In Gambia, West Africa, Kunta Kinte, son of Omoro and Binta, distinguishes himself in manhood training rituals. But he does not enjoy his new status long: slave traders sweeping the countryside seize...
Despite a violent rebellion, the slave ship Lord Ligonier completes its voyage and Kunta Kinte endures the indiginity of an Annapolis slave auction. Fiddler, the slave in charge of Kunta's training, ...
Kunta Kinte's only child, Kizzy, is on the Moore's ranch, older, and with an 18-year old son, George. He is the opposite of Kunta, as Kizzy says, "a slave through and through" and his father's (The ...
A saga of African-American life, based on Alex Haley's family history. Kunta Kinte is abducted from his African village, sold into slavery, and taken to America. He makes several escape attempts until he is finally caught and maimed. He marries Bell, his plantation's cook, and they have a daughter, Kizzy, who is eventually sold away from them. Kizzy has a son by her new master, and the boy grows up to become Chicken George. He's a legendary cock fighter who leads his family into freedom. Throughout the series, the family observes notable events in U.S. history, such as the Revolutionary and Civil Wars, slave uprisings, and emancipation. Written by
Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>
The miniseries takes place from 1750 to 1870. See more »
Kizzy, a slave who works in the fields, has long, beautifully manicured fingernails. See more »
What's snow, Fiddler?
Never you mind, boy, never you mind. Let's get on back to home. I got enough trouble teaching you the difference between manure and massa. 'Course there ain't all that much difference when you gets right down to it.
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I was born in 1980, and had heard of Roots from reading about LeVar Burton being the only real "name" to join Star Trek: The Next Generation. I came across the boxset at my local library and was able to find out what this "Roots" thing was all about. Having the series on DVD was definitely a boon as (despite being in NTSC) it has a crisp and clear appearance, usually stuff on TV from the 70's or 80's has a characteristic fuzziness.
Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.
By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.
29 of 41 people found this review helpful.
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