production secretary | |
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| King Kong | Rabbit-Proof Fence | Uncivilised | King Solomon's Mines | Jungle Jim |
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| Besetzung und Stab | Beteiligte Firmen | IMDb Abenteuer section |
| IMDb Canada section | Add this title to MyMovies |
This movie deserved a working over on Mystery Science Theater. Even though it has nothing whatever to do with King Solomon it's worth a watch because it is an unintentional laugh-riot. Really! It's worse than "Destroy All Monsters." Be sure to check out the following: the cheesy medallion (looks like the Shriners have been here), the obviously polyester Norfolk jacket on "Allan Quatermain," David MaCallum's badly done stutter (which does draw attention away from his even worse acting), the incredibly bad process work on all the "monsters," the monsters themselves - the hand puppet which menaces the little girl, the giant snake that menaces Macallum while he sinks in oatmeal, the red-lighted eyes on the motorized crabs, the amazingly hilarious boat (oh, brother!!) which appears to be made of plywood mounted on an old sand dredge and looks like a leftover from a Jr.Sr. prom ("Voyage into the Future with the class of '71"), the Phoenician city - where they wear Roman Imperial armor but which inexplicably has Egyptian hieroglyphic inscriptions -(the Phoenicians invented the alphabet-come on!),and worst of all, Macallum and Ekland (with her fright wig) playing smoochy-face -oh the horror! The best parts are that the intrepid explorers manage to lose the comic Frenchman ,and the African guy -Snuffleupagus or whatever - evidently chose to die heroically rather than be in any more scenes.