Branded a coward for surrendering his New Mexico fort to the Confederates without firing a shot, a Union colonel attempts to redeem himself by leading a band of condemned prisoners on a suicide mission to recapture it.
Two missionaries (Bud Spencer and Terence Hill) come into conflict with the authorities when they turn their missionary into a parrot farm. The Bishop of Maracaibo calls them his 'black ... See full summary »
Two nice guys, a wrestler (Bud Spencer) and an Ice-cream vendor (Giuliano Gemma) are mistaken for dangerous killers by an important local gangster, whose nickname is "Sorriso". With the ... See full summary »
Commissary Rizzo in Napoli gets a message from a policeman from South Africa who wants to meet him. Immediatlz before this meeting the south African policeman is killed. Dying he shows ... See full summary »
The "Trinity" crew makes another modern era film. Plata and Salud are pilots ditching aircraft for insurance money. They wind up crashing for real in the jungles of South America. The plot ... See full summary »
Police Commissioner Rizzo, Bigfoot (Piedone by nickname) and Marshal Caputo go to Egypt and look for Professor Cerullo, who is missing. The professor has discovered an insect that can smell... See full summary »
The prison set from John Guillermin's " El Condor " was re-used during the filming. See more »
The film is set in 1862 but features Gatling guns that, presumably, formed part of the fort's arsenal when it was in Union hands.The gun was designed by Dr Richard J Gatling in 1861 and patented on November 4, 1862. Though two examples were employed near Petersburg and eight fitted on gunboats, it was not accepted by the American Army until 1866. So it's most improbable that it would have been available in a remote theatre of the Civil War. See more »
The plot of Tonino Valerii's men-on-a-mission spagwest bears heavy resemblance to THE DIRTY DOZEN while certain sequences are undoubtedly inspired by the climax of Peckinpah's WILD BUNCH. Despite the familiarity of this subject matter, the film turns out to be an engaging little western that tells its story in a spare, lean narrative. It has a gritty, downbeat flavour, is very well shot and makes fine use of some grand sets and isolated locations. Valerii displays a real affinity with the subject matter and brings Ernesto Gastaldi's script to life in a memorable way.
Most of the characters are sidelined in favour of the big hitters, but small wonder when this film features James Coburn and Telly Savalas as protagonist and antagonist respectively. Coburn is stoic, sardonic and a fitting hero, while Savalas plays it subdued throughout. There's also a major role for spagwest stalwart Bud Spencer. Throw in some wonderfully filmed explosions (that put anything Michael Bay's done since to shame) and an epic-feel climax and you have a film that's never less than entertaining.
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