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Murder on the Orient Express (1974)

In December 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

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Cast

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Pierre (as Jean Pierre Cassel)
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Storyline

Famous detective Hercule Poirot is on the Orient Express, but the train is caught in the snow. When one of the passengers is discovered murdered, Poirot immediately starts investigating. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

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The Who's Who in the Whodunnit! See more »

Genres:

Crime | Drama | Mystery

Certificate:

PG | See all certifications »

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Details

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Release Date:

24 November 1974 (USA)  »

Also Known As:

Mord im Orient-Express  »

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Box Office

Budget:

£1,500,000 (estimated)
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Company Credits

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Technical Specs

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Color:

(Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The poem that the Princess's maid reads aloud is "Kennst Du das Land" by the German poet Johann Wolfgang von Goethe. The poem contains a line that translates as "What have they done, oh wretched child, to thee?" a reference to the murder of Daisy Armstrong. See more »

Goofs

The British officer who escorts Poirot on the ferry thanks him for saving the honor of the British garrison in Jordan. The Kingdom of Jordan did not exist until 1946. In 1935 it was the Emirate of Transjordan. See more »

Quotes

[first lines]
Ferry conductor: Your ticket, please.
Mary Debenham: Oh, yes.
Ferry conductor: Welcome aboard, Miss Debenham.
Mary Debenham: Thank you.
See more »

Connections

Referenced in David Suchet on the Orient Express (2010) See more »

Soundtracks

The Knife
(uncredited)
Composed by Richard Rodney Bennett
Performed by Royal Opera House Orchestra, Covent Garden conducted by Marcus Dods
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
When Agatha Christie Finally Came Into Her Own Cinematically
1 January 2006 | by (United States) – See all my reviews

Agatha Christie lived long enough to enjoy something few of her contemporaries could claim.

Movies based on Christie's novels and stories were being made back to the 1930s. One early one with Charles Laughton as Hercule Poiret so turned her off that she was hesitant about future productions of her work. But they were made - like the two versions of LOVE FROM A STRANGER. There were two high points: Rene Clair's AND THEN THERE WERE NONE and Billy Wilder's WITNESS FOR THE PROSECUTION (oddly enough with Laughton again, but in a better fitting performance). Then came the popular series of Miss Marple films with Margaret Rutherford, which were rewritten to emphasize Rutherford's comic abilities (and to give Miss Marple a companion - Mr. Stringer, played by Rutherford's husband Stringer Davis). Another attempt at Poirot was made, again as a comic film, THE A.B.C.MURDERS (with Tony Randall as Poirot). Christie was not amused. But in 1974 she saw her vision of Hercule Poirot as a character put properly on screen by Albert Finney in MURDER ON THE ORIENT EXPRESS.

It gave her a satisfaction that few mystery novelists of her age ever had. Dorothy Sayers did live to see Lord Peter Wimsey played by Robert Montgomery in BUSMAN'S HONEYMOON, but while entertaining it was not the Wimsey that she created - she died before she could see Ian Carmichael play the role on a series of television multi-episodes shows based on her novels. While Josephine Tey's novels occasionally were made into films, her Inspector Grant was not turned into a good running series character.

I think that the reason that Agatha Christie was satisfied was the care that Sidney Lumet took with MURDER ON THE ORIENT EXPRESS. Not only the all star cast involved, but keeping the story in the late 1920s to early 1930s style, with clothing, vehicles, and class snobbery maintained. It actually helped preserve the novel's effectiveness.

The casting is quite good. Poirot is ably played by Finney, who is fussy but also serious and sharp when going over the clues and interrogations. Martin Balsam as his friend, the railroad official, is properly "watsonish", constantly jumping at conclusions as to who the killer is. Interestingly forgotten in the background is the only other passenger we learn of that is not under suspicion, the Greek doctor who assists Poirot (George Coulouris). In the 1940s Coulouris would have been a red herring at least.

The suspects (led by Lauren Bacall and Wendy Hiller) are properly snobbish (especially Sean Connery). They are even snobbish towards each other. But the question of who killed the victim is handled to constantly throw off the viewers. It is one of the most perfectly balanced whodunits.

I only have one minor criticism. The murder centers on a "Lindbergh" kidnap-murder tragedy of the past, and the killer has to be someone after the real brains behind the tragedy. So all the suspects happen to be connected to the victim(s). But as it turns out there was one victim who was overlooked - the patsy killer (based on Hauptmann?) who was frightened into committing the crime and was hanged. It would have been interesting if the family of this criminal also had been represented among the suspects.


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