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Murder on the Orient Express (1974)

In December 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

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Won 1 Oscar. Another 8 wins & 16 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Pierre (as Jean Pierre Cassel)
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Storyline

Famous detective Hercule Poirot is on the Orient Express, but the train is caught in the snow. When one of the passengers is discovered murdered, Poirot immediately starts investigating. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

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The Who's Who in the Whodunnit! See more »

Genres:

Crime | Drama | Mystery

Certificate:

PG | See all certifications »

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Details

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Release Date:

24 November 1974 (USA)  »

Also Known As:

Mord im Orient-Express  »

Filming Locations:

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Box Office

Budget:

£1,500,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

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Color:

(Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Agatha Christie stayed at Room 411 at the Pera Palace Hotel in Istanbul, where she allegedly wrote Murder on the Orient Express. See more »

Goofs

When Col. Arbuthnot is explaining his "relationship" with Miss Debenham, he refers to his wife as his "Memsahib." Except that he pronounces it the way it's spelled: "mehm-SAH-eeb". A real officer in the Indian Army would pronounce that word as "MEHM-sob." See more »

Quotes

[first lines]
Ferry conductor: Your ticket, please.
Mary Debenham: Oh, yes.
Ferry conductor: Welcome aboard, Miss Debenham.
Mary Debenham: Thank you.
See more »

Connections

Referenced in Inside No. 9: La Couchette (2015) See more »

Soundtracks

On the Good Ship Lollipop
(uncredited)
Music by Richard A. Whiting
Played by the band at the restaurant
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Cast To Die For
14 September 2007 | by (Italy) – See all my reviews

That Sidney Lumet knows how to frame an actor within his or her character is a very well known fact - "The Pawnbroker" "Network" "Dog Day Afternoon" and some other spectacular pieces of acting prove that point unquestionably. Here, there is a sort of "divertissment". Agatha Christie given a first class treatment (not that Margaret Rutherford as Miss Marple wasn't first class, but the production value here is as impressive as the cast) in the hands of Sidney Lumet who knew how to put a bunch of sensational actors in a confined space - "12 Angry Men" for instance and make it riveting. There a 12 Angry people here too and (almost) each part is cast with relish and delight. Albert Finney, marvelous, manages, not only to survive, under the weight of his characterization but to create something bold, exquisitely structured, great fun to watch and to hear. Ingrid Bergman won her third Oscar for her missionary looking after little brown babies - I thought she was a highlight indeed but in my modest opinion, Valentina Cortese for "Day For Night" deserved it that year, Anthony Perkins plays Norman Bates's twin brother, also with a mother fixation and a compelling facial tic. Wendy Hiller was, clearly, having a ball and that, on the screen, is always contagious. Sean Connery and Vanessa Redgrave make a surprisingly hot pair, Lauren Bacall over does it of course but who cares, Jacqueline Bisset is breathtaking, Rachel Roberts a hoot. John Gielgud is John Gielgud and that in itself is a major plus. Colin Blakely does wonders with his moment and Dennis Quilley plays his Italian as if this was a silent movie. Martin Balsam is always fun to watch, no matter the accent. Richard Widmark is splendid in his villainy and Jean Pierre Cassel very moving indeed. The only weak spot in the cast is Michael York. Totally unbelievable. I suspect that "Murder in The Orient Express" 33 years old already, will continue delighting audiences for years to come.


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