A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones ... See full summary »
England, 1795: the young Catherine has just married Charles Fengriffen and moves into his castle. She becomes the victim of an old curse that lays on the family. On her wedding night she is raped by a ghost and gets pregnant.
Five men trapped in the basement vault of an office building share visions with each other of their demise. Stories revolve around vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims' deaths. Written by
Since I first saw photos of it when I was a little kid, I wanted to see this early 1970s horror movie from the same British who brought us TALES OF THE CRYPT. When I was like 7 or 8 years old, I was a little chilled by the photo of the man hanging upside-down and a vampire has connected a tap-fawcet to the unfortunate bloke's neck! Sadly, this scene happens in VAULT OF HORROR (1973) exactly as it did in magazine oldies like FAMOUS MONSTERS OF FILMLAND and THE MONSTER TIMES: It's a still shot! That's right, a single photo of the fanged villain and his victim! It's done this way for dramatic effect and seems to work, but I had already seen the exact same thing in printed form!
However, this is not to say I was disapointed. This series of stories is very interesting, with intriguing characters throughout. The ending is predictable to anybody who's already seen TALES OF THE CRYPT, but there's a nifty gore seen earlier in the film where a guy's hands get chopped off. As is often the case with British horror, the emphasis is more on drama than sheer terror-- but it's all pretty entertaining.
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