The Godfather: Part II (1974)

Regisseur:

Francis Ford Coppola

Drehbuchautoren:

Mario Puzo (novel)
Francis Ford Coppola (screenplay) ...

Premierendatum:

20. Dezember 1974 (USA)

Genre:

Drama | Thriller

Plot:

The early life & career of Vito Corleone in 1920's New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-Revolution 1958 Cuba.

Plot Keywords:

Jewish Mafia | Table | Gambling Syndicate | Pretty Girl | Political Corruption

Filmpreise:

Won 6 Oscars. Another 7 wins & 15 nominations

Nutzerkommentare:

One of the Best Sequels Ever

Besetzung

Al Pacino	...	Don Michael Corleone
Robert Duvall	...	Tom Hagen
Diane Keaton	...	Kay Corleone
Robert De Niro	...	Vito Corleone
John Cazale	...	Fredo Corleone
Talia Shire	...	Connie Corleone
Lee Strasberg	...	Hyman Roth
Michael V. Gazzo	...	Frankie Pentangeli
G.D. Spradlin	...	Senator Pat Geary
Richard Bright	...	Al Neri
Gastone Moschin	...	Don Fanucci (as Gaston Moschin)
Tom Rosqui	...	Rocco Lampone
Bruno Kirby	...	Young Peter Clemenza (as B. Kirby Jr.)
Frank Sivero	...	Genco Abbandando
Francesca De Sapio	...	Young Mama Corleone (as Francesca de Sapio)

Alternativ:

Mario Puzo's The Godfather: Part II (USA) (complete title)
Son of Godfather (USA) (working title)
The Second Godfather (USA) (working title)
Pate 2, Der (Österreich) (Bundesrepublik Deutschland) [de]

Länge:

200 Min

Produktionsland:

USA

Sprache:

Englisch | Italienisch | Spanisch | Latin

Farbe:

Farbe (Technicolor)

Seitenverhältnis:

1.85 : 1

Tonverfahren:

Mono

Altersfreigabe:

Canada:PG (Manitoba) | Philippines:R-18 | Canada:AA (Ontario) | New Zealand:PG | UK:15 (re-rating) (2008) | Brazil:14 | Portugal:M/16 | Canada:14A | Iceland:16 | Argentina:18 | Australia:M | Canada:13+ (Quebec) | Chile:18 | Denmark:15 | Finland:K-16 (re-rating) | Finland:K-18 (original rating) | France:-12 | Hong Kong:IIB | Ireland:18 | Israel:PG | Japan:R-15 | Netherlands:12 | Norway:18 | Peru:18 | Singapore:PG | South Korea:18 | Spain:18 | Sweden:15 | UK:18 (video rating) (1987) | UK:X (original rating) | USA:R | West Germany:16 | Poland:15

Drehorte:

6th Street, Manhattan, New York City, New York, USA

Firma:

Paramount Pictures

Dies und das:

Michael's unnamed bodyguard is listed simply as "Michael's bodyguard" in the closing credits. But in the shooting script he is named "Bussetta".

Pannen:

Abfolgefehler: After Vito shoots Fanucci, the towel that is wrapped around the gun catches fire. The next scene shows Vito discarding a smaller towel with no burn marks on it.

Dialogzitate:

[first lines]
Title Card: The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
Woman: [subtitled from Italian] They've killed the boy! They've killed young Paolo! They've killed your son Paolo!

Bezüge zu anderen Titeln:

Wird parodiert in The Trouble with Money (2006)

Soundtrack:

Mr. Wonderful

One of the Best Sequels Ever

You can count on one hand the movie sequels that measure up to the original; GODFATHER II makes the cut. This movie is just as fine as GODFATHER I. Here the director goes back and forth between the early days of the young Vito Corleone, played by Robert De Niro, and the family after the action in GODFATHER I in the 1950's just before Castro came to power. Michael Corleone (Al Pacino) has moved the family and most of his business to Nevada. Once again the acting is flawless. Diane Keaton as Michael's wife who quickly becomes disillusioned with her life with him and the lies he continues to tell her, assuring her that he is going legitimate soon; Robert Duvall as Michael's adopted brother and adviser; and Lee Strasberg as Hyman Roth all give outstanding performances; but the film really is Al Pacino's. We see him become a ruthless, cold-blooded killer who alienates himself from his family in ways his father would never have done. He has come so far from the idealistic young man in "GODFATHER I, who joined the Marines in World War I to serve his country and die for it if necessary, to a lonely, paranoid tragic man. There are many poignant scenes concerning his wife and children-- the drawing his son leaves for him in his bedroom, the gift that Tom buys the child because Michael is too busy, his wife Kay's being kept a virtual prisoner at his orders in the family compound, etc.

Once again many acts of violence are interwoven with religion: Michael's son's first communion, the religious parade in New York, Fredo's repeating the Rosary in order to catch a fish, for example.

The cinematography is stunning; the footage from Sicily and New York around the turn of the century and the snow scenes from the American West are beautiful and rich in detail. Mr. Coppola has directed yet another masterpiece.