Ansikte mot ansikte (1976)

Regisseur:

Ingmar Bergman

Drehbuchautor:

Ingmar Bergman (writer)

Premierendatum:

5. April 1976 (USA)

Genre:

Drama | Fantasy | Horror

Werbezeile:

A woman's most intimate encounter with the one person she didn't know. Herself.

Plot:

A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny...

Plot Keywords:

Mental Breakdown | Psychiatrist | Affair | Depression | Hospital

Filmpreise:

Nominated for 2 Oscars. Another 5 wins & 2 nominations

Nutzerkommentare:

The power of the face.

Besetzung

Liv Ullmann	...	Dr. Jenny Isaksson
Erland Josephson	...	Dr. Tomas Jacobi
Aino Taube	...	The Grandmother
Gunnar Björnstrand	...	The Grandfather
Kristina Adolphson	...	Nurse Veronica
Marianne Aminoff	...	Jenny's mother
Gösta Ekman	...	Mikael Strömberg
Helene Friberg	...	Anna
Ulf Johansson	...	Helmuth Wankel
Sven Lindberg	...	Jenny's husband
Jan-Eric Lindquist		(as Jan-Erik Lindqvist)
Birger Malmsten	...	Rapist
Sif Ruud	...	Elisabeth Wankel
Göran Stangertz	...	Rapist
übrige Besetzung in alphabetischer Reihenfolge:
Lena Olin	...	Shop assistant
Rebecca Pawlo	...	Shop assistant
Gösta Prüzelius	...	Jenny's father
Tore Segelcke	...	The woman
Kari Sylwan	...	Maria

Alternativ:

Face to Face (USA)
Von Angesicht zu Angesicht (Bundesrepublik Deutschland) [de]

Länge:

114 Min | Argentina:120 Min | UK:136 Min

Produktionsland:

Sweden

Sprache:

Schwedische

Farbe:

Farbe (Eastmancolor)

Tonverfahren:

Mono

Altersfreigabe:

Argentina:16 | USA:R | UK:X

Drehorte:

Filmhusateljéerna, Filmhuset, Svenska Filminstitutet, Gärdet, Stockholm, Stockholms län, Sweden

Firma:

Cinematograph AB

Dies und das:

Originally a four-episode TV series: 1. Separation; 2. The Border; 3. Twilight Land; 4. The Return. A total of 200 minutes cut down to 135 minutes.

Bezüge zu anderen Titeln:

Verweis/Anspielung/Erwähnung in Annie Hall (1977)

The power of the face.

This movie is nothing short of of a masterpiece of dramatic power and psychological insight. If the mark of a great work of art is that it takes a lot out of you while at the same time giving you a lot, then "Face to Face" is a great film by one of the cinema's (and the theatre's) greatest directors.

During the 136-minute film we are confronted with the spectacle of an intelligent woman's soul being laid bare. It is the soul of Jenny Isakson (Liv Ullmann), a Stockholm psychiatrist, as she finds her confidently professional self-assured hold on the world slipping perilously into disarray. Liv Ullmann is of course no stranger to this type of intense Bergman role, from the mute actress of "Persona" to the defeated wife in the 1974 "Scenes form a Marriage" and in films like "Shame," "The Passion of Anna," and "Cries and Whispers." What a marvel!

For virtually the entire length of this harrowing piece, the actress is on screen, and she is such a mistress of her craft, one feels like reaching up to the screen to embrace and perhaps congratulate her. It is that kind of moving performance. The much-praised scene in which she tells Erland Josephson about an attempted rape she experienced has the intensity of an operatic aria as she shifts moods: bemused laughter, pleading sobs, hysterical abandon. It is hard to see the junctures between each emotion. They meld into an overwhelming emotional experience. This and the other collaborative efforts of Bergman and Ullman have very few parallels in the history of cinema. Some of them might be: Roberto Rossellini and Ingrid Bergman, Josef von Sternberg and Marlene Dietrich, G.W. Pabst and Louise Brooks, Federico Fellini and Giulietta Masina.